John Berry's 'Standing On The Edge Of Goodbye' had a release date set for January 1, 1995. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Standing On The Edge". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Standing On The Edge Of Goodbye is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Standing On The Edge Of Goodbye by John Berry having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'll Always Come Back | K.T. Oslin | C Major | 3 | 8B | 168 BPM | ||
| What I Meant to Say | Wade Hayes | F Major | 3 | 7B | 77 BPM | ||
| Standing On The Edge Of Goodbye | John Berry | B♭ Major | 6 | 6B | 119 BPM | ||
| One Emotion | Clint Black | A♭ Major | 4 | 4B | 70 BPM | ||
| Now I Know | Lari White | F♯ Major | 5 | 2B | 96 BPM | ||
| Somewhere In The Vicinity Of The Heart | Shenandoah | E Major | 4 | 12B | 95 BPM | ||
| More Love | Doug Stone | F Major | 3 | 7B | 174 BPM | ||
| Cafe On The Corner | Sawyer Brown | C Major | 5 | 8B | 92 BPM | ||
| The Bluest Eyes In Texas | Restless Heart | B♭ Major | 5 | 6B | 114 BPM | ||
| You're Not In Kansas Anymore | Jo Dee Messina | D♭ Major | 8 | 3B | 116 BPM | ||
| That's as Close as I'll Get to Loving You | Aaron Tippin | B♭ Major | 6 | 6B | 87 BPM | ||
| For You I Will | Aaron Tippin | D♭ Major | 6 | 3B | 108 BPM | ||
| Runnin' Away With My Heart | Lonestar | G Major | 8 | 9B | 124 BPM | ||
| Crime Of Passion | Ricky Van Shelton | B♭ Major | 8 | 6B | 152 BPM | ||
| I Love the Way You Love Me | John Michael Montgomery | A♭ Major | 3 | 4B | 162 BPM | ||
| Your Love Amazes Me | John Berry | B♭ Major | 4 | 6B | 75 BPM | ||
| The Bed You Made for Me | Highway 101 | A♭ Major | 5 | 4B | 138 BPM | ||
| Come In Out of the Pain | Doug Stone | A Major | 4 | 11B | 71 BPM | ||
| Too Good to Be True | Michael Peterson | G Major | 7 | 9B | 172 BPM | ||
| Somebody's Baby | Kevin Sharp | E Major | 4 | 12B | 93 BPM | ||
| Standing On the Edge Of Goodbye | John Berry | A Major | 4 | 11B | 138 BPM | ||
| Day In, Day Out | David Kersh | A Major | 7 | 11B | 118 BPM | ||
| That's What I Get for Loving You | Diamond Rio | E Major | 5 | 12B | 167 BPM | ||
| Why Lady Why | Gary Morris | B♭ Major | 5 | 6B | 136 BPM | ||
| She's Taken a Shine | John Berry | B♭ Major | 8 | 6B | 118 BPM |