Harikrishna Patel, Milan Jethava, Kishan Raval, Om Changela's ' "Kirtan Sagar 4" was released on its scheduled release date, September 16, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Kirtan Sagar 4 Swaminarayan Kirtan and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. Based on our statistics, Kirtan Sagar 4's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kirtan Sagar 4 by Harikrishna Patel, Milan Jethava, Kishan Raval, Om Changela to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Khandobachya Tya Devala Baher | Sachidanand Appa | E Major | 9 | 12B | 134 BPM | ||
| Jhala Re Jhala Bolbala | Sachidanand Aappa | F♯ Major | 6 | 2B | 104 BPM | ||
| Itni Shakti Mujhe Do | Dheera Ghosh | F♯ Major | 2 | 2B | 125 BPM | ||
| Mari Laju Ho || મારી લાજુ હો | Dwarkesh Studio Official, Meru Ahir | B♭ Major | 6 | 6B | 90 BPM | ||
| Swami Ho Swami | Mahesh Kale, Chintamani Sohoni | D Major | 8 | 10B | 109 BPM | ||
| Juvo chhabi Shyam sundarvar | Chorus, Jaymin Vaidya | D Major | 6 | 10B | 86 BPM | ||
| Nwngbai Malaikha Aswk Salni Ulo | Arun Debbarma | E♭ Major | 9 | 5B | 114 BPM | ||
| Karan Rup Kahave | Harikrishna Patel | B♭ Minor | 6 | 3A | 140 BPM | ||
| Nothing Compares to the Sacred Word | Veer Manpreet Singh | D♭ Major | 3 | 3B | 140 BPM | ||
| Vari Jau Vahalajine | BAPS Swaminarayan Sanstha | A♭ Major | 4 | 4B | 106 BPM | ||
| Aaj Anand Anand Re | Harikrishna Patel | E♭ Minor | 2 | 2A | 134 BPM | ||
| Rudu Swaminarayan Nam | Harikrishna Patel | B Major | 6 | 1B | 132 BPM | ||
| Mujhe Darshan De Gaya Voh | Shresth Dixit | G Major | 4 | 9B | 110 BPM | ||
| Gafil Mat Rehna Beta | Vishnubua Vavnjekar | E♭ Minor | 7 | 2A | 93 BPM | ||
| Ram Ashtakam | Mangesh Borgaonkar | C Minor | 4 | 5A | 80 BPM | ||
| Patni Praapti Mantra | Jitender Singh | D♭ Major | 5 | 3B | 110 BPM | ||
| Svapna Siddhi Praapti Mantra | Jitender Singh | E♭ Major | 6 | 5B | 91 BPM | ||
| Parshva Jinanda Vama | Dilip Bafana | A♭ Major | 7 | 4B | 165 BPM | ||
| Kanda Mula Bhaji | Ajit Kadkade | B♭ Minor | 7 | 3A | 113 BPM | ||
| Ha Re Me To Nirakhya | BAPS Swaminarayan Sanstha | G Major | 4 | 9B | 156 BPM | ||
| Thathri Chhod Chala Banjara | Madan Rai | B Major | 4 | 1B | 79 BPM | ||
| Shiv Manas Puja | Naynesh Jani | C Major | 3 | 8B | 132 BPM | ||
| Swaminarayan Hari Hari | Harikrishna Patel | F♯ Major | 8 | 2B | 133 BPM | ||
| Ami Bhareli Najaru Rakho | Harikrishna Patel | A♭ Major | 10 | 4B | 143 BPM | ||
| Rahejo Mari Akhaldi | Rajkot Gurukul | A♭ Minor | 7 | 1A | 84 BPM |