"Nobilissima Visione, Suite: II. Marsch und Pastorale" by Paul Hindemith, Berliner Philharmoniker, Claudio Abbado had its release date on January 1, 1995. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Paul Hindemith, Berliner Philharmoniker, Claudio Abbado's "Hindemith: "Mathis der Maler"; Nobilissima Visione; Symphonic Metamorphoses" album is number 5 out of 10. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Nobilissima Visione, Suite: II. Marsch und Pastorale is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nobilissima Visione, Suite: II. Marsch und Pastorale by Paul Hindemith, Berliner Philharmoniker, Claudio Abbado to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Der Schwanendreher · Konzert nach alten Volksliedern für Viola und kleines Orchester: III. Variationen über "Seid ihr nicht der Schwanendreher" | Paul Hindemith, Tabea Zimmermann, David Shallon, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | C Major | 1 | 8B | 90 BPM | ||
| String Quartet in G Minor, Op. 10: IV. Très modéré - Très animé | Claude Debussy, Quatuor Ébène | A Major | 0 | 11B | 85 BPM | ||
| String Quartet No. 12 in F major, Op. 96 - "American" B.179: 1. Allegro ma non troppo | Antonín Dvořák, Hagen Quartett | F Major | 1 | 7B | 113 BPM | ||
| Piano Trio, M. 67: I. Modéré | Maurice Ravel, Beaux Arts Trio | B♭ Major | 0 | 6B | 71 BPM | ||
| Autumn Gardens: II. Tranquillo | Einojuhani Rautavaara, Helsinki Philharmonic Orchestra, Vladimir Ashkenazy | C Major | 0 | 8B | 78 BPM | ||
| Roussel: Le festin de l'araignée, Op. 17, Pt. 2: XIII. Funérailles de l'Éphémère | Albert Roussel, Jean Martinon, Orchestre National de l'O.R.T.F. | D♭ Major | 2 | 3B | 99 BPM | ||
| Clarinet & Saxophone Concerto: I. October Sky, Pt. 2 (Live) | Maya Badian, National Symphony Orchestra of Teleradio-Moldova | G Minor | 5 | 6A | 74 BPM | ||
| Estampes: No. 1. Pagodes (arr. A. Caplet): Pagodes | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Minor | 1 | 12A | 95 BPM | ||
| Marchenbilder (Fairy Tales), Op. 113: III. Rasch | Robert Schumann, Tabea Zimmermann, Hartmut Höll | F Major | 1 | 7B | 82 BPM | ||
| Lied in F Minor | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | F Minor | 0 | 4A | 131 BPM | ||
| Suite in the Old Style (excerpts, Arr. for Cello and Piano by J. Sévilla-Fraysse): I. Pastorale | Alfred Schnittke, Julie Sévilla-Fraysse, Anastasia Calmus | G Major | 1 | 9B | 77 BPM | ||
| Hindemith: Trumpet Sonata: I. Mit Kraft | Paul Hindemith, Alison Balsom | D Major | 1 | 10B | 119 BPM | ||
| String Quartet in F Major, 2nd Movement | Maurice Ravel, vision string quartet | G Major | 1 | 9B | 77 BPM | ||
| Turangalîla-Symphonie: X. Final | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 5 | 3B | 87 BPM | ||
| 3 Chorales, P. 167: No. 2, Andante con moto e scherzando (After J.S. Bach's BWV 648) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | C Minor | 1 | 5A | 123 BPM | ||
| String Quartet No. 13, 3rd Movement | Antonín Dvořák, vision string quartet | G Major | 1 | 9B | 77 BPM | ||
| Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | G Major | 1 | 9B | 77 BPM | ||
| Schumann: Symphony No. 3 in E-Flat Major, Op. 97, Rhenish: IV. Feierlich | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | E♭ Minor | 1 | 2A | 62 BPM | ||
| Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
| Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 158 BPM | ||
| Piano Trio No. 2, Op. 67: 1. Andante - Moderato - Poco più mosso | Dmitri Shostakovich, Vladimir Ashkenazy, Zsolt-Tihamér Visontay, Mats Lidström | C Minor | 2 | 5A | 125 BPM | ||
| Violin Sonata in E Minor, P. 85: IV. Giga. Vivace assai (After J.S. Bach's BWV 1023) | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 121 BPM | ||
| Divertimento for Strings, Sz. 113: III. Allegro assai | Béla Bartók, Orpheus Chamber Orchestra | B♭ Major | 1 | 6B | 105 BPM | ||
| Serenade for Strings in E Minor, Op. 20: I. Allegro piacevole | Edward Elgar, Orpheus Chamber Orchestra | F Minor | 0 | 4A | 124 BPM | ||
| Woodwind Quintet, Op. 48: III. Andante pastorale | Marion Bauer, WindSync | G Major | 1 | 9B | 77 BPM |