"Overture For Wind Instruments, Op. 24, MWV P1 (für Harmoniemusik)" by Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado had its release date on January 1, 1985. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado's "Mendelssohn: Overtures" album is number 4 out of 7. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Overture For Wind Instruments, Op. 24, MWV P1 (für Harmoniemusik)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Overture For Wind Instruments, Op. 24, MWV P1 (für Harmoniemusik) by Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pictures at an Exhibition (Orch. Ravel): VIII. Catacombae "Sepulcrum romanum" - Cum mortuis in lingua mortua | Modest Mussorgsky, London Symphony Orchestra, Claudio Abbado | E Minor | 2 | 9A | 125 BPM | ||
| Holberg Suite, Op. 40: III. Gavotte. Allegretto | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 78 BPM | ||
| Symphony No. 1 in D Major, Op. 25 "Classical Symphony": IV. Finale. Molto vivace | Sergei Prokofiev, London Symphony Orchestra, Valery Gergiev | D Major | 1 | 10B | 100 BPM | ||
| Symphony No. 5: V. Rondo-Finale. Allegro | Gustav Mahler, Chicago Symphony Orchestra, Claudio Abbado | D Major | 2 | 10B | 118 BPM | ||
| Symphony No. 3 in E flat, Op. 97 - "Rhenish": 4. Feierlich | Robert Schumann, Los Angeles Philharmonic, Carlo Maria Giulini | E♭ Minor | 1 | 2A | 75 BPM | ||
| Symphonic Metamorphoses on Themes of Carl Maria von Weber: IV. Marsch | Paul Hindemith, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 77 BPM | ||
| Horn Concerto No. 1 in E Flat Major, Op. 11, TrV. 117: Allegro | Richard Strauss, Lars-Michael Stransky, Wiener Philharmoniker, André Previn | G Major | 1 | 9B | 177 BPM | ||
| The Three-Cornered Hat: Suite No. 2 - Three Dances, II. The Miller's Dance - Farruca | Manuel de Falla, Philadelphia Orchestra, Raphael Frühbeck de Burgos | G Major | 2 | 9B | 78 BPM | ||
| Symphonie fantastique, H. 48: IV. Marche au supplice | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Minor | 2 | 6A | 166 BPM | ||
| Symphony No.3 in E flat, Op.97 - "Rhenish": 5. Lebhaft | Robert Schumann, Los Angeles Philharmonic, Carlo Maria Giulini | E♭ Major | 3 | 5B | 116 BPM | ||
| Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
| Piano Concerto in A Minor, Op. 54: III. Allegro vivace | Robert Schumann, London Symphony Orchestra, Maria João Pires, John Eliot Gardiner | A Major | 0 | 11B | 77 BPM | ||
| Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation XIII. Romanza. *** | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | C Minor | 0 | 5A | 62 BPM | ||
| Symphony No. 3 in C Minor, Op. 78, R. 176 "Organ": II. Maestoso - Allegro - Più allegro - Molto allegro - Pesante | Camille Saint-Saëns, Olivier Latry, Philadelphia Orchestra, Christoph Eschenbach | C Minor | 1 | 5A | 67 BPM | ||
| Symphony No. 2 in B Minor: II. Scherzo | Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | F Major | 1 | 7B | 83 BPM | ||
| Prelude to "La princesse lointaine", Op. 4 | Nikolai Tcherepnin, Bamberg Symphony, Łukasz Borowicz | A Major | 1 | 11B | 111 BPM | ||
| L'Arlésienne Suite No. 1, WD 40: IV. Carillon | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 65 BPM | ||
| Samson et Dalila, Op. 47, R. 288 / Act 3: Bacchanale | Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim | B Major | 3 | 1B | 94 BPM | ||
| Ruslan and Lyudmila: Overture | Mikhail Glinka, London Symphony Orchestra, Sir Georg Solti | D Major | 3 | 10B | 83 BPM | ||
| Molly on the Shore, BFMS 23 (Version for Wind Ensemble) | Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset | C Major | 2 | 8B | 125 BPM | ||
| Le carnaval romain, Overture, H. 95 | Hector Berlioz, Berliner Philharmoniker, Claudio Abbado | A Major | 2 | 11B | 83 BPM | ||
| Götterdämmerung, WWV 86D, Act I: Day Breaking 'Round Siegfried's and Brünnhilde's Passion | Richard Wagner, Berliner Philharmoniker, Lorin Maazel | B♭ Minor | 1 | 3A | 68 BPM | ||
| IV. Allegro molto (Arr. H. Sitt for orchestra) | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | D Minor | 0 | 7A | 96 BPM | ||
| Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester | E Major | 2 | 12B | 161 BPM | ||
| Symphony No. 1 in D Major: 2. Kräftig bewegt - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | A Major | 1 | 11B | 96 BPM |