"Ave Maria" by Simon Lindley, Katherine Jenkins, Nicholas Dodd had its release date on January 1, 2008. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Sacred Arias". In this album, this song's track order is #10. Based on our statistics, Ave Maria's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ave Maria by Simon Lindley, Katherine Jenkins, Nicholas Dodd having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony in G Major, Op. 3 No. 1, WolS G2: IV. Presto | Johann Stamitz, Musica Viva, Alexander Rudin | A Major | 2 | 11B | 111 BPM | ||
| Concerto No. 1 in D Major, SF 936 "La Cetra": II. Larghetto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D♭ Major | 1 | 3B | 106 BPM | ||
| Larghetto in F Minor | Samuel Sebastian Wesley, John Robinson | F Minor | 0 | 4A | 90 BPM | ||
| Organ Concerto No. 1 In G Minor, Op. 4, No. 1, HWV 289: II. Allegro | George Frideric Handel, Simon Lindley, Royal Northern Sinfonia | G Major | 0 | 9B | 123 BPM | ||
| III. Grave | Georg Philipp Telemann, Bedřich Tylšar, Zdeněk Tylšar, Capella Istropolitana, Richard Edlinger | F Minor | 1 | 4A | 100 BPM | ||
| Symphony No. 1 in D Major, Hob. I:1: II. Andante | Joseph Haydn, Jyvaskyla Sinfonia, Patrick Gallois | D Major | 0 | 10B | 97 BPM | ||
| Flute Concerto in G Major: I. Allegro non molto | Giuseppe Tartini, Per Oien, Norwegian Chamber Orchestra | G Major | 1 | 9B | 92 BPM | ||
| Concerto a cinque No. 6, Op. 7: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Major | 4 | 3B | 118 BPM | ||
| Organ Concerto No. 3 In G Minor, Op. 4, No. 3, HWV 291: II. Allegro | George Frideric Handel, Royal Northern Sinfonia, Simon Lindley | B♭ Major | 0 | 6B | 172 BPM | ||
| Mother Macree | James Griffett, Simon Lindley | E♭ Major | 0 | 5B | 86 BPM | ||
| Concerto pour Violoncelle, Cordes et Clavecin en Sol Mineur: II. Adagio | Georg Matthias Monn, Jean-Guihen Queyras, Freiburger Barockorchester, Petra Mullejans | E♭ Major | 1 | 5B | 86 BPM | ||
| Symphony No. 12 in D Major: II. Adagio ma non troppo | William Herschel, Matthias Bamert, London Mozart Players | D Major | 1 | 10B | 126 BPM | ||
| Concerto grosso No. 1 in D Major, Op. 6/1: V. Allegro | Arcangelo Corelli, Roy Goodman, Brandenburg Consort | A Major | 1 | 11B | 140 BPM | ||
| Oboe Concerto in G Minor: Allegro | Giovanni Benedetto Platti, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 2 | 6A | 98 BPM | ||
| Symphony No.4 in F Major: 1. Allegro | William Boyce, The English Concert, Trevor Pinnock | E Major | 2 | 12B | 94 BPM | ||
| Symphony in A Major, J-C 62: IIIb. Allegro (alternative finale) | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Vivace (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 122 BPM | ||
| Mass in D Major, Op. 86 / Kyrie: Ia. Kyrie I | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | D Major | 2 | 10B | 79 BPM | ||
| San Francesco di Sales: Sinfonia | Francesco Feo, Stuttgart Chamber Orchestra, Fabio Biondi | D Major | 1 | 10B | 137 BPM | ||
| Organoedia ad missam lectam, K. 186: V. Sanctus | Zoltán Kodály, Iain Quinn | A Major | 0 | 11B | 68 BPM | ||
| Organ Concerto No. 3 In G Minor, Op. 4, No. 3, HWV 291: I. Adagio | George Frideric Handel, Simon Lindley, Royal Northern Sinfonia | B♭ Major | 0 | 6B | 172 BPM | ||
| Molter: Concerto for 2 Trumpets in D Major, MWV 6.31: II. Andante | Johann Melchior Molter, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Minor | 1 | 7A | 128 BPM | ||
| Occhi Lucenti e Belli | The Royal Wind Music | E♭ Minor | 1 | 2A | 70 BPM | ||
| Mass in D Major, Op. 86, B. 175: V. Benedictus. Lento | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Jaroslav Tvrzsky | B♭ Major | 1 | 6B | 84 BPM | ||
| Concerto grosso in G Minor, Op. 6 No. 8, "Fatto per la Notte di Natale": I. Vivace - Grave (Rev. Vittorio Negri) | Arcangelo Corelli, Felix Ayo, Arnaldo Apostoli, Enzo Altobelli, Maria Teresa Garatti, Guy Bovet, I Musici | F Major | 2 | 7B | 115 BPM |