"Tearing Herself Away" by Philip Glass had its release date on December 5, 2002. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "The Hours (Music from the Motion Picture Soundtrack)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Tearing Herself Away is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tearing Herself Away by Philip Glass having a BPM of 51 with a half-time of 26 BPM and a double-time of 102 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vanessa and the Changelings | Philip Glass | E♭ Major | 0 | 5B | 123 BPM | ||
| Then We Are Together | Johan Söderqvist | A♭ Major | 2 | 4B | 171 BPM | ||
| George's Waltz (II) | Shigeru Umebayashi | E Minor | 2 | 9A | 138 BPM | ||
| Summa for Strings | Arvo Pärt, Hungarian State Opera Orchestra, Tamás Benedek | B Minor | 0 | 10A | 70 BPM | ||
| Adams: Grand Pianola Music: On the Dominant Divide | John Adams, London Sinfonietta | E♭ Major | 2 | 5B | 84 BPM | ||
| Immortal, Universal | Alex Baranowski | A Minor | 2 | 8A | 100 BPM | ||
| Créditos - La Identidad Inaccesible | Alberto Iglesias | A Minor | 2 | 8A | 162 BPM | ||
| Aningaaq | Steven Price | F Major | 0 | 7B | 59 BPM | ||
| The Refuge | Javier Navarrete | A Minor | 2 | 8A | 66 BPM | ||
| Negative Capability (feat. Abbie Cornish & Ben Whishaw) | Mark Bradshaw, Abbie Cornish, Ben Whishaw | G Major | 2 | 9B | 70 BPM | ||
| Fearful Symmetries - excerpt | John Adams | D♭ Major | 0 | 3B | 112 BPM | ||
| Ab Ovo | Joep Beving | A Minor | 0 | 8A | 135 BPM | ||
| Violin Concerto: II. - | Philip Glass, Adele Anthony, Ulster Orchestra, Takuo Yuasa | C Minor | 1 | 5A | 82 BPM | ||
| Preludium c-moll | Hania Rani, Dobrawa Czocher | C Minor | 0 | 5A | 98 BPM | ||
| Seven Days Walking / Day 1: Golden Butterflies | Ludovico Einaudi, Federico Mecozzi, Redi Hasa | F♯ Minor | 2 | 11A | 121 BPM | ||
| Mercedes | Javier Navarrete | A Minor | 3 | 8A | 95 BPM | ||
| Harmonielehre: Pt. III Meister Eckhardt and Quackie | John Adams | E Minor | 1 | 9A | 77 BPM | ||
| The See Within | Echo Collective, Margaret Hermant, Gary De Cart, Neil Leiter, Charlotte Danhier | E Minor | 1 | 9A | 101 BPM | ||
| Nureyev | Ilan Eshkeri, Lisa Batiashvili, Dudana Mazmanishvili | F Major | 1 | 7B | 117 BPM | ||
| In Full Bloom | Clint Mansell | A Minor | 2 | 8A | 62 BPM | ||
| Glassworks: III. Islands | Signal, Michael Riesman | B♭ Minor | 2 | 3A | 84 BPM | ||
| The Story of Grandmere (From "Chocolat" Soundtrack) | Rachel Portman | G Minor | 0 | 6A | 72 BPM | ||
| Precious to Me | Rael Jones, Anthony Weeden | E Minor | 1 | 9A | 80 BPM | ||
| Requiem for my Friend: Lacrimosa Day of Tears | Filharmonie Brno | D Minor | 1 | 7A | 124 BPM | ||
| Marina's Theme - The Wildflowers | Hanan Townshend | D♭ Minor | 1 | 12A | 92 BPM |