Fauré / Arr. Rutter: Requiem, Op. 48: IV. Pie Jesu by Gabriel Fauré, Edward Higginbottom, Choir of New College, Oxford, Capricorn Song Details

"Fauré / Arr. Rutter: Requiem, Op. 48: IV. Pie Jesu" by Gabriel Fauré, Edward Higginbottom, Choir of New College, Oxford, Capricorn had its release date on 1996. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 26 in Agnus Dei Volumes 1 & 2 by Edward Higginbottom. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Fauré / Arr. Rutter: Requiem, Op. 48: IV. Pie Jesu is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Fauré / Arr. Rutter: Requiem, Op. 48: IV. Pie Jesu by Gabriel Fauré, Edward Higginbottom, Choir of New College, Oxford, Capricorn is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.

Music Key

This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 14%
Loudness: -27.29 dB
Acousticness: 97%
Danceability: 21%
Energy: 5%
Instrumentalness: 42%
Liveness: 10%
Loudness: 55%
Speechiness: 6%
Valence: 4%

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