Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 14b, Pas de deux. Variation I "Tarantella" by Pyotr Ilyich Tchaikovsky, André Previn, Royal Philharmonic Orchestra Song Details

Pyotr Ilyich Tchaikovsky, André Previn, Royal Philharmonic Orchestra's 'Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 14b, Pas de deux. Variation I "Tarantella"' had a release date set for January 1, 1986. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 24 in the song's album "Tchaikovsky: Nutcracker, Op. 71". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United Kingdom. Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 14b, Pas de deux. Variation I "Tarantella" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 14b, Pas de deux. Variation I "Tarantella" by Pyotr Ilyich Tchaikovsky, André Previn, Royal Philharmonic Orchestra having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -19.703 dB
Acousticness: 94%
Danceability: 17%
Energy: 15%
Instrumentalness: 91%
Liveness: 23%
Loudness: 67%
Speechiness: 4%
Valence: 22%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Zapateado Op. 23	Pablo de Sarasate, Sarah Chang, Charles Abramovic	A Major	3	11B	113 BPM
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La Bayadere, Act I, Scene 1: 1. “Introduction"	Evergreen Symphony Orchestra, Kevin Galiè	D Major	0	10B	129 BPM
Carnival of the Animals: Aquarium	Camille Saint-Saëns, Isata Kanneh-Mason, Konya Kanneh-Mason, Braimah Kanneh-Mason, Ayla Sahin, Timothy Ridout, Sheku Kanneh-Mason, Adam Walker, Alasdair Malloy	A Minor	0	8A	70 BPM
Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano)	Christoph Willibald Gluck, Yuja Wang	D Minor	0	7A	70 BPM
Coppelia: Act I - Valse	Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia	E♭ Major	0	5B	89 BPM
Waltz No. 19 in A minor, Op. posth.	Frédéric Chopin, Peter Jablonski	A Minor	0	8A	69 BPM
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "on the G String"	Johann Sebastian Bach, David Bell, Berliner Philharmoniker, Herbert von Karajan	D Major	1	10B	113 BPM
Dance Of The Cygnets	Westminster Concert Orchestra	D Major	3	10B	72 BPM
The Sleeping Beauty, Ballet Suite, op. 66a: Waltz	New Philharmonia Orchestra London, Lawrence Siegel	B♭ Major	1	6B	108 BPM
Ballabile	Blagoje Bersa, Goran Filipec	N/A	N/A	N/A	0 BPM
Swan Lake, Op. 20 (Mariinsky Version), Act II: No. 19a, Pas de deux: Intrada. Tempo di valse	Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev	D Major	1	10B	120 BPM
13 Pieces, Op. 76: No. 2 Etude	Jean Sibelius, Håvard Gimse	A Minor	2	8A	72 BPM
Carnival of the Animals, R. 125: Tortoises	Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gerard Causse, Alain Marion, Michel Arrignon	B♭ Major	0	6B	138 BPM
Prokofiev: Romeo and Juliet, Op. 64, Act 1: Dance of the Knights	Sergei Prokofiev, André Previn, London Symphony Orchestra	C Major	1	8B	86 BPM
Piano Concerto No. 21 in C Major, K. 467: II. Andante	Wolfgang Amadeus Mozart, London Mozart Players, Howard Shelley	F Major	0	7B	179 BPM
Carmen Suite No. 1: 5. Les toréadors	Georges Bizet, Orchestre de Paris, Semyon Bychkov	F Major	4	7B	127 BPM
Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra)	Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the Fields	A Major	0	11B	85 BPM
Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato)	Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts	A Minor	4	8A	91 BPM
Adagio in E Major, K. 261	Wolfgang Amadeus Mozart, Pinchas Zukerman, Saint Paul Chamber Orchestra	E Major	1	12B	100 BPM
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante	Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek	D Major	0	10B	114 BPM
Finale: Scene 1 (Onegin Ballet Suite No 9)	Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery	E Minor	3	9A	103 BPM
Carmen Suite No. 2 (Arr. E. Guiraud): IV. Chanson du toréador	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	F Major	1	7B	109 BPM
Maskerade-Suite: I. Waltz	Aram Khachaturian, Veronika Dudarova, Moscow Symphony Orchestra	G Major	10	9B	107 BPM