Carlos Di Sarli, Roberto Rufino's ' "Charlemos" was released on its scheduled release date, January 1, 2004. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Charlemos's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Tú... El Cielo y Tú". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Argentina. Based on our statistics, Charlemos's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Charlemos by Carlos Di Sarli, Roberto Rufino having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Milonga del Uruguay | Donato Racciatti y Su Orquesta Típica | E Minor | 6 | 9A | 109 BPM | ||
| Que Nunca Me Falte | Ricardo Tanturi, Enrique Campos | B♭ Major | 6 | 6B | 104 BPM | ||
| El Viejo Vals | Hyperion Ensemble, Ruben Peloni, Hernan Godoy | D Minor | 6 | 7A | 105 BPM | ||
| El Simpático | Juan D'Arienzo and his Orchestra | C Minor | 5 | 5A | 133 BPM | ||
| Mi Tango Triste | Anibal Troilo y su orquesta, Alberto Marino | D Minor | 2 | 7A | 178 BPM | ||
| Pena de Amor | Lucio Demare, Raúl Berón | F♯ Minor | 2 | 11A | 121 BPM | ||
| Alma De Bohemia | Pedro Laurenz, Alberto Podestá | B♭ Major | 6 | 6B | 104 BPM | ||
| Felicia | La Juan D'Arienzo | D Minor | 4 | 7A | 140 BPM | ||
| Vuelve amor | Orquesta Fulvio Salamanca, Armando Guerrico | D Major | 3 | 10B | 78 BPM | ||
| Anoche A Las Cuatro | Orquesta Tipica Victor | B Minor | 2 | 10A | 120 BPM | ||
| La Vida Es Una Milonga | Pedro Laurenz, Martín Podestá | B♭ Major | 6 | 6B | 104 BPM | ||
| Lloraras, lloraras | Orquesta Anibal Troilo, Floreal Ruiz | G Major | 3 | 9B | 86 BPM | ||
| No Te Apures Cara Blanca | Lucio Demare, Juan Carlos Miranda | D Major | 2 | 10B | 126 BPM | ||
| Cacareando | Orquesta Tipica Victor, Carlos de la Fuente | E Major | 4 | 12B | 95 BPM | ||
| Palomita mia | Ricardo Tanturi y Enrique Campos | D Major | 4 | 10B | 122 BPM | ||
| Si no estuvieras tu | Orquesta Rodolfo Biagi, Carlos Almagro, Leo Lipesker, Victor Braña | A Minor | 3 | 8A | 120 BPM | ||
| Confesión | Aníbal Troilo, Floreal Ruiz | B Minor | 2 | 10A | 124 BPM | ||
| El Recodo | Rodolfo Biagi, Orquesta Rodolfo Biagi | C Major | 3 | 8B | 60 BPM | ||
| Don Pacifico | Orquesta Juan D' Arienzo | C Major | 5 | 8B | 129 BPM | ||
| El Adiós | Edgardo Donato | D♭ Minor | 3 | 12A | 124 BPM | ||
| Hasta Siempre Amor - Remasterizado 2017 | Donato Racciatti y Su Orquesta Típica, Olga Del Grossi | G Minor | 4 | 6A | 132 BPM | ||
| El Yacaré | Angel D'Agostino, Ángel Vargas | B♭ Major | 6 | 6B | 104 BPM | ||
| Indiferencia | Rodolfo Biagi, Jorge Ortiz | B♭ Major | 6 | 6B | 104 BPM | ||
| Tabernero | Francisco Fiorentino | D Major | 2 | 10B | 129 BPM | ||
| Fantasía en Tiempo de Tango | Orquesta Típica Sans Souci | D Major | 4 | 10B | 134 BPM |