- BPM
- 121
- Key
- A♭ Major
- Camelot
- 4B
Tommy by Mary Carmichael, Rudyard Kipling, Michael Halliwell, David Miller Song Details
Mary Carmichael, Rudyard Kipling, Michael Halliwell, David Miller's 'Tommy' had a release date set for August 7, 2005. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of When the Empire Calls by David Miller, Michael Halliwell. The song's track number on the album is #20 out of 47 tracks. Based on our data, Australia was the country where this track was produced or recorded. Based on our statistics, Tommy's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
Since Tommy by Mary Carmichael, Rudyard Kipling, Michael Halliwell, David Miller has a tempo of 121 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Tommy being at 121 BPM, the half-time would be 60 BPM with a double-time of 242 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
Music Key
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -18.562 dB
- Acousticness
- 99%
- Danceability
- 39%
- Energy
- 14%
- Instrumentalness
- 1%
- Liveness
- 14%
- Loudness
- 69%
- Speechiness
- 5%
- Valence
- 29%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Messe solennelle de Sainte Cécile: Kyrie | Charles Gounod, Angela Maria Blasi, Christian Elsner, Dietrich Henschel, Munich Motet Choir, Münchner Symphoniker, Hans Rudolf Zöbeley | F Major | 2 | 7B | 96 BPM | |
 | Teil 7 - Folge 32: Professor van Dusen und das Auge des Zyklopen | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Herbert Stass, Arnold Marquis, Helmut Wildt, Eva Manhardt, Susanna Bonaséwicz, Ingrid Kaehler | F Minor | 1 | 4A | 63 BPM | |
 | Pow’rful Morpheus, let thy charms | William Webb, Zefiro Torna, Lore Binon, Jurgen De bruyn | D♭ Major | 0 | 3B | 81 BPM | |
 | I Colori della Gioia | Jan van der Roost, Anneke Luyten, Casco Phil | D Major | 2 | 10B | 68 BPM | |
 | Sea Pictures, Op. 37: No. 2, In Haven (Capri) | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | C Major | 1 | 8B | 86 BPM | |
 | Di Provenza Il Mar (Il Suol from La Traviata) | Γιάννη Yang | D♭ Major | 6 | 3B | 128 BPM | |
 | 6 songs, Op. 36: No. 1, Svarta rosor | Jean Sibelius, Kari Lövaas, Erik Werba | B♭ Minor | 0 | 3A | 125 BPM | |
 | Schumann: Dichterliebe, Op. 48: 4. Wenn ich in deine Augen seh' | Robert Schumann, Jonas Kaufmann, Helmut Deutsch | A♭ Major | 0 | 4B | 130 BPM | |
 | Twelve Poems of Emily Dickinson: 5. Heart, we will forget him | Aaron Copland, Barbara Bonney, André Previn | F Minor | 0 | 4A | 177 BPM | |
 | Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: II. Imple superna gratia - Live at Concertgebouw, Amsterdam, May 2025 | Gustav Mahler, Hailey Clark, Golda Schultz, Jennifer Johnston, Okka von der Damerau, Giorgio Berrugi, Michael Nagy, Tareq Nazmi, Netherlands Radio Choir, Choeur de l'Orchestre de Paris, Laurens Symfonisch, Royal Concertgebouw Orchestra, Klaus Mäkelä | A♭ Major | 3 | 4B | 96 BPM | |
 | H.M.S. Pinafore, Act I: Glee. A British Tar | Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra, Welsh National Opera Chorus, Michael Schade, John King | C Major | 1 | 8B | 100 BPM | |
 | Johnson: Woods, Rocks and Mountains | Robert Johnson, Emma Kirkby, Anthony Rooley | F Minor | 1 | 4A | 73 BPM | |
 | Liebeslieder-Walzer, Op.52 - Verses From "Polydora": 1. Rede, Mädchen, allzu liebes | Johannes Brahms, Edith Mathis, Brigitte Fassbaender, Peter Schreier, Dietrich Fischer-Dieskau, Karl Engel, Wolfgang Sawallisch | E Major | 1 | 12B | 94 BPM | |
 | Marx: Italienisches Liederbuch: No. 17, Venetianisches Wiegenlied | Joseph Marx, Katarina Karnéus, Roger Vignoles | D♭ Major | 1 | 3B | 131 BPM | |
 | Missa Circumcisionis, ZWV 11: Qui sedes ad dexteram Patris | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Václav Luks | B♭ Minor | 0 | 3A | 125 BPM | |
 | Pastoral Mass in G Major, Op. 24: VI. Agnus Dei | Karl Kempter, Augsburger Domsingknaben, Residenz-Kammerorchester München, Reinhard Kammler | E♭ Major | 0 | 5B | 68 BPM | |
 | Judas Maccabaeus, HWV 63, Pt. 1: Arm, Arm Ye Brave | George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras | C Major | 3 | 8B | 120 BPM | |
 | Die Schöpfung, Hob. XXI:2, Pt. 1: No. 2, Nun schwanden vor dem heiligen Strahle - Live | Joseph Haydn, Bavarian Radio Symphony Orchestra, Sir Simon Rattle, Benjamin Bruns, Bavarian Radio Chorus | B♭ Major | 3 | 6B | 117 BPM | |
 | Misatango, Misa a Buenos Aires: III. Gloria | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 3 | 5A | 82 BPM | |
 | Schicksalslied, Op. 54: Orchestral Postlude with Choir (Alternate Version) | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | A Minor | 1 | 8A | 92 BPM | |
 | La Wally: Acto I: "Ebbene, ne Andró Lontana" | Victoria de los Ángeles | E Minor | 2 | 9A | 83 BPM | |
 | Paulus: I. Teil: Nr. 13 Rezitativ mit Chor TB "Und als er auf dem Wege war" | Felix Mendelssohn, Collegium Vocale Gent, Matthias Goerne, La Chapelle Royale, Philippe Herreweghe, James Taylor | D Major | 0 | 10B | 170 BPM | |
 | Gounod: Faust, Act 3: "Je voudrais bien savoir" - Chanson. "Il était un roi de Thulé" (Marguerite) | Charles Gounod, Michel Plasson, Cheryl Studer, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | |
 | Die Fledermaus, Act I: Introduktion. Täubchen, das entflattert ist (Adele, Alfred) | Johann Strauss II, Friedrich Haider, Chen Reiss, Rainer Trost, WDR Rundfunkorchester Köln | D Major | 1 | 10B | 92 BPM | |
| Messe solennelle de Sainte Cécile: Sanctus | Charles Gounod, Angela Maria Blasi, Christian Elsner, Dietrich Henschel, Munich Motet Choir, Münchner Symphoniker, Hans Rudolf Zöbeley | F Major | 2 | 7B | 96 BPM |
- ISRC
- AUAB00550528
- Label
- L-M Records/RCA Records