- BPM
- 144
- Key
- B♭ Minor
- Camelot
- 3A
Le chant de la mer: I. Prélude by Gustave Samazeuilh, Lydia Maria Bader Song Details
"Le chant de la mer: I. Prélude" by Gustave Samazeuilh, Lydia Maria Bader had its release date on July 14, 2023. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Tales of the Sea". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. Based on our statistics, Le chant de la mer: I. Prélude's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
With Le chant de la mer: I. Prélude by Gustave Samazeuilh, Lydia Maria Bader having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
Music Key
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -19.144 dB
- Acousticness
- 99%
- Danceability
- 47%
- Energy
- 7%
- Instrumentalness
- 93%
- Liveness
- 9%
- Loudness
- 68%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Preludes and Fugues for Piano, Op.87: Prelude & Fugue No.1 in C major: Fugue | Dmitri Shostakovich, Vladimir Ashkenazy | A Minor | 0 | 8A | 92 BPM | |
 | Cello Concerto in A Minor, Op. 129: IIa. Sehr langsam | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM | |
 | Gershwin: 3 Preludes: No. 2, Andante con moto "Blue Lullaby" | George Gershwin, Fazıl Say | A♭ Minor | 2 | 1A | 105 BPM | |
 | Five Movements for String Quartet, Op. 5: IV. Sehr langsam | Anton Webern, Leonkoro Quartet | D Major | 1 | 10B | 133 BPM | |
 | Fantasiestücke, Op. 12: Des Abends | Robert Schumann, Tanguy de Williencourt | A Major | 1 | 11B | 87 BPM | |
 | Piano Sonata No. 1 in F Minor, Op. 6: IV. Funebre | Alexander Scriabin, Julius Asal | B Minor | 0 | 10A | 69 BPM | |
 | Falla: Noches en los jardines de España: II. Danza lejana | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields, Tzimon Barto | D Major | 1 | 10B | 133 BPM | |
| Cello Concerto in A Minor, Op. 129: IIb. Etwas lebhafter | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Minor | 2 | 9A | 119 BPM | |
 | Samazeuilh: Nuit | Gustave Samazeuilh, Charles Münch, Orchestre De La Société Des Concerts Du Conservatoire | D♭ Major | 2 | 3B | 62 BPM | |
 | Quatre Pièces fugitives (Nr 1 Larghetto) | Clara Schumann | F Major | 0 | 7B | 107 BPM | |
 | Prélude, choral et fugue, FWV 21: II. Choral | César Franck, Adriana von Franqué | B Major | 1 | 1B | 136 BPM | |
 | Neuf mélodies retrouvées: No. 5, Naïs | Reynaldo Hahn, Julie Roset, Susan Manoff | D Major | 1 | 10B | 133 BPM | |
 | Poulenc: 2 poèmes de Louis Aragon, FP 122: No. 1, C | Francis Poulenc, Sabine Devieilhe, Alexandre Tharaud | A♭ Minor | 1 | 1A | 88 BPM | |
 | Heut triumphieret Gottes Sohn, BWV 630 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | |
 | 3 Mélodies, Op. 7: No. 1, Après un rêve (Arr. A. de la Vega for Flute & Piano) | Gabriel Fauré, Ana de la Vega, Paul Rivinius | F Minor | 0 | 4A | 83 BPM | |
 | Le chant de la mer: I. Prélude | Gustave Samazeuilh, Eric Le Sage | A♭ Minor | 0 | 1A | 134 BPM | |
 | Turina: Danzas fantásticas, Op. 22: III. Orgía | Joaquín Turina, Alicia de Larrocha | D Major | 2 | 10B | 115 BPM | |
 | Trumpet Concerto in A-Flat Major: Meno mosso | Alexander Arutiunian, Selina Ott, Vienna Radio Symphony Orchestra, Roberto Paternostro | D♭ Minor | 0 | 12A | 112 BPM | |
 | La ville morte, Act I: Eros invaincu au combat | Nadia Boulanger, Raoul Pugno, Talea Ensemble, Neal Goren, Melissa Harvey, Laurie Rubin | D Major | 1 | 10B | 133 BPM | |
 | Guridi: 6 canciones castellanas: No. 1, Allá arriba, en aquella montaña | Jesús Guridi, Marianne Crebassa, Alphonse Cemin | C Minor | 1 | 5A | 177 BPM | |
| Liederkreis, Op. 39: No. 7, Auf einer Burg (Arr. Rot for Cello and Orchestra) | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E♭ Major | 3 | 5B | 140 BPM | |
 | Nielsen: 5 Piano Pieces, Op. 3: No. 1, Folk Tune | Carl Nielsen, Leif Ove Andsnes | C Major | 0 | 8B | 76 BPM | |
 | Fontaines et sources, Op. 352: La grande cascade de Gavarnie | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | D Major | 1 | 10B | 91 BPM | |
 | Romance (From "Omena putoaa") | Einar Englund, Linda Hedlund, La Tempesta Orchestra, József Hárs | E♭ Major | 0 | 5B | 90 BPM | |
| Rêverie: Pour calmer ma détresse | Manuel Rosenthal, Julie Roset, Susan Manoff | D Major | 1 | 10B | 133 BPM |
- ISRC
- DEFG22331705
- Label
- L-M Records/RCA Records