"White's SS" by Gavin Bryars had its release date on 1980. This song is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. The song is number 4 out of 17 in Crepuscule Compilation Tracks (Vol 1) by Various Artists. In terms of popularity, White's SS is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of White's SS by Gavin Bryars is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Entr'acte | Caroline Shaw, Attacca Quartet | D Minor | 0 | 7A | 128 BPM | ||
| Tavener: The Protecting Veil: I. The Protecting Veil | John Tavener, Steven Isserlis, Gennady Rozhdestvensky, London Symphony Orchestra | F Major | 1 | 7B | 80 BPM | ||
| Ochre: I. Siderite | Caroline Shaw, The Crossing, Donald Nally, Dan Schwartz | D Major | 1 | 10B | 128 BPM | ||
| Etude No. 5 (Arr. M. Beiser for Cello) | Philip Glass, Maya Beiser | F♯ Major | 6 | 2B | 127 BPM | ||
| El Tiempo Tiene | Bryan El Desconocido | F♯ Major | 1 | 2B | 83 BPM | ||
| Rising Thermal 14° 16' N; 32° 28' E | Jon Hassell, Brian Eno | E♭ Major | 0 | 5B | 74 BPM | ||
| Lux aeterna | György Ligeti, Schola Heidelberg, Walter Nußbaum | E♭ Major | 0 | 5B | 79 BPM | ||
| Lumberton | Tuxedomoon, Cult With No Name | D Major | 1 | 10B | 93 BPM | ||
| Crossing | Julia Kent | F Major | 0 | 7B | 51 BPM | ||
| Cadmium Red | Gavin Bryars, John Christie, John Berger, Roger Heaton, James Woodrow, Bill Hawkes | B Minor | 6 | 10A | 111 BPM | ||
| Being Anne | Anne Müller | E Minor | 2 | 9A | 84 BPM | ||
| Lac des Arcs | Julia Kent | A Minor | 3 | 8A | 147 BPM | ||
| Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Danish String Quartet | E♭ Major | 0 | 5B | 77 BPM | ||
| Autumn | Gavin Bryars, Sonic Open Orchestra, Jason Martin Castillo, Zachary Paul, Drum & Lace, Dave Valdez | A♭ Major | 4 | 4B | 75 BPM | ||
| Aether | Hildur Guðnadóttir | A Minor | 0 | 8A | 169 BPM | ||
| M is for Man, Music, Mozart: The Eisenstein Song | Louis Andriessen, Jurjen Hempel, Orkest De Volharding | B♭ Minor | 0 | 3A | 59 BPM | ||
| Fables | David Darling | E♭ Major | 0 | 5B | 112 BPM | ||
| Plan & Elevation: III. The Herbaceous Border | Caroline Shaw, Attacca Quartet | E Minor | 2 | 9A | 112 BPM | ||
| Soft Sky | Safura Gokmen, Snizilla | D♭ Major | 3 | 3B | 70 BPM | ||
| Adès: Les baricades mistérieuses | Thomas Adès, Composers Ensemble | B♭ Major | 0 | 6B | 132 BPM | ||
| The Sinking of the Titanic: 8. Titanic Lament | Gavin Bryars, Gavin Bryars Ensemble | D♭ Major | 1 | 3B | 89 BPM | ||
| Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Signum Quartet | E♭ Major | 0 | 5B | 85 BPM | ||
| In C: Part 01 | Terry Riley, Blindman Kwartet, Ictus | C Major | 2 | 8B | 129 BPM | ||
| Mikros | Anna Thorvaldsdottir, Gyða Valtýsdóttir | F Major | 2 | 7B | 62 BPM | ||
| Scene 5 | Michael Galasso | A Minor | 3 | 8A | 66 BPM |