"Granular Fragments: I. Approach-Recession" by James Moriarty, London Symphony Orchestra, François-Xavier Roth had its release date on April 1, 2016. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 27 in the song's album "The Panufnik Legacies II". In this album, this song's track order is #20. Granular Fragments: I. Approach-Recession is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Granular Fragments: I. Approach-Recession by James Moriarty, London Symphony Orchestra, François-Xavier Roth having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Twilight Colors: II. Colors of Dawn (Contrapunctus Variabilis VI) | Chou Wen-chung, Boston Musica Viva, Richard Pittman | A Minor | 2 | 8A | 108 BPM | ||
| Jellybean | Regan | A Major | 3 | 11B | 122 BPM | ||
| Granular Fragments: I. Approach-Recession | James Moriarty, London Symphony Orchestra, François-Xavier Roth | G Major | 1 | 9B | 64 BPM | ||
| My Praise | Dpincy | D Major | 1 | 10B | 145 BPM | ||
| La jirafa estirada | musica infantil para niños | C Major | 6 | 8B | 140 BPM | ||
| Maddalena - Intermezzo per pianoforte | Ennio Morricone | F♯ Minor | 2 | 11A | 97 BPM | ||
| Sleepy Baby Blanket Song | TinyTunes | C Major | 2 | 8B | 70 BPM | ||
| Bear In The Big Blue House | Aron Apping | A♭ Major | 6 | 4B | 155 BPM | ||
| A Thousand Small Deliberations | Langham Research Centre, John Butcher | F Major | 3 | 7B | 131 BPM | ||
| Aries (aus SIRIUS) · für C-Trompete & Elektronische Musik (1977): (Anfang) | Karlheinz Stockhausen, Markus Stockhausen | B♭ Major | 3 | 6B | 113 BPM | ||
| Lights Fade Out | Ana Sleepwell | F♯ Major | 1 | 2B | 130 BPM | ||
| Time to sleep 16 | 77iete | C Major | 6 | 8B | 115 BPM | ||
| You Can Do This | Magic Steps Music | B♭ Minor | 6 | 3A | 112 BPM | ||
| May Birds | Nico Muhly | B Major | 2 | 1B | 80 BPM | ||
| Good This Year | Mr. Moushe | D Major | 1 | 10B | 145 BPM | ||
| Lyric Suite, "Split the Lark - And you'll find the Music": I. Bells in Steeples | Gloria Coates, Peter Sheppard Skærved, Neil Heyde, Roderick Chadwick | D♭ Major | 2 | 3B | 78 BPM | ||
| Static: II. Ethereal | Sebastian Currier, ÓNIX Ensamble, Alejandro Escuer | C Minor | 2 | 5A | 71 BPM | ||
| Futari shizuka "The Maiden from the Sea": Dance | Toshio Hosokawa, Residentie Orkest The Hague, Jun Markl | A Minor | 2 | 8A | 87 BPM | ||
| Tres Estrellas Brillantes | Willy Didacta | F Major | 3 | 7B | 200 BPM | ||
| Pinguins Pals | Teacher Henyu | D Major | 1 | 10B | 145 BPM | ||
| Time to rest 4 | 77iete | C Major | 8 | 8B | 158 BPM | ||
| Wheeze | Tod Dockstader | A♭ Major | 3 | 4B | 72 BPM | ||
| Comin' Back Home Again | Goodtime Charlie Rice, Tracy Wolters | B Minor | 5 | 10A | 75 BPM | ||
| Green Onion Song | Katuri | G Major | 3 | 9B | 78 BPM | ||
| Ufo | Ashes Streets | D Major | 1 | 10B | 145 BPM |