"Aborn: T'is Winter Now" by Lora Aborn, Jennifer Larmore, Antoine Palloc had its release date on January 5, 2026. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Aborn: T'is Winter Now's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 55 in A Winter Journey by Wolfgang Amadeus Mozart, Alexander Glazunov, Antonio Vivaldi, Antonín Dvořák, Astor Piazzolla, Claude Debussy, Dmitri Shostakovich, Edvard Grieg, Edward MacDowell, Erich Wolfgang Korngold, Erik Satie, Felix Mendelssohn, Francis Poulenc, Franz Liszt, Franz Schubert, Frederick Delius, Frédéric Chopin, Geirr Tveitt, George Frideric Handel, Giuseppe Verdi, Gustav Holst, Gustav Mahler, Henry Purcell, Jean Sibelius, Jean-Baptiste Lully, Johann Sebastian Bach, Johannes Brahms, Joseph Haydn, Jules Massenet, Leroy Anderson, Ludwig van Beethoven, Marc-Antoine Charpentier, Margaret Bonds, Maurice Jarre, Maurice Ravel, Nikolai Rimsky-Korsakov, Philip Glass, Pyotr Ilyich Tchaikovsky, Ralph Vaughan Williams, Reynaldo Hahn, Richard Strauss, Robert Schumann, Sergei Prokofiev, Sergei Rachmaninoff, Edward Elgar, Traditional, Witold Lutosławski, Émile Waldteufel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Aborn: T'is Winter Now's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aborn: T'is Winter Now by Lora Aborn, Jennifer Larmore, Antoine Palloc is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: II. Imple superna gratia - Live at Concertgebouw, Amsterdam, May 2025 | Gustav Mahler, Hailey Clark, Golda Schultz, Jennifer Johnston, Okka von der Damerau, Giorgio Berrugi, Michael Nagy, Tareq Nazmi, Netherlands Radio Choir, Choeur de l'Orchestre de Paris, Laurens Symfonisch, Royal Concertgebouw Orchestra, Klaus Mäkelä | A♭ Major | 3 | 4B | 96 BPM | ||
| Six Lieder, Op. 13: 2. Sie liebten sich beide | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | C Minor | 0 | 5A | 167 BPM | ||
| Rusalka, Op. 114 / Act 3: Necitelná vodní moci | Antonín Dvořák, Renée Fleming, Czech Philharmonic Orchestra, Sir Charles Mackerras | E♭ Major | 2 | 5B | 85 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Er überwächst uns schon | Gustav Mahler, Izabella Kłosińska, Cardinal Stefan Wyszynski University Choir, Polish Radio Choir, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | A♭ Major | 2 | 4B | 85 BPM | ||
| Rimsky-Korsakov: 4 Romances, Op. 3: No. 4, On the Hills of Georgia | Nikolai Rimsky-Korsakov, Boris Christoff, Alexandre Labinsky | D Minor | 1 | 7A | 82 BPM | ||
| Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Daniel Barenboim, Orchestre de Paris, Dietrich Fischer-Dieskau, Edinburgh Festival Chorus | E♭ Major | 0 | 5B | 70 BPM | ||
| Verborgenheit | Hugo Wolf, Jonas Kaufmann, Helmut Deutsch | E♭ Major | 1 | 5B | 121 BPM | ||
| Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | F♯ Major | 1 | 2B | 80 BPM | ||
| 12 Romances, Op. 21: VII. How Fair this Spot | Sergei Rachmaninoff, Asmik Grigorian, Lukas Geniušas | F Minor | 1 | 4A | 73 BPM | ||
| The Seal Man (Arr. for Mezzo Soprano, Piano and Violin by Max Baillie, Myra Lin and Anna Tilbrook) | Rebecca Clarke, Kitty Whately, Anna Tilbrook, Max Baillie | C Major | 1 | 8B | 95 BPM | ||
| Donaudy : "O del mio amato ben" | Stefano Donaudy, Sumi Jo | A Major | 0 | 11B | 132 BPM | ||
| La Giaconda, Act 2, The Rosary: Sailors' Song "Ho! He! Ho! He!" (Sailors, Boys, Barnaba, Pilot) - "Recitative and Barcarolle "Pescator, affonda l'esca" [Barnaba, Pilot, Sailors, Boys] | Amilcare Ponchielli, Angelo Nardinocchi, Massimiliano Travagliati, Coro di Voci Bianche del Teatro “Giuseppe Verdi” di Salerno, Silvana Noschese, Coro del Teatro dell'Opera di Salerno, Luigi Petrozziello, Orchestra Filarmonica Salernitana “Giuseppe Verdi”, Yishai Steckler | F Major | 2 | 7B | 99 BPM | ||
| Seven Poems by James Joyce, R. 51: IV. The Pleasant Valley | Ernest John Moeran, Roderick Williams, John Talbot | D♭ Major | 0 | 3B | 85 BPM | ||
| L'Orfeo, SV 318, Act III: Sinfonia – Possente spirto | Claudio Monteverdi, Rolando Villazón, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM | ||
| Bolivar, Op. 236: Berceuse | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | B Minor | 2 | 10A | 84 BPM | ||
| Amarilli, mia bella | Giulio Caccini, Samuel Mariño, Jonathan Ware | G Major | 0 | 9B | 126 BPM | ||
| Love's Philosophy | Roger Quilter, Jodie Devos, Nicolas Krüger | F Major | 3 | 7B | 72 BPM | ||
| Vergin, tutto amor | Francesco Durante, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
| L'Abbandono | Vincenzo Bellini, Cecilia Bartoli, James Levine | C Minor | 1 | 5A | 70 BPM | ||
| Come to Me in My Dreams, H. 71 - Musical Moments | Frank Bridge, Theodore Platt, Keval Shah | F♯ Major | 1 | 2B | 80 BPM | ||
| Serenade for Tenor, Horn and Strings, Op. 31: II. Pastoral | Benjamin Britten, Aldeburgh Strings, Markus Däunert, Richard Watkins, Allan Clayton | E♭ Minor | 0 | 2A | 130 BPM | ||
| 4 Letzte Lieder, TrV 296: No. 2, September | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | F♯ Major | 1 | 2B | 81 BPM | ||
| The Dream of Gerontius, Op. 38, Part I: No. 10, Proficiscere, anima Christiana (The Priest) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, James Platt | D Major | 2 | 10B | 86 BPM | ||
| Stabat Mater, FP 148: X. Fac ut portem Christi mortem | Francis Poulenc, Carolyn Sampson, Cappella Amsterdam, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra, Daniel Reuss | D♭ Minor | 1 | 12A | 81 BPM | ||
| Songs of Travel: III. The Roadside Fire | Ralph Vaughan Williams, Bryn Terfel, Malcolm Martineau | F♯ Major | 1 | 2B | 81 BPM |