"Marimba Concerto: III. With Energy" by Kevin Puts, Ji Su Jung, Baltimore Symphony Orchestra, Marin Alsop had its release date on February 24, 2023. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Kevin Puts, Katherine Needleman, Ji Su Jung, Baltimore Symphony Orchestra, Marin Alsop's "Kevin Puts: Marimba Concerto, The City & Oboe Concerto No. 2 "Moonlight"" album is number 3 out of 7. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Marimba Concerto: III. With Energy is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Marimba Concerto: III. With Energy by Kevin Puts, Ji Su Jung, Baltimore Symphony Orchestra, Marin Alsop to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ein deutsches Requiem, Op. 45: I. Chorus. Selig sind, die da Leid tragen | Johannes Brahms, Raphael Pichon, Ensemble Pygmalion | F Major | 1 | 7B | 52 BPM | ||
| Amarilli, mia bella | Giulio Caccini, Samuel Mariño, Jonathan Ware | G Major | 0 | 9B | 126 BPM | ||
| The Dream of Gerontius, Op. 38, Pt. 2: XIII. Softly and Gently "Angel's Farewell" | Edward Elgar, Karen Cargill, Huddersfield Choral Society, RNCM Chamber Choir, The Orchestra Of Opera North, Martyn Brabbins | G Major | 1 | 9B | 78 BPM | ||
| Banish Sorrow | Gavin Bryars, Ida Toninato, Jennifer Thiessen, Jean-Christophe Lizotte, Njo Kong Kie | F Major | 1 | 7B | 102 BPM | ||
| Lamento della Ninfa, SV 163: Amor, amor (Arr. for Soprano and Chamber Ensemble by Wolfgang Renz) | Claudio Monteverdi, Regula Mühlemann, CHAARTS Chamber Artists | A♭ Major | 2 | 4B | 61 BPM | ||
| Journey To Still Water Pond | Peter Scott Lewis | D Major | 1 | 10B | 77 BPM | ||
| Caprice viennois, Op. 2 (Arr. Fougeray for Violin and Guitar): III. Presto | Fritz Kreisler, María Dueñas, Raphaël Feuillâtre | G Major | 1 | 9B | 98 BPM | ||
| Falconieri: La Benedetta | Andrea Falconieri, Christina Pluhar, L'Arpeggiata | D Minor | 1 | 7A | 132 BPM | ||
| Emily — No Prisoner Be: No. 26, No Prisoner Be | Kevin Puts, Time For Three, Joyce DiDonato, The Young People's Chorus Of New York City, Francisco J. Núñez | G Major | 1 | 9B | 78 BPM | ||
| The Armed Man (Ensemble Version): X. Agnus Dei | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera | C Major | 0 | 8B | 67 BPM | ||
| Stabat Mater, Op. 58: IX. Inflammatus et accensus (Andante maestoso) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Michaela Selinger | G Major | 1 | 9B | 92 BPM | ||
| Night on Earth | Emily Hultmark, Sara Övinge, Hanne Moe Skjelbred, Gregor Riddell | D Major | 3 | 10B | 95 BPM | ||
| O frondens virga (Arr. Missy Mazzoli) | Hildegard von Bingen, Emily D'Angelo, Mikayel Hakhnazaryan | E Minor | 0 | 9A | 86 BPM | ||
| Phantasy Quintet: III. Alla Sarabanda | Ralph Vaughan Williams, Piatti Quartet, Zahra Benyounes | G Major | 1 | 9B | 78 BPM | ||
| Song of the Birds | Pablo Casals, Sol Gabetta, Amsterdam Sinfonietta | D Major | 1 | 10B | 68 BPM | ||
| Ariadne's Lament (Variations on a Theme by Claudio Monteverdi) | Vladimir Kobekin, Anastasia Kobekina | D♭ Minor | 1 | 12A | 85 BPM | ||
| Bloch: Prayer (From Jewish Life) | Ernest Bloch, Poyraz Baltacıgil | F Minor | 1 | 4A | 134 BPM | ||
| Two Sacred Songs (Hugo Wolf): No. 2, Wunden trägst du mein Geliebter | Igor Stravinsky, Noord Nederlands Orkest, Daniel Reuss, Marianne Beate Kielland | G Major | 1 | 9B | 78 BPM | ||
| Concerto 4-3: I. The Shallows | Jennifer Higdon, Nicolas Kendall, Ranaan Meyer, Charles Yang, Time For Three, Philadelphia Orchestra, Xian Zhang | G Major | 6 | 9B | 146 BPM | ||
| 7 Seascapes: No. 1, Exultation Is the Going of an Inland Soul to Sea | Kevin Puts, Marya Martin, Stewart Rose, Amy Schwartz Moretti, Choong-Jin Chang, Nicholas Canellakis, Jeffrey Beecher, Gilles Vonsattel | B♭ Major | 2 | 6B | 115 BPM | ||
| Enigma Variations, Op. 36: Variation IX. Adagio "Nimrod" - Arr. for String Quartet by Christoph Slenczka | Edward Elgar, Barbican Quartet | G Major | 1 | 9B | 78 BPM | ||
| These Words… | Arvo Pärt, Tallinn Chamber Orchestra, Tõnu Kaljuste | G Minor | 0 | 6A | 71 BPM | ||
| Harpsichord Sonata No. 18: Cantabile (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | ||
| Quintet for Piano & Strings “The Red Snapper”: I. Molto adagio | Kevin Puts, Sandy Yamamoto, John Largess, Amy Levine-Tsang, Peter Lloyd, Gilbert Kalish | F Major | 1 | 7B | 76 BPM | ||
| Harpsichord Sonata No. 73: Allegro in D Major (arr. for Harp) | Antonio Soler, Godelieve Schrama | A Major | 1 | 11B | 94 BPM |