Jacinto Guerrero, Nicasio Tejada's ' "La Rosa del Azafrán: Romanza: "No Me Duele Que Se Vaya"" was released on its scheduled release date, October 9, 1959. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jacinto Guerrero, Nicasio Tejada's "La Rosa del Azafrán" album is number 13 out of 18. On top of that, Spain appears to be the country where this track was created. La Rosa del Azafrán: Romanza: "No Me Duele Que Se Vaya" is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of La Rosa del Azafrán: Romanza: "No Me Duele Que Se Vaya" by Jacinto Guerrero, Nicasio Tejada to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gounod: Faust, Act 3: Couplets. "Faites-lui mes aveux" (Siebel) | Charles Gounod, Michel Plasson, Martine Mahé, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Bizet: Carmen, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Sir Thomas Beecham, French National Radio Orchestra | G Major | 1 | 9B | 107 BPM | ||
| 'La Tarántula', De La Tempranica | Victoria de los Ángeles | C Major | 3 | 8B | 75 BPM | ||
| Los Gavilanes: "Mi Aldea" | Jacinto Guerrero, Rafael Frühbeck de Burgos | A♭ Major | 2 | 4B | 127 BPM | ||
| Los gavilanes, Acto II: No importa que al amor mio | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | D♭ Minor | 4 | 12A | 168 BPM | ||
| Agua, azucarillos y aguardiente: Coro de barquilleros | Pablo Sorozábal | D♭ Major | 4 | 3B | 124 BPM | ||
| No | Javier Camarena, Humberto Terán, Armando Garmendi, Red Studio | D Major | 2 | 10B | 165 BPM | ||
| Bellini: I puritani, Act 1 Scene 5: Cavatina, "A te, o cara, amor talora" (Arturo) | Vincenzo Bellini, Franco Corelli, Philharmonia Orchestra, Franco Ferraris | D♭ Major | 2 | 3B | 69 BPM | ||
| Los Gavilanes: "Siempre amigos" - Remastered | Jacinto Guerrero, Lily Bechman | E Major | 5 | 12B | 124 BPM | ||
| La Revoltossa | Ataúlfo Argenta | D Major | 4 | 10B | 136 BPM | ||
| Los gavilanes, Acto I: Palomita, Palomita | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | A♭ Major | 2 | 4B | 124 BPM | ||
| Carmen, WD 31, Act II: Gypsy Song. Les tringles des sistres tintaient (Carmen, Fasquita, Zuniga, Mercedes) | Georges Bizet, Graciela Alperyn, Giorgio Lamberti, Alan Titus, Doina Palade, Dalia Schaechter, Ann Liebeck, Danilo Rigosa, Slovak Philharmonic Chorus, Bratislava Children's Choir, Slovak Radio Symphony Orchestra, Ali Rahbari | A Minor | 1 | 8A | 75 BPM | ||
| Luisa Fernanda, Acto i: Caballero del alto plumero | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | A Major | 2 | 11B | 85 BPM | ||
| La canción del olvido: Serenata soldado de Nápoles | Pablo Sorozábal | C Major | 4 | 8B | 117 BPM | ||
| La Valentina | Jose Martin Zaragoza, Orquesta Filarmónica de la Ciudad de México, Fernando Lozano | C Major | 1 | 8B | 92 BPM | ||
| La Canción del Olvido: "Toribio y Toribio y Coro de hombres" | Coros Cantores De Madrid, Agrupación Vocal de Cámara del Centro de Instrucción Comercial, Carlos Munguia | C Major | 3 | 8B | 122 BPM | ||
| L'elisir d'amore / Act I: Come Paride vezzoso | Gaetano Donizetti, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | F Major | 2 | 7B | 73 BPM | ||
| Gounod: Faust, Act 3: "Quel trouble inconnu me pénètre !" - Cavatine. "Salut ! Demeure chaste et pure" (Faust) | Charles Gounod, Michel Plasson, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Bizet: Carmen, WD 31, Act 3: "Notre métier est bon" (Carmen, Don José, Frasquita, Mercédès, Le Dancaïre, Le Remendado, Chœur) | Georges Bizet, Michel Plasson, Angela Gheorghiu, Elizabeth Vidal, Isabelle Cals, Les Éléments, Nicolas Rivenq, Roberto Alagna, Yann Beuron, Orchestre National Du Capitole De Toulouse | E♭ Major | 2 | 5B | 79 BPM | ||
| Song of Pyongyang (DPRK Song) | North Korea | D♭ Major | 3 | 3B | 69 BPM | ||
| H.M.S. Pinafore / Act 1: The nightingale sighed | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | A♭ Major | 0 | 4B | 85 BPM | ||
| Lucia di Lammermoor / Act 3: "Oh! qual funesto avvenimento!" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F♯ Minor | 2 | 11A | 81 BPM | ||
| Lecuona: María la O: "Eschucha al ruisenor" | Lisette Oropesa | E♭ Major | 1 | 5B | 93 BPM | ||
| Los gavilanes, Acto II: Escena | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | A Major | 3 | 11B | 134 BPM | ||
| Y Detrás de Ti Besé / Yo Conozco a una Mocita | José Oto, Rondalla | C Major | 4 | 8B | 93 BPM |