Ravi Shankar, Alla Rakha's ' "Yaman - Gat in Matta Tal" was released on its scheduled release date, 1990. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 3 in the song's album "The Genius of Pandit Ravi Shankar". In this album, this song's track order is #2. Furthermore, we believe that the track originated from India. Based on our statistics, Yaman - Gat in Matta Tal's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Yaman - Gat in Matta Tal by Ravi Shankar, Alla Rakha having a BPM of 156 with a half-time of 78 BPM and a double-time of 312 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gajavadhana | U. Srinivas | G Major | 6 | 9B | 94 BPM | ||
| Raag Kalavati | Sounds of Optimism, Deepesh Sanmal | B Major | 3 | 1B | 127 BPM | ||
| Ramanama Sudharasa | Ranganayaki Rajagopalan | E Minor | 4 | 9A | 93 BPM | ||
| Eternal Chant | Manose, Choying Drolma | E♭ Major | 1 | 5B | 85 BPM | ||
| Pingala | Karnamrita Dasi | E♭ Major | 5 | 5B | 150 BPM | ||
| Avenue | Nusrat Fateh Ali Khan | D♭ Major | 6 | 3B | 127 BPM | ||
| Nocturne | Mukta | G Major | 4 | 9B | 85 BPM | ||
| Bhimpalasri Fast Tintal | Nikhil Banerjee | A Major | 4 | 11B | 137 BPM | ||
| Shudh Sarang - Instrumental | Ustad Bismillahkhan | E♭ Major | 6 | 5B | 177 BPM | ||
| Tala - Tabla Tarang | Ravi Shankar | D♭ Major | 4 | 3B | 159 BPM | ||
| Vathapi: Hamsadhwani - Aadi - Dikshitar | Muthuswami Dikshitar, U. Srinivas | G Major | 6 | 9B | 101 BPM | ||
| Elephant Race | Downing And Mayer | F♯ Major | 5 | 2B | 82 BPM | ||
| Ganesha Dhyan | Ganesha Bhajans | F Major | 2 | 7B | 80 BPM | ||
| Flute Bhairavi | Bapu Padmanabha | F♯ Minor | 1 | 11A | 137 BPM | ||
| Anpolikkai | Perumbavoor G. Raveendranath, Saritha Rajiv, Ravisankar. R | A Minor | 7 | 8A | 144 BPM | ||
| Kitee Billee Dron Ko Pasand Karatee Hai | Tanpura Express | E♭ Major | 2 | 5B | 140 BPM | ||
| Raga Mishra Kafi - Vilambit | Bidyut Khan Band, Lucyan | A Major | 7 | 11B | 114 BPM | ||
| Alhaiya Bilaval | Shruti Sadolikar | D♭ Major | 4 | 3B | 150 BPM | ||
| Asavari | Hariprasad Chaurasia | A Minor | 1 | 8A | 93 BPM | ||
| Eloah | Shye Ben Tzur, Jonny Greenwood, The Rajasthan Express | B Major | 9 | 1B | 87 BPM | ||
| Hier matin | Mukta | G Minor | 4 | 6A | 101 BPM | ||
| Raga Man - Live | Robert Callender | D Major | 6 | 10B | 170 BPM | ||
| Raga Madhuvanti - Alap | Ram Narayan, Suresh Talwalkar, François Auboux | C Major | 1 | 8B | 137 BPM | ||
| Paal | Bickram Ghosh, Kala Ramnath | G Major | 6 | 9B | 174 BPM | ||
| Sufi Bhakti | Debashish Bhattacharya | D Minor | 3 | 7A | 146 BPM |