"The Big Jump" by John Debney had its release date on January 1, 1995. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. The Big Jump's duration is considered a little bit shorter than the average duration of a typical track. The song is number 26 out of 34 in Cutthroat Island (Original Motion Picture Score) by John Debney. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The Big Jump is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Big Jump by John Debney is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Big Stage Debut | John Debney | A♭ Major | 1 | 4B | 100 BPM | ||
| Professor Umbridge | Nicholas Hooper | E Minor | 3 | 9A | 140 BPM | ||
| Thanks | John Barry | C Major | 1 | 8B | 114 BPM | ||
| How Could You Leave Us | John Ottman | D Minor | 1 | 7A | 87 BPM | ||
| Enchanted Suite - From "Enchanted"/Score | Alan Menken | G Major | 4 | 9B | 110 BPM | ||
| Winding It Up | Howard Shore | D Major | 1 | 10B | 71 BPM | ||
| End Credits | Lex de Azevedo, Larry Bastian, David Zippel, Larry Schwartz | C Major | 0 | 8B | 137 BPM | ||
| Within A Day | Craig Armstrong | E Major | 1 | 12B | 156 BPM | ||
| Jane Can Fly | Joel McNeely | C Major | 4 | 8B | 141 BPM | ||
| Fighting Over The Melons | David Newman | G Major | 6 | 9B | 172 BPM | ||
| Gifts From Mother | Daniel Pemberton | C Minor | 1 | 5A | 86 BPM | ||
| Humans / Diego | David Newman | G Major | 3 | 9B | 80 BPM | ||
| Climbing For A Kiss | Rupert Gregson-Williams | A Minor | 1 | 8A | 82 BPM | ||
| Boo's Going Home | Randy Newman | B Major | 1 | 1B | 138 BPM | ||
| Opening Titles (From The Motion Picture "Love Actually") | Craig Armstrong | C Major | 0 | 8B | 118 BPM | ||
| Samantha's Theme | John Debney | A Minor | 7 | 8A | 123 BPM | ||
| Windsor Gardens | Dario Marianelli | G Major | 3 | 9B | 142 BPM | ||
| Lucy Meets Mr. Tumnus | Harry Gregson-Williams | F Major | 0 | 7B | 92 BPM | ||
| Wish I Could Spend The Day With You | Mychael Danna, Jeff Danna | E Major | 0 | 12B | 75 BPM | ||
| Soarin' Around the World | Jerry Goldsmith, Untitled Virtual Ensemble | F Major | 3 | 7B | 116 BPM | ||
| Old Woman | John Barry, John Debney, Royal Scottish National Orchestra | C Major | 1 | 8B | 170 BPM | ||
| Front Titles (Inkheart) | Javier Navarrete | B Minor | 1 | 10A | 66 BPM | ||
| Time to Go Home | David Arnold | G Major | 1 | 9B | 61 BPM | ||
| Georgiana - From "Pride & Prejudice" Soundtrack | Dario Marianelli, English Chamber Orchestra, Benjamin Wallfisch | B♭ Major | 1 | 6B | 136 BPM | ||
| Building The Raft | Andrew Lockington | G Major | 2 | 9B | 106 BPM |