"The Next Room" by Kurt Kuenne had its release date on December 5, 2016. With This song being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Preston Tylk (Original Motion Picture Score)". In this album, this song's track order is #15. The Next Room is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Next Room by Kurt Kuenne having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ethel Main Title | Miriam Cutler | F Major | 1 | 7B | 120 BPM | ||
| Glasgow Love Theme - From "Love Actually" | Craig Armstrong, The Royal Philharmonic Concert Orchestra/Paul Bateman, Paul Bateman | A Major | 1 | 11B | 136 BPM | ||
| Wuthering Heights - Cathy's Theme - From "Wuthering Heights" | Alfred Newman, Hollywood Bowl Orchestra, John Mauceri | D♭ Major | 2 | 3B | 88 BPM | ||
| The Aftermath | W.G. Snuffy Walden | G Minor | 1 | 6A | 63 BPM | ||
| Good News, Bad News | John Lunn, The Chamber Orchestra Of London | C Major | 2 | 8B | 64 BPM | ||
| Midnight Waltz | John Ottman | G Minor | 0 | 6A | 98 BPM | ||
| Juliet's Theme | Debbie Wiseman | C Major | 1 | 8B | 95 BPM | ||
| Wallfisch: Lamorma | Yuja Wang, Benjamin Wallfisch | G Major | 1 | 9B | 100 BPM | ||
| First Encounter | Eunike Tanzil | E Major | 1 | 12B | 130 BPM | ||
| November 5, 2001 | Kurt Kuenne | B♭ Minor | 2 | 3A | 110 BPM | ||
| October 4, 2006 | Kurt Kuenne | B♭ Major | 1 | 6B | 136 BPM | ||
| Departure (From "Gattaca") | Jartisto | F Major | 0 | 7B | 100 BPM | ||
| Eli's Theme | Johan Söderqvist | F Minor | 2 | 4A | 76 BPM | ||
| Betrayal | Banco Bangers | A♭ Major | 0 | 4B | 90 BPM | ||
| Toad Path | Terry Davies, Betty O'Barley, Harry O'Hay | G Major | 3 | 9B | 118 BPM | ||
| To All The Ships At Sea | Gabriel Yared | D Minor | 2 | 7A | 82 BPM | ||
| It's Called A Strike | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| Your green harp | Jalaapeno | F Minor | 0 | 4A | 70 BPM | ||
| The Verdict | George Fenton | F Minor | 6 | 4A | 116 BPM | ||
| Trust & Facade | Hollers Gang | E Major | 2 | 12B | 51 BPM | ||
| Kate & David (Piano Solo Version) [From "Dear Zachary"] | Kurt Kuenne | G Minor | 1 | 6A | 120 BPM | ||
| Escapando Entre Mundos | Sirenas Celestiales | G Major | 1 | 9B | 98 BPM | ||
| Bridget Jones's Theme | Craig Armstrong | F Major | 2 | 7B | 116 BPM | ||
| Lazy Mornings | Miljan Minic, Chords And Hearts | E Minor | 0 | 9A | 100 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 166 BPM |