John Rutter, Judy Loman, Toronto Mendelssohn Choir's 'Dancing Day: Tomorrow shall be my dancing day (Arr. J. Rutter)' had a release date set for January 1, 2000. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Dancing Day: Tomorrow shall be my dancing day (Arr. J. Rutter)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "The Magic Of Christmas". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Canada. The popularity of Dancing Day: Tomorrow shall be my dancing day (Arr. J. Rutter) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dancing Day: Tomorrow shall be my dancing day (Arr. J. Rutter) by John Rutter, Judy Loman, Toronto Mendelssohn Choir having a BPM of 188 with a half-time of 94 BPM and a double-time of 376 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Loquebantur variis linguis | Thomas Tallis, The Cambridge Singers, John Rutter | D♭ Major | 1 | 3B | 128 BPM | ||
| The Watermill | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM | ||
| The Owl | Toby Young, Apollo5 | F Major | 2 | 7B | 103 BPM | ||
| Folly and Love | John Bell, The Cathedral Singers | D Major | 4 | 10B | 70 BPM | ||
| Libera nos, salva nos | John Sheppard, The Cambridge Singers, John Rutter | F♯ Minor | 0 | 11A | 107 BPM | ||
| The Lamb | Kim André Arnesen, Kantorei, Joel Rinsema | D Major | 2 | 10B | 102 BPM | ||
| 4 Tantum ergo, WAB 41: No. 4 in C Major (Version for Choir) | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 69 BPM | ||
| All Things Bright and Beautiful | Traditional, John Rutter, Thelma Owen, The Cambridge Singers | G Major | 1 | 9B | 133 BPM | ||
| The Crimson Sun | Alexander Campkin, Apollo5 | F Major | 1 | 7B | 82 BPM | ||
| Ave verum corpus | Wolfgang Amadeus Mozart, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | D Major | 0 | 10B | 77 BPM | ||
| A Gaelic Blessing | John Rutter, Graham Ross, Choir of Clare College, Cambridge, Dmitri Ensemble | E Major | 1 | 12B | 84 BPM | ||
| Cantique de Jean Racine, Op. 11 (Arr. J. Rutter for Choir & Organ) | Gabriel Fauré, John Rutter, City of London Sinfonia, The Cambridge Singers | G Major | 1 | 9B | 83 BPM | ||
| Reflexionem | Patrick Hawes, VOCES8, Matthew Sharp | D Major | 1 | 10B | 87 BPM | ||
| Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
| Tomorrow shall be my dancing day - Bonus Track | John Rutter, Graham Ross, Emily Coatsworth, Choir of Clare College, Cambridge | A♭ Major | 1 | 4B | 88 BPM | ||
| Delius / Arr. Fenby: Koanga, Act II: La Calinda | Frederick Delius, Sir John Barbirolli, Hallé | E Minor | 4 | 9A | 116 BPM | ||
| Suite: O, Waly Waly | John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 0 | 9B | 95 BPM | ||
| O Sacrum Convivium | Gabriel Jackson, Samuel Rathbone, The Choir of Royal Holloway, Rupert Gough | E♭ Major | 0 | 5B | 69 BPM | ||
| Quatre Motets sur des thèmes grégoriens pour choeur a cappella, Op.10: I. Ubi caritas | Maurice Duruflé, Mauruce Duruflé, Houston Chamber Choir, Robert Simpson | E♭ Major | 1 | 5B | 88 BPM | ||
| Som hjorten törstar | Sven-Erik Bäck, Swedish Chamber Choir, Simon Phipps | D Major | 2 | 10B | 87 BPM | ||
| Be Thou My Vision | John Rutter, City of London Sinfonia, The Cambridge Singers | E Major | 0 | 12B | 85 BPM | ||
| The Watermill | Ronald Binge, New London Orchestra, Ruth Scott, Ronald Corp | B♭ Major | 1 | 6B | 71 BPM | ||
| A Hymn to the Virgin | Benjamin Britten, VOCES8 | A Minor | 0 | 8A | 133 BPM | ||
| 3 Spirituals for Orchestra: No. 2, Kum Ba Ya | Adolphus Hailstork, Virginia Symphony Orchestra, Joann Falletta | D Minor | 0 | 7A | 172 BPM | ||
| Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus | Louis Vierne, Michel Bouvard | E Major | 3 | 12B | 69 BPM |