"Two Harmonies: Fantasy for Roberta Liss" by Mathew Rosenblum, Wendy Richman, Timothy Feeney, Shirley Yoo had its release date on September 1, 2012. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Mathew Rosenblum, Various Artists's "Mathew Rosenblum: Circadian Rhythms" album is number 7 out of 18. On top of that, United States appears to be the country where this track was created. Based on our statistics, Two Harmonies: Fantasy for Roberta Liss's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Two Harmonies: Fantasy for Roberta Liss by Mathew Rosenblum, Wendy Richman, Timothy Feeney, Shirley Yoo to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Crystal | Simon Dobson | G Minor | 3 | 6A | 124 BPM | ||
| Danza | Colin Brumby, David Shephard, Julie Haskell | F Minor | 0 | 4A | 108 BPM | ||
| Sonatine pour basson et piano: III. Scherzo presto | Alexandre Tansman, Marc Trenel, Pascal Godart | A Minor | 3 | 8A | 149 BPM | ||
| Ex Machina: Machine I (Let the Funk Out) | Marc Mellits, Donald Sinta Quartet | F♯ Minor | 4 | 11A | 112 BPM | ||
| Insight | Dobrinka Tabakova, Maxim Rysanov, Roman Mints, Kristine Blaumane | D Minor | 1 | 7A | 86 BPM | ||
| Heut triumphieret Gottes Sohn, BWV 630 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Le tombeau de Couperin, M. 68: I. Prélude (Arr. for Wind Ensemble by Mason Jones) | Maurice Ravel, Ensemble Ouranos | G Major | 0 | 9B | 97 BPM | ||
| Whisk and Whirl | Estoria | G Major | 0 | 9B | 97 BPM | ||
| Symphony No. 1 "Polyphonic": I. Canons | Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste | A Minor | 0 | 8A | 95 BPM | ||
| Iride | Angelo Bruzzese, Fortibus Ensemble | A♭ Minor | 1 | 1A | 168 BPM | ||
| Gougalōn, Scenes from a Street Theatre: IV. Episode between Bottles and Cans - Definitive Version 2011 | Unsuk Chin, Ensemble Intercontemporain, Pierre Bleuse | G Major | 0 | 9B | 97 BPM | ||
| Le marteau sans maître: Commentaire I de "Bourreaux de solitude" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | F Minor | 1 | 4A | 87 BPM | ||
| Shaker Loops: Loops and Verses (Version for string orchestra) | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | A Major | 0 | 11B | 81 BPM | ||
| Shaker Loops: Hymning Slews (Version for string orchestra) | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | A Major | 0 | 11B | 81 BPM | ||
| Hartke: Netsuke "6 Movements for Violin and Piano": No. 6, Jewel of Widsom with Mountain Pavilions | Stephen Hartke, Augustin Hadelich, Orion Weiss | D Major | 2 | 10B | 104 BPM | ||
| Looking Glass | Suno AI, Suno AI v3.5, Prompt by: Manny Ramirez, Synthetic Society | C Minor | 2 | 5A | 135 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 6 | John Cage, Boris Berman | E Minor | 0 | 9A | 127 BPM | ||
| Saxophone Sonata, Op. 19: I. With vigor | Paul Creston, Donald Sinta, Nelita True | B Major | 1 | 1B | 122 BPM | ||
| Respectfully Yours (Version for Saxophone & Piano) | Andy Scott, Timothy McAllister, Liz Ames | E♭ Major | 5 | 5B | 123 BPM | ||
| Maggies | Mathew Rosenblum, Maggie Lane, Stephen L. Mosko | D Major | 2 | 10B | 90 BPM | ||
| String Quartet No. 3 in D Major, Op. 34: III. Sostenuto. Like a Folk Tune | Erich Wolfgang Korngold, Calidore String Quartet | G Major | 0 | 9B | 97 BPM | ||
| Montage: II. Larghetto espressivo | James Lentini, Harvey Thurmer, Pansy Chang, Siok Lian Tan | D♭ Minor | 2 | 12A | 113 BPM | ||
| Saxophone Sonata in C-Sharp Major: II. Andante | Fernande Decruck, Claude Delangle, Odile Delangle | E♭ Minor | 0 | 2A | 80 BPM | ||
| Toccata capricciosa, Op. 36 | Miklós Rózsa, Mark Kosower | C Major | 1 | 8B | 87 BPM | ||
| A Child's Garden of Dreams, Book 1: I. There Is a Desert on the Moon Where the Dreamer Sinks So Deeply into the Ground That She Reaches Hell | David Maslanka, Dallas Wind Symphony, Jerry Junkin | D Minor | 1 | 7A | 142 BPM |