"Bagatelles: VII." by George Nicholson, Janey Miller, Joby Burgess had its release date on November 1, 2010. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 13 in Frozen Rivers Flows - New Noise by Janey Miller, Joby Burgess. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Bagatelles: VII. is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bagatelles: VII. by George Nicholson, Janey Miller, Joby Burgess is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shostakovich: Cello Concerto No. 2 in G Major, Op. 126: II. Allegretto | Dmitri Shostakovich, Gautier Capuçon, Valery Gergiev, Mariinsky Orchestra of Saint Petersburg | G Major | 2 | 9B | 113 BPM | ||
| Recalling Chimes | Vanessa Lann, Ivo Janssen | F♯ Minor | 5 | 11A | 97 BPM | ||
| La boîte à joujoux, L. 128: Épilogue | Claude Debussy, London Symphony Orchestra, Michael Tilson Thomas | F Minor | 0 | 4A | 91 BPM | ||
| Het Olifantje Babar, FP 129: Toch is Babar niet echt gelukkig | Francis Poulenc, Frank Groothof, Othmar Maga, Het Residentie Orkest | D Major | 0 | 10B | 145 BPM | ||
| Quodlibet | John Cage, Kronos Quartet | F Major | 0 | 7B | 64 BPM | ||
| Concerto grosso no.1 (1976-77): 1. Preludio: Andante | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | C Minor | 0 | 5A | 93 BPM | ||
| Berceuse sur le nom de Gabriel Fauré, M. 74 | Maurice Ravel, Cédric Tiberghien, Alina Ibragimova | C Major | 0 | 8B | 187 BPM | ||
| String Quartet in Four Parts: Slowly Rocking | John Cage, JACK Quartet | F Major | 0 | 7B | 124 BPM | ||
| Yiddish Dances: III. Doina. Meno mosso, rubato | Adam Gorb, Royal Northern College Of Music Wind Orchestra, Clark Rundell | D Major | 0 | 10B | 113 BPM | ||
| The Planets, Op. 32: VII. Neptune, the Mystic | Gustav Holst, Le Choeur des femmes de l’Orchestre symphonique de Montréal, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 0 | 12B | 78 BPM | ||
| Sonata für Oboe Solo: I. Langsam – Beschleunigend | Jürg Wyttenbach, Heinz Holliger | B♭ Minor | 0 | 3A | 77 BPM | ||
| Introduction à Hotteterre | Matthieu Metzger | D Minor | 0 | 7A | 83 BPM | ||
| Ravel: String Quartet, M. 35: IV. Vif et agité | Maurice Ravel, Quatuor Ébène | F Major | 2 | 7B | 80 BPM | ||
| Britten: Young Apollo, Op. 16 | Benjamin Britten, Martin James Bartlett, Mozarteumorchester Salzburg, Howard Griffiths | B Major | 1 | 1B | 103 BPM | ||
| Whispers of Peace | Rylandiaa | G Major | 2 | 9B | 136 BPM | ||
| Rohtko Chapel 1 | Morton Feldman | D♭ Major | 0 | 3B | 74 BPM | ||
| Ravel: String Quartet, M. 35: II. Assez vif - Très rythmé | Maurice Ravel, Quatuor Ébène | F Major | 0 | 7B | 144 BPM | ||
| I. Prelude (Arr. Fourés) | Johann Sebastian Bach, Daniel Hope, Juan Lucas Aisemberg, Christiane Starke | E Minor | 0 | 9A | 169 BPM | ||
| Symphony No. 3 in C Major, Op. 52: II. Andantino con moto, quasi allegretto - Un pocchettino con moto - Tempo primo | Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle | A♭ Minor | 0 | 1A | 136 BPM | ||
| Scaramouche pour 2 pianos: Vif | Darius Milhaud, Edouard Exerjean, Philippe Corre | E Minor | 1 | 9A | 183 BPM | ||
| Debussy: Syrinx, CD 137, L. 129 | Claude Debussy, Emmanuel Pahud | B Major | 0 | 1B | 165 BPM | ||
| Bagatelles: III. | George Nicholson, Janey Miller, Joby Burgess | C Major | 1 | 8B | 116 BPM | ||
| Piano Trio in A Minor, M. 67: III. Passacaille. Très large | Maurice Ravel, Smetana Trio | G Major | 2 | 9B | 78 BPM | ||
| Toward the Sea: I. The Night | Toru Takemitsu, Alexej Gerassimez, NDR Radiophilharmonie, Gordon Hamilton | A♭ Major | 0 | 4B | 105 BPM | ||
| Peripheral Visions: No. 4, Call (Incident at Week-End Party) | George Nicholson, Alison Smart, Katharine Durran | C Minor | 1 | 5A | 108 BPM |