Jeff Broadbent's ' "Dreadwind Assault" was released on its scheduled release date, November 8, 2011. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Dreadwind Assault's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Transformers: Dark of the Moon (Original Video Game Score)". In this album, this song's track order is #9. Dreadwind Assault is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Dreadwind Assault by Jeff Broadbent having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Combat & Extras: E:D Menus | Erasmus Talbot | A Minor | 2 | 8A | 115 BPM | ||
| Erusea Storm | Net-Zone | C Major | 7 | 8B | 120 BPM | ||
| Hall of Eternity | Alexis Laugier | B♭ Major | 4 | 6B | 92 BPM | ||
| Corpus Greed | Keith Power | B♭ Minor | 4 | 3A | 190 BPM | ||
| Welcome to the Future | Harry Callaghan | E Major | 5 | 12B | 150 BPM | ||
| The Temple | Yoann Laulan | D♭ Major | 6 | 3B | 160 BPM | ||
| Sector 1 (SRX) | Kassil | G Major | 4 | 9B | 124 BPM | ||
| Legacy of the Dragonborn Theme | Trent Moriarty | F Major | 1 | 7B | 90 BPM | ||
| Nemesis' Theme | Masami Ueda | D Major | 1 | 10B | 111 BPM | ||
| Relentless Blizzard | Paul Zimmermann | F Major | 7 | 7B | 130 BPM | ||
| Task Force Friendly Fire | Brandon McKagan | B♭ Major | 2 | 6B | 160 BPM | ||
| Metro Pulse | Tony Clarke, RGW | D♭ Major | 2 | 3B | 147 BPM | ||
| Decay and Corrosion | Jeff Broadbent, Re-Logic | D♭ Major | 5 | 3B | 115 BPM | ||
| Bone Battle | Michael Wyckoff | D♭ Major | 9 | 3B | 121 BPM | ||
| Planets Collide | Howard Mostrom | G Major | 4 | 9B | 145 BPM | ||
| Rising Tides Battle | Hyperduck Soundworks | D Minor | 6 | 7A | 200 BPM | ||
| Lihzahrd (from "Terraria") | Re-Logic | D Major | 4 | 10B | 106 BPM | ||
| The Abominable Mr. Tinder - Holidays in the Borderlands | Raison Varner | E Minor | 7 | 9A | 145 BPM | ||
| Last Turn | Pawel Blaszczak | D Major | 6 | 10B | 120 BPM | ||
| Sentient Tombs | Keith Power | G Major | 8 | 9B | 114 BPM | ||
| Encounter Clockwise | Harry Mack | G Minor | 3 | 6A | 97 BPM | ||
| Into the Unknown | Simon Chylinski | C Minor | 1 | 5A | 116 BPM | ||
| There She Is | Aperture Science Psychoacoustic Laboratories | D Major | 8 | 10B | 90 BPM | ||
| The Grand Opening Heats Up | Michael McCann | B Minor | 10 | 10A | 135 BPM | ||
| Undying Shores | Yoann Laulan | C Minor | 7 | 5A | 150 BPM |