On June 8, 2019, the song "Lift Me Up" was released by David H. Wurst. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Lift Me Up's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in David H. Wurst's "Glam Jam" album is number 14 out of 24. On top of that, United States appears to be the country where this track was created. In terms of popularity, Lift Me Up is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Lift Me Up by David H. Wurst to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Metro Pulse | Tony Clarke, RGW | D♭ Major | 2 | 3B | 147 BPM | ||
| Game Day | Tommy Gustafsson | A Major | 6 | 11B | 130 BPM | ||
| Cop Out | Harold Faltermeyer | C Major | 8 | 8B | 96 BPM | ||
| Miami Vice Theme (XL Mix) | Jan Hammer | G Major | 9 | 9B | 115 BPM | ||
| Punch It! | Paul Haslinger | G Major | 10 | 9B | 200 BPM | ||
| Fleshed | The Inspire | D♭ Major | 10 | 3B | 164 BPM | ||
| Echo Device | Malekai | G Minor | 3 | 6A | 118 BPM | ||
| Oligarch - Sam Marshall Remix | Walter Mair, Sam Marshall | D♭ Major | 6 | 3B | 130 BPM | ||
| T3 | Marco Beltrami | D♭ Major | 4 | 3B | 120 BPM | ||
| Anacott Steal | Stewart Copeland | D♭ Major | 6 | 3B | 90 BPM | ||
| Reacher Preps | Tony Morales | E Minor | 0 | 9A | 114 BPM | ||
| Mitus Lumen | Mark Snow | A Minor | 4 | 8A | 180 BPM | ||
| End Credits: Final Suite - The Terminator | Brad Fiedel | E♭ Minor | 4 | 2A | 130 BPM | ||
| Falsas Apariciones | Moon Vagrants | B♭ Minor | 10 | 3A | 160 BPM | ||
| Run For Your Life | The Inspire | F♯ Minor | 10 | 11A | 150 BPM | ||
| Van Chase | Basil Poledouris | C Major | 1 | 8B | 87 BPM | ||
| What the Hell is Going On? | Luke Richards | B♭ Major | 2 | 6B | 130 BPM | ||
| It Has Begun | George S. Clinton | C Minor | 3 | 5A | 153 BPM | ||
| The Equalizer Busy Equalizing | Stewart Copeland | B♭ Major | 6 | 6B | 124 BPM | ||
| Oh Yeah - Remastered 2005 | Yello | F♯ Major | 9 | 2B | 133 BPM | ||
| ESCAPE FROM NEW YORK: Main Title | San Fernando Symphonic Assembly | E Minor | 3 | 9A | 79 BPM | ||
| Random Complication | Geoff Zanelli | G Minor | 5 | 6A | 160 BPM | ||
| Atramentous Angel | Etherwound Phantom | D Major | 6 | 10B | 98 BPM | ||
| Preparing for War | Brian Tyler | B Minor | 7 | 10A | 119 BPM | ||
| Cloud Tyrant | Saira Ridley | C Major | 3 | 8B | 108 BPM |