"REDHEAD Red Death" by Sam Hodge had its release date on March 6, 2025. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 27 in the song's album "Redhead (The Motion Picture Soundtrack)". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Sweden. Based on our statistics, REDHEAD Red Death's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With REDHEAD Red Death by Sam Hodge having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Desolate Views | Pawel Blaszczak | C Minor | 3 | 5A | 80 BPM | ||
| I Think I Am | Sky H1 | E Minor | 4 | 9A | 83 BPM | ||
| Edge of Time | Macrowave | G Minor | 4 | 6A | 106 BPM | ||
| Sensaciones Y Contrastes | Universo De Oro | C Minor | 3 | 5A | 110 BPM | ||
| Time Is Lost | Celldweller | F Major | 9 | 7B | 105 BPM | ||
| The Comet | Fantom '87 | G Minor | 3 | 6A | 110 BPM | ||
| Red Planet | Vince Clarke | E♭ Major | 2 | 5B | 92 BPM | ||
| Load Out | Paul Haslinger | E Minor | 4 | 9A | 92 BPM | ||
| Midnight Hunger | Nightstop | B♭ Major | 4 | 6B | 110 BPM | ||
| Geoscape | Adam Schneider | E Minor | 3 | 9A | 125 BPM | ||
| Alarming Incursion | Keisuke Ito | A♭ Major | 5 | 4B | 120 BPM | ||
| The Haunted Hyperion Woods | Vikorra Doom | D Major | 4 | 10B | 38 BPM | ||
| First Stop | Blockage Studios | B♭ Minor | 6 | 3A | 100 BPM | ||
| Firestorm | Harry Callaghan | E Major | 4 | 12B | 120 BPM | ||
| (Irreversible) | Dillom | G Minor | 5 | 6A | 115 BPM | ||
| Battle of Shadows | Yopy Mystic | C Minor | 7 | 5A | 105 BPM | ||
| Data Interference | Jesper Kyd | D♭ Major | 6 | 3B | 108 BPM | ||
| Aeon Travel | Pawel Blaszczak | F Minor | 3 | 4A | 80 BPM | ||
| A Business Of Codes | Martin Phipps | B♭ Major | 1 | 6B | 83 BPM | ||
| Aurora Borealis | Harry Hearing | E Major | 3 | 12B | 180 BPM | ||
| Stretching / Invading | Augustus Muller, Boy Harsher | B♭ Major | 1 | 6B | 72 BPM | ||
| CODE PART I | YEUZ, Paul Sabin | A Minor | 0 | 8A | 120 BPM | ||
| The Bodies Were Missing | BE/HOLD | A♭ Major | 4 | 4B | 120 BPM | ||
| Fight Clubs Are Real | Cliff Martinez | D Major | 4 | 10B | 98 BPM | ||
| Saren | Jack Wall, Richard Jacques, EA Games Soundtrack | A Major | 5 | 11B | 180 BPM |