"Horn Concerto, Op. 58: III. Finale" by Ruth Gipps, Martin Owen, BBC Philharmonic, Rumon Gamba had its release date on January 3, 2025. This song is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. The track order of this song in Ruth Gipps, Martin Owen, BBC Philharmonic, Rumon Gamba's "Gipps: Orchestral Works Vol. 3" album is number 5 out of 10. On top of that, United Kingdom appears to be the country where this track was created. Horn Concerto, Op. 58: III. Finale is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Horn Concerto, Op. 58: III. Finale by Ruth Gipps, Martin Owen, BBC Philharmonic, Rumon Gamba to be Lento (slowly) because the track has a tempo of 47 BPM, a half-time of 24BPM, and a double-time of 94 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Variations on a Rococo Theme, Op. 33, TH 57: Var. V: Allegro moderato | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | A Major | 0 | 11B | 107 BPM | ||
| Symphony No. 4, Op. 29 "The Inextinguishable": II. Poco allegretto | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | C Major | 0 | 8B | 77 BPM | ||
| Oboe Sonata No. 2, Op. 66: II. Adagio | Ruth Gipps, Juliana Koch, Michael McHale | D♭ Minor | 1 | 12A | 73 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Angela Cheng, Jens Lindemann, CBC Radio Orchestra, Mario Bernardi | C Minor | 0 | 5A | 175 BPM | ||
| Symphony No. 2 in B Minor: II. Scherzo. Prestissimo – Allegretto | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | F Major | 1 | 7B | 111 BPM | ||
| Suffolk Suite: II. Orford Ness. Allegretto grazioso | Doreen Carwithen, Richard Hickox, London Symphony Orchestra | G Major | 0 | 9B | 78 BPM | ||
| Symphony No. 3, Op. 57: II. Theme and Variations | Ruth Gipps, BBC Philharmonic, Rumon Gamba | G Major | 1 | 9B | 137 BPM | ||
| Symphony No. 2 in One Movement, Op. 30: III. Andante | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | F♯ Minor | 0 | 11A | 64 BPM | ||
| Symphony No. 5 in A Minor, Op. 90 "Sinfonia brevis": III. Intermezzo | Erkki Melartin, Turku Philharmonic Orchestra, Ari Rasilainen | E Minor | 2 | 9A | 134 BPM | ||
| Schubert: Rosamunde, Op. 26, D. 797: Entr'acte No. 3, Andantino | Franz Schubert, San Francisco Symphony, Michael Tilson Thomas | B♭ Major | 0 | 6B | 69 BPM | ||
| Gli uccelli, P. 154: II. La colomba. Andante expressivo (The Birds) | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | F♯ Minor | 1 | 11A | 58 BPM | ||
| Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Luzerner Sinfonieorchester, Michael Sanderling | A Minor | 2 | 8A | 130 BPM | ||
| Masques et bergamasques Suite, Op. 112: I. Ouverture. Allegro molto vivo | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | F♯ Minor | 0 | 11A | 80 BPM | ||
| Concerto in F Minor, Op. 5 "Grand": II. Andante pastorale | Bernhard Henrik Crusell, Michael Collins, Swedish Chamber Orchestra | B♭ Major | 0 | 6B | 119 BPM | ||
| 2 Melodies, Op. 53: No. 2, Det forste mode (The First Meeting) [Version for Orchestra] | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | C Major | 1 | 8B | 75 BPM | ||
| Pulcinella Suite: IV. Tarantella - Live | Igor Stravinsky, New York Philharmonic, Kurt Masur | D Minor | 6 | 7A | 123 BPM | ||
| Montgomery Variations: I. The Decision – Andante deciso | Margaret Bonds, Philadelphia Orchestra, Yannick Nézet-Séguin | D Minor | 0 | 7A | 141 BPM | ||
| Falla: El sombrero de tres picos, Pt. 2: Danza final | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 3 | 8B | 93 BPM | ||
| Charterhouse Suite: Slow Air | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | G Minor | 0 | 6A | 106 BPM | ||
| A Song before Sunrise | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 135 BPM | ||
| Grieg: The Last Spring, Op. 34, No. 2 | Edvard Grieg, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 89 BPM | ||
| Irish Lament | Ernest John Moeran, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 131 BPM | ||
| Violin Concerto in D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Vadim Gluzman, Hague Residentie Orchestra, Neeme Järvi | D Major | 1 | 10B | 88 BPM | ||
| Spring Fire, GP 153: IV. Woodland Love. Romance | Vernon Handley, Royal Philharmonic Orchestra | F♯ Minor | 0 | 11A | 68 BPM | ||
| Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM |