"Pavan: The Funerals" by Anthony Holborne, Ulsamer Collegium, Josef Ulsamer had its release date on January 1, 1994. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 135 in Dance Music Through the Ages: Renaissance; Early Baroque; High Baroque; Rococo; Viennese Classical Period; Biedermeier Period by Konrad Ragossnig, Ulsamer Collegium, Ensemble Eduard Melkus, Josef Ulsamer. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Pavan: The Funerals is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pavan: The Funerals by Anthony Holborne, Ulsamer Collegium, Josef Ulsamer is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Livre de danceries, Book 4: Pavane: La Venissienne - Quart Livre de Danceries | Claude Gervaise, Estampie, Graham Derrick | F Minor | 4 | 4A | 148 BPM | ||
| Villanos | Francisco Guerau, Gordon Ferries | D♭ Major | 1 | 3B | 129 BPM | ||
| My heavy sprite, oppress'd with sorrow's might | Anthony Holborne, Andreas Scholl, Edin Karamazov | B Major | 0 | 1B | 177 BPM | ||
| The First Part of Ayres, French, Pollish and others together … with Pavines, Galliards, and Almaines (1605): I. A Galiard | Tobias Hume, Matteo Cicchitti, Musica Elegentia | E♭ Minor | 0 | 2A | 90 BPM | ||
| Allemanda per la E | Giovanni Paolo Foscarini, Ensemble Kapsberger, Rolf Lislevand | A Minor | 1 | 8A | 95 BPM | ||
| The Lord Monk's March / Hey to the Camp | Henry Purcell, James Oswald, Les Musiciens De Saint-Julien, François Lazarevitch | D Major | 3 | 10B | 142 BPM | ||
| Differencias sobre "Guarda me Las Vacas" | Luis de Narváez, Lutz Kirchhof | B♭ Major | 1 | 6B | 107 BPM | ||
| Tarantella | David Douglass, The King's Noyse | E Major | 2 | 12B | 139 BPM | ||
| Byrd: Miserere a 4 | William Byrd, Fretwork | B♭ Major | 0 | 6B | 90 BPM | ||
| In Nomine à 5 I | John Bull, Fretwork | C Minor | 1 | 5A | 92 BPM | ||
| The Cradle (Arr. Bayley) | Anthony Holborne, The York Waits | D Major | 2 | 10B | 61 BPM | ||
| Gintzler : Part II: Ave Maria | Heringman | D Minor | 0 | 7A | 80 BPM | ||
| Saltarello | Joan Ambrosio Dalza, Ronn McFarlane, Mark Cudek | D♭ Major | 1 | 3B | 128 BPM | ||
| Zappay [lo campo] | Capella de Ministrers, Carles Magraner | C Major | 3 | 8B | 115 BPM | ||
| A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
| Dansereye (1551): Passe e medio/ Reprise 'Le Pingue' | Tylman Susato, New London Consort, Philip Pickett | D Minor | 1 | 7A | 170 BPM | ||
| Duel double duel (Lupi) | Edward Martin | B♭ Major | 0 | 6B | 72 BPM | ||
| Sancta Trinitas | Antoine de Févin, Paolo Cherici | G Major | 1 | 9B | 134 BPM | ||
| Intabolatura de lauto, Book 4: Pavana alla ferrarese, Saltarello e Piva, Ricercar detto coda | Joan Ambrosio Dalza, Paolo Cherici | D Major | 2 | 10B | 68 BPM | ||
| In nomine: Rachell’s Weepinge | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 0 | 12A | 81 BPM | ||
| Dos estrellas le siguen | Manuel Machado, Gérard Lesne | G Minor | 2 | 6A | 115 BPM | ||
| Ce fut en mai | Moniot d'Arras, Wanda Laddy, Malgorzata Feldgebel, Tadeusz Czechak | F Major | 0 | 7B | 182 BPM | ||
| Couperin, L: Pavanne, G. 120 (Transcr. Pierlot) | Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Thibaut Roussel | E♭ Major | 0 | 5B | 67 BPM | ||
| The Voice of the Earth (Cittern) | Anthony Holborne, Lee Santana | F Major | 0 | 7B | 125 BPM | ||
| Elizabeth and Essex - Queen Elizabeth's Gaillard | Hopkinson Smith, John Dowland | A Minor | 1 | 8A | 88 BPM |