Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan's ' "Variations on a Theme by Haydn, Op. 56a: Var. 3. Con moto - Recorded 1964" was released on its scheduled release date, September 6, 2024. With This song being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johannes Brahms, Herbert von Karajan, Max Bruch's "Karajan A-Z: Brahms - Bruch" album is number 29 out of 121. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Variations on a Theme by Haydn, Op. 56a: Var. 3. Con moto - Recorded 1964 is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Variations on a Theme by Haydn, Op. 56a: Var. 3. Con moto - Recorded 1964 by Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Le Sacre du Printemps / Pt 1: L'Adoration de la Terre: 1. Introduction | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | D♭ Minor | 0 | 12A | 97 BPM | ||
| Violin Concerto in E Minor, Op. 64, MWV O 14: III. Allegro non troppo - Allegro molto vivace | Felix Mendelssohn, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | E Major | 2 | 12B | 78 BPM | ||
| Symphony No. 4, Op. 29 "The Inextinguishable": II. Poco allegretto | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | C Major | 0 | 8B | 77 BPM | ||
| Symphony No. 1 in B-Flat Major, Op. 38 "Spring": I. Andante un poco maestoso – Allegro molto vivace | Robert Schumann, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 67 BPM | ||
| Parsifal, Act II: Wehe! Was tat ich? Wo war ich? – Bekenntnis wird Schuld in Reue enden | Richard Wagner, Dunja Vejzovic, Peter Hofmann, Berliner Philharmoniker, Herbert von Karajan | G Major | 3 | 9B | 80 BPM | ||
| Symphonie No. 3 in E flat Major, Op. 97 - "Rheinische": V. Lebhaft | Klaus Tennstedt, Berliner Philharmoniker | E♭ Major | 3 | 5B | 123 BPM | ||
| Don Quixote, Op. 35: V. Var. 2, The Battle with the Sheep. Kriegerisch | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | G Major | 3 | 9B | 80 BPM | ||
| Götterdämmerung, WWV 86D / Erster Aufzug: "Nun hör, Hagen, sage mir, Held" | Richard Wagner, Gundula Janowitz, Thomas Stewart, Karl Ridderbusch, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 79 BPM | ||
| Symphony No. 41 in C Major, K. 551 "Jupiter": II. Andante cantabile | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Sir Simon Rattle | F Major | 0 | 7B | 84 BPM | ||
| Die Walküre, Act I Scene 3: War Wälse dein Vater, und bist du ein Wälsung | Richard Wagner, Gundula Janowitz, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan | E Major | 3 | 12B | 82 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): IX. The Hut on Fowl's Legs "Baba-Yaga" - Recorded 1966 | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | C Minor | 1 | 5A | 182 BPM | ||
| Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto – Vivace - Recorded 1962 | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 58 BPM | ||
| Symphony No. 9 in E-Flat Major, Op. 70: II. Moderato | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | B♭ Minor | 2 | 3A | 122 BPM | ||
| Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
| Wagner: Lohengrin, Act 3: Prelude | Richard Wagner, Herbert von Karajan, Berliner Philharmoniker | G Major | 3 | 9B | 80 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Midori, Mariss Jansons, Berliner Philharmoniker | D♭ Major | 1 | 3B | 125 BPM | ||
| Symphony No. 4 in D Minor, Op. 120: I. Ziemlich langsam – Lebhaft | Robert Schumann, Berliner Philharmoniker, Herbert von Karajan | C Minor | 2 | 5A | 103 BPM | ||
| Wagner: Tristan und Isolde, Act 1: "Auf! Auf! Ihr Frauen!" (Kurwenal, Isolde, Brangäne) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Falk Struckmann, Marjana Lipovsek, Waltraud Meier | C Major | 3 | 8B | 171 BPM | ||
| Das Rheingold, Scene 3: Hehe! hieher! Tückischer Zwerg! – Schau, du Schelm! | Richard Wagner, Erwin Wohlfahrt, Zoltan Kelemen, Berliner Philharmoniker, Herbert von Karajan | E♭ Minor | 3 | 2A | 100 BPM | ||
| Don Quixote, Op. 35: IV. Var. 1, The Adventures of the Windmills. Gemächlich | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 2 | 5B | 121 BPM | ||
| Symphony No.7 in D Minor, Op.70, B.141: 3. Scherzo (Vivace) | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 74 BPM | ||
| The Rite of Spring, K15, Pt. 2: XI. Glorification of the Chosen One | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 86 BPM | ||
| Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 4. A Spring In The Park | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 133 BPM | ||
| Eine Alpensinfonie, Op. 64: IX. Auf der Alm | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 80 BPM | ||
| Die Walküre, Act III Scene 2: Hier bin ich, Vater | Richard Wagner, Régine Crespin, Liselotte Rebmann, Ingrid Steger, Lilo Brockhaus, Danica Mastilovic, Carlotta Ordassy, Barbro Ericson, Cvetka Ahlin, Helga Jenckel, Thomas Stewart, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 3 | 3B | 98 BPM |