James Scott Balentine, Roco, Timothy Jones, Mei-Ann Chen, Andrew Bradley's ' "Ride on King Jesus" was released on its scheduled release date, February 1, 2018. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Ride on King Jesus's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "ROCO in Concert: October 2011". In this album, this song's track order is #9. Based on our statistics, Ride on King Jesus's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Ride on King Jesus by James Scott Balentine, Roco, Timothy Jones, Mei-Ann Chen, Andrew Bradley having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ravel: String Quartet, M. 35: II. Assez vif - Très rythmé | Maurice Ravel, Quatuor Ébène | F Major | 0 | 7B | 144 BPM | ||
| March, Strathspey and Reel: I. McKinnon's Ceilidh | James Scott Balentine, Robert Walzel, Steven Glaser | C Minor | 1 | 5A | 80 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: I. Ouvertüre | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson | A♭ Major | 0 | 4B | 133 BPM | ||
| Milhaud: Sonatina for Flute and Piano, Op. 76: I. Tendre | Darius Milhaud, Emmanuel Pahud, Eric Le Sage | D♭ Major | 0 | 3B | 82 BPM | ||
| Violin Concerto, Op. 36: 2. Andante grazioso | Arnold Schoenberg, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D Minor | 1 | 7A | 103 BPM | ||
| ソナタ: ソナタ: I. 精力的に | Paul Creston, Nobuya Sugawa, 小柳美奈子 | A♭ Minor | 2 | 1A | 126 BPM | ||
| Altar de Viento: I. Luz Eólica | Orquesta Sinfónica de Heredia, Eddie Mora, Alejandro Escuer | F♯ Major | 3 | 2B | 80 BPM | ||
| Oboe Sonata, FP 185: III. Déploration: Très calme | Francis Poulenc, Olivier Doise, Alexandre Tharaud | E♭ Minor | 0 | 2A | 63 BPM | ||
| Dun Eideann Blogh: III. Lothian No. 26 | James Scott Balentine, Robert Walzel, Eric Stomberg, Moravian Philharmonic Orchestra, Petr Vronsky | B♭ Major | 2 | 6B | 94 BPM | ||
| Caplet: Quintet for Piano & Winds, Op. 8: II. Adagio | André Caplet, Les Vents Français | F♯ Minor | 1 | 11A | 131 BPM | ||
| Sonata Santera: II. Ofrenda | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Peter Grimes, Op. 33, Act II: Interlude III | Benjamin Britten, Edward Gardner, Bergen Philharmonic Orchestra | F Major | 0 | 7B | 58 BPM | ||
| Hindemith: Flute Sonata: I. Heiter bewegt | Paul Hindemith, Emmanuel Pahud, Eric Le Sage | F♯ Major | 0 | 2B | 71 BPM | ||
| Quartet for the End of Time | Olivier Messiaen, The Fibonacci Sequence, Jack Liebeck, Julian Farrell, Benjamin Hughes, Kathron Sturrock | F♯ Major | 1 | 2B | 103 BPM | ||
| Tríptico R(ojo) | Renato Pedro Di Prinzio, Renato Di Prinzio | E♭ Major | 2 | 5B | 134 BPM | ||
| 3 Latin American Sketches: Paisaje Mexicano | Aaron Copland, Nashville Chamber Orchestra, Paul Gambill | F♯ Major | 0 | 2B | 70 BPM | ||
| String Quartet No. 14 in C-Sharp Minor, Op. 131: 6. Adagio quasi un poco andante | Ludwig van Beethoven, Takács Quartet | A♭ Minor | 0 | 1A | 87 BPM | ||
| String Quartet No. 1 in C Major, Op. 49: 3. Allegro molto | Dmitri Shostakovich, Borodin Quartet | G Minor | 3 | 6A | 121 BPM | ||
| Nine Wild Exotic Dances: VI. Dreher | James Scott Balentine, Robert Walzel, Steven Glaser | G Major | 3 | 9B | 88 BPM | ||
| Tomasi: Trumpet Concerto: I. Allegro - Cadenza | Henri Tomasi, Sergei Nakariakov, Orchestre de Chambre de Lausanne, Jesús López-Cobos | F Major | 2 | 7B | 113 BPM | ||
| Románc (Arr. for Cello & String Orchestra by Mariusz Smolij) | Eugene Zador, Richard Rozsa, MÁV Symphony Orchestra, Budapest, Mariusz Smolij | F Major | 2 | 7B | 93 BPM | ||
| Symphony No. 9: IVa. Adagio. Sehr langsam und noch zurückhaltend - Live at Philharmonie, Berlin, 1982 | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 82 BPM | ||
| Bach, CPE: Duet for Clarinets in C Major, Wq. 142: I. Adagio e sostenuto | Carl Philipp Emanuel Bach, Sabine Meyer, Wolfgang Meyer | C Major | 0 | 8B | 74 BPM | ||
| Barber: Summer Music, Op. 31: I. Slow and indolent | Samuel Barber, Jeanne Baxtresser, Joseph Robinson, Stanley Drucker, Judith LeClair, Philip Myers | A♭ Minor | 0 | 1A | 72 BPM | ||
| Symphony in 3 Movements, K073: II. Andante Interlude | Igor Stravinsky, Orchestre National Bordeaux Aquitaine, Bar Avni | A♭ Major | 0 | 4B | 133 BPM |