Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard's 'Peter and the Wolf, Op. 67 (Without Narration): Peter Suggests They All Take the Wolf to the Zoo -' had a release date set for July 3, 2015. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 21 in the song's album "Prokofiev: Peter and the Wolf, Op. 67 (Without Narration)". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Peter and the Wolf, Op. 67 (Without Narration): Peter Suggests They All Take the Wolf to the Zoo - is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Peter and the Wolf, Op. 67 (Without Narration): Peter Suggests They All Take the Wolf to the Zoo - by Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 2 Elegiac Melodies, Op. 34: No. 1, Wounded Heart (After Op. 33/3) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A♭ Major | 0 | 4B | 125 BPM | ||
| St. Paul's Suite, Op. 29, No. 2: IV. Finale (The Dargason) | Gustav Holst, Bournemouth Sinfonietta, Richard Studt | C Major | 2 | 8B | 81 BPM | ||
| Le tombeau de Couperin: 3. Menuet (version for orchestra) | Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキン | A Major | 1 | 11B | 107 BPM | ||
| Masquerade Suite: Gallop | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Major | 1 | 9B | 104 BPM | ||
| Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
| The Young Person's Guide to the Orchestra, Op. 34: Vars. 1-4 (Woodwinds) | Benjamin Britten, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 112 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 18 (orch. A. Dvorak) [Version for orchestra] | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | E Minor | 1 | 9A | 81 BPM | ||
| Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
| Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: No. 12 Allegro vivace come 1 | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | C Major | 1 | 8B | 68 BPM | ||
| Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
| Capriccio Espagnol, Op. 34: III. Alborada | Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 2 | 5B | 133 BPM | ||
| Giselle: Act I: Retour de la vendange et valse (The Grape-Pickers Return) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 134 BPM | ||
| Bullets And Bayonets | Slovak Radio Symphony Orchestra, John Philip Sousa | F Major | 3 | 7B | 128 BPM | ||
| The Stars And Stripes Forever | Slovak Radio Symphony Orchestra, John Philip Sousa | D Major | 4 | 10B | 129 BPM | ||
| Aladdin Suite, Op. 34, FS 89: IV. Chinese Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | E Minor | 1 | 9A | 96 BPM | ||
| Coppelia: Act I - Scene | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 84 BPM | ||
| La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
| Les contes d'Hoffmann (the Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
| The Young Person's Guide to the Orchestra, Op. 34: Theme | Benjamin Britten, Slovak Radio Symphony Orchestra, Ondrej Lenard | B♭ Major | 2 | 6B | 76 BPM | ||
| Giselle: Act I: Entree de Loys | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 117 BPM | ||
| Scheherazade: The Fight | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Minor | 1 | 9A | 80 BPM | ||
| Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 85 BPM | ||
| Wedding Day of Troldhaugen op. 65 Tempo di Marcia un poco vivace | Academy of St. Martin in the Fields | D Major | 0 | 10B | 113 BPM | ||
| L'oiseau de feu, K. 10. Suite 1919: VII. Final | Igor Stravinsky, Budapest Festival Orchestra, Iván Fischer | A Major | 0 | 11B | 90 BPM |