"Ricochet" by Libby Larsen, Zeitgeist had its release date on March 1, 2011. With This song being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Zeitgeist's "Here and Now" album is number 10 out of 30. On top of that, United States appears to be the country where this track was created. Based on our statistics, Ricochet's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Ricochet by Libby Larsen, Zeitgeist to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Dream of Gerontius, Op. 38, Pt.1: Proficiscere, anima Christiana | Edward Elgar, Bryn Terfel, Sir Mark Elder, Hallé | D Major | 1 | 10B | 167 BPM | ||
| Considering Matthew Shepard, Passion: No. 7, The Fence (That Night) | Craig Hella Johnson, Lesléa Newman, Hildegard von Bingen, Conspirare | D Minor | 1 | 7A | 104 BPM | ||
| I. Song for a Dance | Libby Larsen, Allmänna Sången, Maria Goundorina | C Major | 0 | 8B | 96 BPM | ||
| Petite messe solennelle: XVII. O salutaris | Gioachino Rossini, Krassimira Stoyanova, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | G Major | 0 | 9B | 103 BPM | ||
| Pêcheur de lune | Manuel Rosenthal, Julie Roset, Susan Manoff | F♯ Major | 1 | 2B | 80 BPM | ||
| Don Quichotte à Dulcinée: Chanson romanesque | Maurice Ravel, Paul Morand, Philippe Sly, Michael McMahon | B♭ Major | 0 | 6B | 115 BPM | ||
| Myrthen, Op. 25: No. 1, Widmung | Felicity Lott, Graham Johnson | A♭ Major | 1 | 4B | 113 BPM | ||
| Fontaines et sources, Op. 352: La grande cascade de Gavarnie | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | D Major | 1 | 10B | 91 BPM | ||
| Ein deutsches Requiem, Op. 45: V. "Ihr habt nun Traurigkeit" | Johannes Brahms, London Symphony Orchestra, London Symphony Chorus, André Previn, David Wilson-Johnson, Harolyn Blackwell | A♭ Major | 1 | 4B | 140 BPM | ||
| Requiem in D Minor, Op. 48: II. Offertoire | Gabriel Fauré, John Rutter, Simon Standage, John Scott, City of London Sinfonia, The Cambridge Singers, Stephen Varcoe | G Major | 1 | 9B | 83 BPM | ||
| Harnasie, Op.55 (Ballet pantomime in two tableaux), Obraz I: Na hali - Tableau I: In the mountain pasture: III. Marsz zbójnicki - The tatra robbers' march | Karol Szymanowski, Sir Simon Rattle/City of Birmingham Orchestra/City of Birmingham Symphony Chorus/Simon Halsey/Iwona Sobotka/Timothy Robinson/Katarina Karnéus, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, City of Birmingham Orchestra | G Major | 5 | 9B | 66 BPM | ||
| Romanzen, Book 1, Op. 69: No. 6, Die Kapelle | Robert Schumann, Aquarius, Marc Michael de Smet | G Major | 0 | 9B | 130 BPM | ||
| Requiem, Op. 9: V. Pie Jesu (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Patricia Bardon | A♭ Major | 0 | 4B | 79 BPM | ||
| L'omnibus automobile | Erik Satie, Measha Brueggergosman, William Bolcom | F Minor | 0 | 4A | 133 BPM | ||
| Fauré: 2 Mélodies, Op. 4: No. 2, Lydia | Gabriel Fauré, Véronique Gens, Roger Vignoles | E♭ Minor | 1 | 2A | 123 BPM | ||
| The Bells – A Collaboration | Klaudia Rabiega, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta | A♭ Minor | 1 | 1A | 112 BPM | ||
| Petite messe solennelle: XII. Credo. Crucifixus | Gioachino Rossini, Giulio Prandi, Sandrine Piau, Francesco Corti, Deniel Perer | D Minor | 3 | 7A | 101 BPM | ||
| Hildegard, Act I: Scene 11: in this dirt, this soil (Hildegard) | Sarah Kirkland Snider, Nola Richardson, Kazem Abdullah | F Minor | 2 | 4A | 81 BPM | ||
| Le Charme, Op. 2, No. 2 | Ernest Chausson, Jan DeGaetani, Gilbert Kalish | E♭ Major | 0 | 5B | 81 BPM | ||
| Petite messe solennelle, Credo: X. Credo in unum Deum | Gioachino Rossini, Krassimira Stoyanova, Birgit Remmert, Steve Davislim, Hanno Müller-Brachmann, RIAS Kammerchor, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | B Major | 1 | 1B | 131 BPM | ||
| A Mother's prayer | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Kristin Mulders, Thomas Berg-Juul | F♯ Minor | 0 | 11A | 71 BPM | ||
| Roussel: 2 Poèmes chinois, Op. 12: No. 1, Ode à un jeune gentilhomme | Albert Roussel, Mady Mesplé, Dalton Baldwin | A Major | 1 | 11B | 140 BPM | ||
| Roussel: Le festin de l'araignée, Op. 17, Pt. 2: XIII. Funérailles de l'Éphémère | Albert Roussel, Jean Martinon, Orchestre National de l'O.R.T.F. | D♭ Major | 2 | 3B | 99 BPM | ||
| Chichester Psalms: II. Psalm 23.1-4 – Psalm 2.1-4 – Psalm 23.5-6 - Live | Leonard Bernstein, Wiener Jeunesse-Chor, Israel Philharmonic Orchestra | B♭ Major | 0 | 6B | 109 BPM | ||
| Requiem: Agnus Dei | John Rutter, Elin Manahan Thomas, Choir of Clare College, Cambridge, City of London Sinfonia, Timothy Brown | B♭ Major | 0 | 6B | 132 BPM |