"A Child is Born in Bethlehem" by Samuel Scheidt, The Choral Project had its release date on January 1, 2006. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. A Child is Born in Bethlehem's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Winter by The Choral Project. The song's track number on the album is #2 out of 16 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, A Child is Born in Bethlehem's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since A Child is Born in Bethlehem by Samuel Scheidt, The Choral Project has a tempo of 134 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With A Child is Born in Bethlehem being at 134 BPM, the half-time would be 67 BPM with a double-time of 268 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pavana Philippi | Jan Pieterszoon Sweelinck, Harmonia Recorder Ensemble | C Major | 0 | 8B | 81 BPM | ||
| Magnificat super Ancor che col partire di Cipriano à 5 | Orlande de Lassus, Chœur De Chambre De Namur, Leonardo García-Alarcón, Caroline Weynants, Lieselot De Wilde, Jérôme Vavasseur | D Minor | 1 | 7A | 135 BPM | ||
| O Mensch, bewein dein Sünde gross | Caspar Othmayr, Vox Luminis, Lionel Meunier, Haru Kitamika | F Major | 1 | 7B | 95 BPM | ||
| Mass for unaccompanied double choir: V. Agnus Dei | Frank Martin, RIAS Kammerchor, Daniel Reuss | E Minor | 0 | 9A | 84 BPM | ||
| Inviolata, integra et casta | Josquin des Prez, Odhecaton, Paolo da Col | G Major | 2 | 9B | 69 BPM | ||
| Missa sopra Ecco si beato giorno: Kyrie | Alessandro Striggio, Le Concert Spirituel, Hervé Niquet | F Major | 2 | 7B | 76 BPM | ||
| Messa Della Domenica: Tocata Cromaticha Per la levatione | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
| A und O | Athesinus Consort Berlin, Klaus-Martin Bresgott | C Minor | 1 | 5A | 78 BPM | ||
| Battle Suite: II. Courant Dolorosa | Samuel Scheidt, Berlin Brass Quintet | G Minor | 0 | 6A | 172 BPM | ||
| Innsbruck, ich muß dich lassen | Heinrich Isaac, Harmonia Recorder Ensemble | C Major | 0 | 8B | 135 BPM | ||
| Messe brève No. 7: IV. O Salutaris Hostia | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | D♭ Major | 2 | 3B | 97 BPM | ||
| Petite messe solennelle: XI. Credo. Credo in unum Deum | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
| I Will Rejoice | Vincent Miller, Cantate Domino, Seth Bergey | D♭ Major | 1 | 3B | 134 BPM | ||
| Tsalandè | L'Accroche-Choeur, Ensemble Vocal Fribourg | A♭ Major | 1 | 4B | 63 BPM | ||
| Sub tuum praesidium, H. 28 | Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé | G Minor | 1 | 6A | 126 BPM | ||
| Maa on nii kaunis | Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | E♭ Major | 1 | 5B | 106 BPM | ||
| Tristis Est Anima Mea | Johann Kuhnau | F Minor | 1 | 4A | 134 BPM | ||
| Schaffe in mir Gott ein rein Herz - Psalm 51, 12-14 | Athesinus Consort Berlin, Klaus-Martin Bresgott | F♯ Minor | 0 | 11A | 88 BPM | ||
| Nun hab ich überwunden | Johann Michael Bach, Vox Luminis, Lionel Meunier | G Major | 1 | 9B | 170 BPM | ||
| Immer wieder | Athesinus Consort Berlin, Klaus-Martin Bresgott, Katja Kunze, Heike O. Scheel, Stephan M. Gähler, Roland Gereon Faust, Arno Schneider | B♭ Minor | 2 | 3A | 81 BPM | ||
| Et misericordia | Haderslev Domkirkes Pigekor, Thomas Berg-Juul, Julia Tabakova, Jonas Hellesøe, Anne Mette Balling, Strygerensemble fra Sønderjyllands Symfoniorkester | D Major | 2 | 10B | 179 BPM | ||
| Mass in E-Flat Major (Cantus missae), Op.109: VI. Agnus Dei | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 76 BPM | ||
| Messe Solennelle, Op. 16 - Benedictus | Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot | E Major | 1 | 12B | 57 BPM | ||
| Ist nicht Ephraim mein teurer Sohn | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Major | 1 | 9B | 128 BPM | ||
| Requiem in C Minor, MH 155 "Pro defuncto Archiepiscopo Sigismundo": III. Offertorium. Domine Jesu Christe | Michael Haydn, Julia Doyle, Kate Symonds-Joy, James robinson, Malachy Frame, Choir of Gonville & Caius College, Cambridge, Academy of Ancient Music, Matthew Martin | C Major | 2 | 8B | 98 BPM |