On June 8, 2019, the song "Let It Go Baby" was released by David H. Wurst. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Let It Go Baby's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Urban Slam". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Let It Go Baby's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Let It Go Baby by David H. Wurst having a BPM of 157 with a half-time of 78 BPM and a double-time of 314 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| End Title (from the Television Series "Knight Rider") | Stu Phillips | F♯ Major | 8 | 2B | 116 BPM | ||
| Rags To Riches | David H. Wurst | A Minor | 4 | 8A | 180 BPM | ||
| Action In The West | David H. Wurst | C Major | 5 | 8B | 132 BPM | ||
| Goro Vs. Art | George S. Clinton | D♭ Major | 7 | 3B | 131 BPM | ||
| Oh Yeah - Remastered 2005 | Yello | F♯ Major | 9 | 2B | 133 BPM | ||
| Follow | James Barth | A Major | 1 | 11B | 70 BPM | ||
| Airwolf Love Theme - Version 3 | Rick Patterson | A Minor | 3 | 8A | 133 BPM | ||
| Workmen (Retaliation Remix) - Remastered | Frank Klepacki | D♭ Major | 10 | 3B | 105 BPM | ||
| Original Miami Vice Theme | Jan Hammer | B♭ Major | 10 | 6B | 115 BPM | ||
| Metal Warrior | Ikoliks | F Major | 8 | 7B | 104 BPM | ||
| Critical Thinking | Philip Ayers | D Major | 5 | 10B | 100 BPM | ||
| James Bond – 007: Main Theme - Electronic Music Version | M.S. | B Major | 4 | 1B | 96 BPM | ||
| Fleshed | The Inspire | D♭ Major | 10 | 3B | 164 BPM | ||
| Escape From The Hospital - Remastered 2017 | Brad Fiedel | G Major | 6 | 9B | 128 BPM | ||
| Anacott Steal | Stewart Copeland | D♭ Major | 6 | 3B | 90 BPM | ||
| Atramentous Angel | Etherwound Phantom | D Major | 6 | 10B | 98 BPM | ||
| Flashback Montage | Paul Hertzog | A♭ Minor | 3 | 1A | 115 BPM | ||
| End Credits: Final Suite - The Terminator | Brad Fiedel | E♭ Minor | 4 | 2A | 130 BPM | ||
| Surface 2 (From "GoldenEye 007") | Matt Beane (DonutDrums) | C Major | 7 | 8B | 100 BPM | ||
| New Orleans | Afiifa | G Minor | 6 | 6A | 105 BPM | ||
| Shine on Me | KLYRA | F Major | 6 | 7B | 91 BPM | ||
| Unstoppable | Jason Smith | A♭ Major | 6 | 4B | 144 BPM | ||
| Access Gained | Tony Morales | E Minor | 0 | 9A | 114 BPM | ||
| The Thumbprint Killer | Ramin Djawadi | F♯ Minor | 3 | 11A | 117 BPM | ||
| Tracker | Christoffer Moe Ditlevsen | B♭ Minor | 3 | 3A | 180 BPM |