On July 14, 1999, the song "Dewar Ji Dekho To Sahi" was released by Rekha Rao, Tej Karan Rao. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rekha Rao, Tej Karan Rao's "Mhare Haath Ko Churhlo Laade Re" album is number 7 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Dewar Ji Dekho To Sahi is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Dewar Ji Dekho To Sahi by Rekha Rao, Tej Karan Rao to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Khamma Khamma - Original | Prakash Mali | B♭ Minor | 9 | 3A | 88 BPM | ||
| Tera Naam Lete Lete | Reshmi Sharma | C Major | 7 | 8B | 112 BPM | ||
| Mhane Bhi Bula Le Baba Thari Nagari Me | Mukesh Kumar | F Minor | 9 | 4A | 172 BPM | ||
| Humro Ke Chit Pe Chadha La | Rekha Rao, Shyam Dehati, Rajnish | F♯ Major | 10 | 2B | 145 BPM | ||
| Rang Rasiya Man Basiya | Rekha Rao, Parmeshwar Premi | B Major | 8 | 1B | 100 BPM | ||
| Daya Thodi Si Kardo Na | Sonu Bishnoi | F♯ Major | 7 | 2B | 79 BPM | ||
| Dhara To Beh Rahi | Mridul Krishan Shastri | B Major | 9 | 1B | 129 BPM | ||
| O Maiya Bhawani Maiya - Uttrakhandi | Khushi Joshi | B Major | 7 | 1B | 93 BPM | ||
| Mujhe Khatu Bula Lijiye | Raj Pareek | C Major | 8 | 8B | 90 BPM | ||
| Chanda Mama Aare Aavs | MANOJ TIWARI, Rekha Rao | D♭ Major | 10 | 3B | 136 BPM | ||
| Ujjain Ke Mahakaal | Shahnaaz Akhtar | A♭ Major | 8 | 4B | 150 BPM | ||
| Khatu Ka Toran Dwar - Raj Pareek | Raj Pareek | A♭ Major | 7 | 4B | 94 BPM | ||
| Govind Tumhare Charno Me | Ranjana, Parul | D♭ Major | 6 | 3B | 110 BPM | ||
| Duniya Se Mai Hara | Minkashi Sharma | B Major | 9 | 1B | 124 BPM | ||
| Salasar Kai Mandir Main | Manish Tiwari | D♭ Major | 5 | 3B | 98 BPM | ||
| Nain Tere Maa Naina Devi | Karnail Rana | B♭ Minor | 9 | 3A | 140 BPM | ||
| Lagan Lagi Tose | Shahnaz Akhtar | D♭ Major | 9 | 3B | 150 BPM | ||
| Aaj Mangalvar Hai Mahaveer Ka Vaar Hai | Rakesh Kala | C Major | 7 | 8B | 95 BPM | ||
| Thake Ghadi Aaj Kaandhe Pe | Pt. Ram Avtar Sharma, Rekha Rao | G Minor | 6 | 6A | 100 BPM | ||
| Kala Pan Ghana Rupala Sa Sanwariya Sarkar - Original | Gokul Sharma | A♭ Major | 9 | 4B | 144 BPM | ||
| Fagun Ka Nazara | Raj Pareek | E♭ Major | 5 | 5B | 178 BPM | ||
| Kahe Roye Yhan Tero Koinhi | Chotu Singh Rawna | C Major | 8 | 8B | 142 BPM | ||
| Jab Girte Hue Maine Tera Naam Liya Hai | Gaurav Krishna Goswami | E Minor | 9 | 9A | 150 BPM | ||
| Aasro Balaji Manne Tharo | Ramkumar Lakha | A♭ Major | 7 | 4B | 165 BPM | ||
| Ghaghro | Rekha Rao, Sajid-Wajid | F Minor | 3 | 4A | 135 BPM |