"Shatter Into Form I" by Madison Cunningham had its release date on October 10, 2025. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 1 out of 14 in Ace by Madison Cunningham. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Shatter Into Form I is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Shatter Into Form I by Madison Cunningham is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Last Night In Shropshire | Jerskin Fendrix | F Major | 1 | 7B | 78 BPM | ||
| All I’ve Ever Known | Madison Cunningham | F Major | 4 | 7B | 128 BPM | ||
| Little Boy | Brian Eno, Beatie Wolfe | G Major | 1 | 9B | 85 BPM | ||
| Downstairs | Kaki King | B Major | 3 | 1B | 149 BPM | ||
| care - interlude | Martin Luke Brown | F Major | 6 | 7B | 135 BPM | ||
| My Brother | Joseph Shabason, Thom Gill | D Major | 2 | 10B | 109 BPM | ||
| Treehouse | Bill Laurance | E♭ Major | 1 | 5B | 108 BPM | ||
| Interlude (Time Passages) | Laura Marling | F♯ Major | 1 | 2B | 111 BPM | ||
| The Way Love Goes | Wednesday | B♭ Major | 2 | 6B | 140 BPM | ||
| The First of the Salmonflies | Kennebec | G Minor | 6 | 6A | 92 BPM | ||
| Aviary I | Sunrise | Rafiq Bhatia | B Minor | 4 | 10A | 81 BPM | ||
| Lullaby (Instrumental) | Laura Marling | F♯ Major | 1 | 2B | 111 BPM | ||
| Odd Evens | SML | F♯ Minor | 7 | 11A | 94 BPM | ||
| Pendulum Swing | Courtney Marie Andrews | A Major | 3 | 11B | 105 BPM | ||
| Dog | Steve Gunn | F♯ Minor | 1 | 11A | 78 BPM | ||
| Before Life | Brian Eno, Beatie Wolfe | E Minor | 3 | 9A | 138 BPM | ||
| Keep Me in the Dark | Flock of Dimes | D♭ Major | 6 | 3B | 150 BPM | ||
| Blast | Animal Collective | C Major | 5 | 8B | 141 BPM | ||
| Holy Equation | Anna Tivel | G Major | 2 | 9B | 89 BPM | ||
| Riding To The Ranch | Jake Xerxes Fussell, James Elkington | F Major | 2 | 7B | 85 BPM | ||
| Osaka | Emily A. Sprague | C Major | 2 | 8B | 174 BPM | ||
| fragment of | Ambre Ciel | G Major | 0 | 9B | 172 BPM | ||
| Life's Work | Hannah Frances, Daniel Rossen | B♭ Major | 4 | 6B | 96 BPM | ||
| Afternoon | Faten Kanaan | A Minor | 1 | 8A | 70 BPM | ||
| after all this time, Beirut | Yara Asmar | E♭ Major | 3 | 5B | 117 BPM |