"Messiah, HWV 56, Part I: No. 1, Sinfonia" by George Frideric Handel, London Symphony Orchestra, Sir Colin Davis had its release date on October 9, 2007. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, London Symphony Orchestra, Sir Colin Davis, Susan Gritton, Sara Mingardo, Mark Padmore, Alastair Miles, Tenebrae's "Handel: Messiah" album is number 1 out of 53. On top of that, United Kingdom appears to be the country where this track was created. Messiah, HWV 56, Part I: No. 1, Sinfonia is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messiah, HWV 56, Part I: No. 1, Sinfonia by George Frideric Handel, London Symphony Orchestra, Sir Colin Davis to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite of Carols: III. O come, O come Emmanuel, O come (Version for woodwinds) | Leroy Anderson, BBC Concert Orchestra, Leonard Slatkin | C Minor | 0 | 5A | 127 BPM | ||
| Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment | D♭ Minor | 1 | 12A | 133 BPM | ||
| All We Like Sheep Have Gone Astray | The Tabernacle Choir at Temple Square, Orchestra at Temple Square | F Major | 1 | 7B | 81 BPM | ||
| Messiah / Part 2: "He was despised" | George Frideric Handel, Anna Reynolds, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 83 BPM | ||
| L’enfance du Christ, Op. 25, H 130, Pt. 2: II. L’adieu des bergers (Sung in English) | Hector Berlioz, The Cambridge Singers, City of London Sinfonia, John Rutter | A Major | 1 | 11B | 71 BPM | ||
| Christmas Oratorio, BWV 248 / Part Two - For the second Day of Christmas: No. 10 Sinfonia | Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 0 | 9B | 79 BPM | ||
| The Four Seasons, Winter, Violin Concerto in F Minor, Op. 8/4, RV 297: I. Allegro non molto | Antonio Vivaldi, Michel Schwalbé, Eberhard Finke, Horst Gobel, Berliner Philharmoniker, Herbert von Karajan | F♯ Major | 1 | 2B | 115 BPM | ||
| Concerto No. 1 For Trumpet, 2 Oboes, Strings And Continuo In D, TWV 53:D2: 3. Aria (Poco andante) | Georg Philipp Telemann, Håkan Hardenberger, Celia Nicklin, Tess Miller, John Constable, Academy of St. Martin in the Fields, Iona Brown | D Major | 0 | 10B | 70 BPM | ||
| Lieutenant Kije, Op. 60: Troika | Sergei Prokofiev, London Symphony Orchestra, Yuri Ahronovitch | G Major | 2 | 9B | 71 BPM | ||
| Jeux d'enfants (Petite Suite) (2002 Digital Remaster): Galop (Le bal) | Carlo Maria Giulini, Philharmonia Orchestra | A Major | 8 | 11B | 108 BPM | ||
| Concerto for Trumpet and Orchestra in D Major; I. Adagio | Michael Haydn, Wynton Marsalis, Raymond Leppard | D Major | 0 | 10B | 93 BPM | ||
| Le bourgeois gentilhomme, LWV 43: Marche pour la cérémonie des turcs | Jean-Baptiste Lully, Unknown Artist | D♭ Minor | 3 | 12A | 87 BPM | ||
| Messiah, HWV 56 / Pt. 1: Comfort Ye My People | George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Philip Langridge | B Major | 1 | 1B | 101 BPM | ||
| Herz und Mund und Tat und Leben, Cantata BWV 147 - Arr. Robert Bockholt: Jesu Joy of Men's Desiring | Johann Sebastian Bach, Boston Pops Orchestra, Arthur Fiedler | G Major | 2 | 9B | 101 BPM | ||
| Concerto Grosso In G Minor, Op. 6, No. 8, "Christmas Concerto" : III. Adagio - Allegro - Adagio | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | C Major | 1 | 8B | 122 BPM | ||
| Messiah, HWV 56 / Pt. 1: Symphony | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 3 | 3B | 114 BPM | ||
| If God Be For Us - Live | George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra | E♭ Minor | 1 | 2A | 76 BPM | ||
| Vaughan Williams: Hodie: III. Song. "It Was the Winter Wild" | Ralph Vaughan Williams, David Willcocks, Bach Choir, Janet Baker, London Symphony Orchestra | G Major | 2 | 9B | 123 BPM | ||
| Violin Concerto in E Major, RV 271 "L'amoroso": III. Allegro | Antonio Vivaldi, Thomas Brandis, Berliner Philharmoniker, Herbert von Karajan | E Major | 2 | 12B | 168 BPM | ||
| Dettingen Te Deum in D Major, HWV 283: III. To Thee All Angels Cry Aloud | George Frideric Handel, The English Concert, Simon Preston, The Choir Of Westminster Abbey, Trevor Pinnock | F Major | 1 | 7B | 87 BPM | ||
| Arcangelo Corelli: Christmas Concerto in G Minor, Op. 6, No. 8: II. Allegro | New Trinity Baroque | F♯ Minor | 1 | 11A | 136 BPM | ||
| Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: III. Allegro | Johann Sebastian Bach, Monica Huggett, John Toll, Pavlo Beznosiuk, Richard Campbell, Richard Tunnicliffe, Sarah Cunningham, William Hunt, Orchestra of the Age of Enlightenment | A Major | 2 | 11B | 125 BPM | ||
| Messiah - Part 1: "Behold, A Virgin Shall Conceive...O Thou That Tellest Good Tidings" | George Frideric Handel, Carolyn Watkinson, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 1 | 3B | 83 BPM | ||
| Oh di Betlemme altera povertà (Cantata pastorale per la nascita di Nostro Signore): Introduzione | Alessandro Scarlatti, Mária Zádori, Capella Savaria, Pal Nemeth | A♭ Major | 1 | 4B | 99 BPM | ||
| Messiah, HWV 56, Pt. 1: No. 8, Recit. Behold, a Virgin Shall Conceive, and Bear a Son (Alto) - No. 9, O Thou That Tellest Good Tidings to Zion | George Frideric Handel, Anna Reynolds, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 83 BPM |