"Francesca da Rimini, Act III: Paolo, datemi pace! (Francesca)" by Riccardo Zandonai, Orchestra Sinfonica Nazionale della RAI di Roma, Maria Caniglia, Antonio Guarnieri had its release date on August 5, 2014. This song appears to be safe for all ages as it is not explicit. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Antonio Guarnieri, Maria Caniglia, Orchestra Sinfonica Nazionale della RAI di Roma, Giacinto Prandelli, Carlo Tagliabue, Mario Carlin, Ornella Rovero, Mario Tommasini. The song's track number on the album is #6 out of 24 tracks. Based on our data, Italy was the country where this track was produced or recorded. Francesca da Rimini, Act III: Paolo, datemi pace! (Francesca) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Act III: Paolo, datemi pace! (Francesca) by Riccardo Zandonai, Orchestra Sinfonica Nazionale della RAI di Roma, Maria Caniglia, Antonio Guarnieri has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Francesca da Rimini, Act III: Paolo, datemi pace! (Francesca) being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Carmen, Act I: Finale. Le lieutenant! Prenez garde! | Georges Bizet, Jean Barney, Jean-Noel Sissia, Maria Laborit, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 175 BPM | ||
| Falstaff, Act II: E sogno o realtà? | Giuseppe Verdi, Thomas Hampson, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | ||
| Rossini: Petite messe solennelle: XII. Et vitam ventur saeculi | Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 4 | 3B | 93 BPM | ||
| Un ballo in maschera / Act 1: "E la destra d'un grande" - "E scherzo od è follia" | Giuseppe Verdi, Elena Obraztsova, Edita Gruberova, Plácido Domingo, Ruggero Raimondi, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | B♭ Minor | 1 | 3A | 78 BPM | ||
| I puritani, Act III: Vieni, vieni fra questa braccia - Live in Rome, 1969 | Vincenzo Bellini, Luciano Pavarotti, Mirella Freni, Sesto Bruscantini, Bonaldo Giaiotti, RAI Chorus Rome, RAI Symphony Orchestra Rome, Riccardo Muti | D Major | 5 | 10B | 69 BPM | ||
| Andrea Chénier / Act 1: Passiamo la sera allegramente! ... O Pastorelle addio! | Umberto Giordano, Hugues Cuénod, Florindo Andreolli, Astrid Varnay, Luciano Pavarotti, Montserrat Caballé, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly | A Major | 1 | 11B | 75 BPM | ||
| Francesca da Rimini, Op. 4, Act IV, Scene Tableau II: Vieni, vieni, vieni, Francesca! (Paolo, Francesca, Gianciotto) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Frederic Kalt, Philippe Roillon | F♯ Major | 2 | 2B | 75 BPM | ||
| Puccini: Turandot, Act 1: "Non piangere, Liù!" (Calaf, Liù, Timur) | Giacomo Puccini, Francesco Molinari-Pradelli, Bonaldo Giaiotti, Franco Corelli, Renata Scotto, Orchestra Del Teatro Dell'Opera Di Roma | E♭ Minor | 2 | 2A | 136 BPM | ||
| The Dream of Gerontius, Op. 38, Pt. 1: IVa. Sanctus fortis, Sanctus Deus | Edward Elgar, David Butt Philip, The Orchestra Of Opera North, Martyn Brabbins | G Major | 3 | 9B | 87 BPM | ||
| Wagner: Tristan und Isolde, Act 1: "Welcher Wahn! Welch' eitles Zürnen!" (Brangäne, Isolde) | Richard Wagner, Herbert von Karajan, Christa Ludwig, Helga Dernesch, Berliner Philharmoniker | C Major | 1 | 8B | 131 BPM | ||
| Lucrezia Borgia: Preludio | Gaetano Donizetti, Lieuwe Visser, John Bröcheler, Marilyn Horne, Graham Clark, Piero de Palma, Richard van Allan, National Philharmonic Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 112 BPM | ||
| Zandonai: Francesca da Rimini: "O, Biancofiore" | Riccardo Zandonai, Saioa Hernández, Carlo Montanaro, Orquesta Sinfónica de Madrid | C Minor | 1 | 5A | 80 BPM | ||
| Mozart: Così fan tutte, K. 588, Act 1: Quintetto. "Sento, o Dio, che questo piede" (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) | Wolfgang Amadeus Mozart, Karl Böhm, Alfredo Kraus, Christa Ludwig, Elisabeth Schwarzkopf, Giuseppe Taddei, Heinrich Schmidt, Walter Berry, Philharmonia Orchestra | E♭ Major | 1 | 5B | 104 BPM | ||
| Puccini : La bohème : Act 2 "Quando me'n vo soletta" [Musetta, Marcello, Alcindoro, Mimì] | Giacomo Puccini, James Conlon, Orchestre National De France | E Major | 1 | 12B | 87 BPM | ||
| Lucia di Lammermoor / Act 3: Ohimè! Sorge il tremendo fantasma | Gaetano Donizetti, Nadine Sierra, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | B Major | 3 | 1B | 86 BPM | ||
| Suor Angelica: Il principe Gualtiero vostro padre | Giacomo Puccini, Christa Ludwig, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | E Major | 1 | 12B | 98 BPM | ||
| Penella: Don Gil de Alcalá: "Bendita cruz" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | D Major | 1 | 10B | 81 BPM | ||
| Carmen: Habt ihr gehört? / Leichter Rauch | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | E Major | 1 | 12B | 125 BPM | ||
| Messa di Gloria: Gratias agimus tibi | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM | ||
| Don Pasquale, Act II Quinta Scena: Riunita immantinento (Norina/Pasquale/Malatesta) | Gaetano Donizetti, Mirella Freni, Riccardo Muti, Philharmonia Orchestra | D♭ Minor | 2 | 12A | 135 BPM | ||
| Massenet: Don Quichotte, Act 1: "Dulcinée est certes jolie" (Rodriguez, Juan) | Jules Massenet, Orchestre Du Capitole De Toulouse - Christian Papis - Michel Plasson - Nicolas Rivenq, Christian Papis, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
| Carmen / Act 1: "Monsieur le brigadier?" / Duo:"Parle-moi de ma mère!" | Georges Bizet, Katia Ricciarelli, José Carreras, Jean Barney, Danièle Ajoret, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 81 BPM | ||
| Gianni Schicchi: Nessuno sa che Buoso ha reso il fiato? | Giacomo Puccini, Leo Nucci, Colin Cue, Ewa Podles, Roberto Alagna, Ricardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musi | D Major | 0 | 10B | 81 BPM | ||
| La Jolie Fille De Perth - Opéra En 4 Actes. Livret De Vernoy De Saint-Georges Et Adenis D'après Walter Scott. Version Originale Reconstituée Par David Lloyd Jones - Acte II - N°10 - Chanson À Boire : Tout Boit, Amis, Dans Ce Monde (Duc, Cho | Georges Bizet, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France | D Minor | 3 | 7A | 62 BPM | ||
| Das Lied von der Erde: VId. Der Abschied. Schwer | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | C Major | 1 | 8B | 81 BPM |