The Armed Man Should Be Feared (And Other Lessons from the Renaissance): II. Une jeune fillette by Justin Rubin, Zeitgeist Song Details

"The Armed Man Should Be Feared (And Other Lessons from the Renaissance): II. Une jeune fillette" by Justin Rubin, Zeitgeist had its release date on June 9, 2015. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 11 in Currents: Assorted Pieces for Percussion, Winds & Voice by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Armed Man Should Be Feared (And Other Lessons from the Renaissance): II. Une jeune fillette's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

The tempo marking of The Armed Man Should Be Feared (And Other Lessons from the Renaissance): II. Une jeune fillette by Justin Rubin, Zeitgeist is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.

Music Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -16.852 dB
Acousticness: 95%
Danceability: 46%
Energy: 28%
Instrumentalness: 90%
Liveness: 9%
Loudness: 72%
Speechiness: 4%
Valence: 6%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Piano Album 2008: No. 2, Affetuoso	Justin Rubin, Matthew McCright	A Major	1	11B	111 BPM
Three Pieces in Olden Style (for Strings)	Henryk Górecki, Royal Philharmonic Orchestra, Yuri Simonov	A Minor	0	8A	55 BPM
Cello Concerto "Ekaitza": III. —	Gabriel Erkoreka, Basque National Orchestra, Juanjo Mena, Asier Polo	D Major	1	10B	119 BPM
Christian Wolff in Cambridge	Morton Feldman, Brandeis University Chamber Chorus, Alvin Lucier	F♯ Minor	0	11A	75 BPM
To The Forefront	Ryan Erik Adamsons, Zephyr Brass Collective, Joe Smith	E♭ Major	2	5B	104 BPM
Void Pulse	Astrid Voix	F Minor	0	4A	104 BPM
Sinfonietta: 5. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio	Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik	E♭ Minor	3	2A	60 BPM
Ligeti : Romanian Concerto : III Adagio, ma non troppo	György Ligeti, Jonathan Nott, Berliner Philharmoniker	F Major	0	7B	73 BPM
Extended Circular Music No. 5	Jürg Frey, Fabio Oehrli, Jonas Tschanz, Stefan Rolli	E♭ Major	0	5B	137 BPM
Pithoprakta	Iannis Xenakis, Luxembourg Philharmonic Orchestra, Arturo Tamayo	D Minor	4	7A	101 BPM
Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio	Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti	B♭ Minor	0	3A	82 BPM
Bartók: String Quartet No. 4 in C Major, Sz. 91: IV. Allegretto pizzicato	Béla Bartók, Belcea Quartet	F♯ Major	1	2B	89 BPM
Shaker Loops: Loops and Verses (Version for string orchestra)	John Adams, Bournemouth Symphony Orchestra, Marin Alsop	A Major	0	11B	81 BPM
Fog Tropes	Ingram Marshall	B♭ Major	1	6B	84 BPM
Cello Sonata: II. Lento, intimissimo, e con tempo rubato	Justin Rubin, Betsy Husby, Alexander Chernyshev	E Major	0	12B	75 BPM
Verklärte Nacht, Op. 4 - Version for String Sextet: I. Sehr langsam	Arnold Schoenberg, LaSalle Quartet, Donald McInnes, Jonathan Pegis	C Minor	1	5A	85 BPM
In Nomine (2001) for bass flute, english horn, clarinet, piano, vibraphone, violin, viola and Violoncello	Georg Friedrich Haas, Ensemble Recherche	G Minor	0	6A	127 BPM
Schoenberg: 3 Piano Pieces, Op. 11: No. 1 Mässig (Viertel)	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra	A♭ Major	0	4B	103 BPM
The Armed Man Should Be Feared (And Other Lessons from the Renaissance): III. Tomorrow the Fox Will Come to Towne	Justin Rubin, Zeitgeist	G Major	1	9B	179 BPM
Piano Concerto No. 1, Op. 45: I. Con grandezza	Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu	G Major	1	9B	70 BPM
Something Wild in the City: Mary Ann's Theme (1960) for horn, celesta, and string Quartet	Morton Feldman, Ensemble Recherche	A Major	0	11B	94 BPM
Job, Scene I: Introduction - Pastoral Dance - Satan's Appeal to God - Saraband of the Sons of God	Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones	G Minor	0	6A	129 BPM
Fische	Karlheinz Stockhausen, Ricciarda Belgiojoso, Walter Prati	F Minor	1	4A	114 BPM
Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": I. Suo (The Marsh)	Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu	F♯ Major	1	2B	119 BPM
Music for Marcel Duchamp (1947)	John Cage, Stephen Drury	B♭ Minor	0	3A	109 BPM