On April 1, 2010, the song "Amritvani 4" was released by Rajesh Bisen, Pramita. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Amritvani 4's duration is considered a little bit shorter than the average duration of a typical track. The song is number 23 out of 92 in Bhakti Sagar by Vikram. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Amritvani 4 is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Amritvani 4 by Rajesh Bisen, Pramita is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Santa Sangateecha | Sri Ganapathy Sachchidananda Swamiji | E♭ Major | 5 | 5B | 125 BPM | ||
| Gopal Krishna Radhe Krishna | Ami Joshi | F Minor | 6 | 4A | 127 BPM | ||
| Swami Samarth Namasmaran | Kamalakar Tapasvi | C Major | 8 | 8B | 101 BPM | ||
| Nako Haveli Madi | Madhuri Wilson | D♭ Minor | 5 | 12A | 88 BPM | ||
| Surya Stuti | Prasath Sai, Prakash Kumar | C Minor | 6 | 5A | 97 BPM | ||
| Nanya Spriha Raghupathe | Ramakrishna Math, Monks of the Ramakrishna Order | C Major | 2 | 8B | 84 BPM | ||
| Traipuraagra Vaase | Sri Ganapathy Sachchidananda Swamiji | F♯ Minor | 5 | 11A | 170 BPM | ||
| Prabhu Tara Sharnoman | Pujya Bhaishree Rameshbhai Ojha | A♭ Minor | 6 | 1A | 147 BPM | ||
| Renuka Ashtak | Kumaar Sanjeev | F♯ Major | 6 | 2B | 100 BPM | ||
| Swami Samarth Stavan | Dhanashree Deshpande | B♭ Major | 2 | 6B | 138 BPM | ||
| Itni Shakti Mujhe Do | Dheera Ghosh | F♯ Major | 2 | 2B | 125 BPM | ||
| शिव पंचाक्षर नक्षत्रमाला स्तोत्र | Naisha Joshi, Trupti Dave | A♭ Major | 8 | 4B | 126 BPM | ||
| Sakhi Ri Mohe Laaj Bairan Bhayi | Susmita Das | C Major | 6 | 8B | 148 BPM | ||
| Barse Barse Rang Barse | Rajesh Bisen | E Major | 8 | 12B | 110 BPM | ||
| Saj Rahi Vimle Meri Maa | Rajesh Bisen | F♯ Minor | 8 | 11A | 115 BPM | ||
| Adhyayam, Pt. 12 | J. Bhaktavatsalam, Ganesan, Na | C Major | 7 | 8B | 112 BPM | ||
| Aarti Oaru | Rajesh Bisen | A Major | 5 | 11B | 100 BPM | ||
| May Bapa Tuzi Daya | Yuvraj Pradhan | F♯ Major | 5 | 2B | 92 BPM | ||
| Main Mann Se Aai | Tarannum Malik Jain, Rajesh Bisen | F♯ Minor | 9 | 11A | 98 BPM | ||
| Bahu Punya Kera Punjthi | SRMD Bhakti | D♭ Major | 3 | 3B | 114 BPM | ||
| Kamasikashtakam | Prof. Thiagarajan, Sanskrit Scholars | B Major | 3 | 1B | 78 BPM | ||
| Lili Chundadi Odhi Re Nisrya | Master Rana | F Minor | 6 | 4A | 90 BPM | ||
| Nagar Kot Ki Javala Mata | Shahnaz Akhtar | F♯ Major | 9 | 2B | 76 BPM | ||
| Navratnam | Dhanashri Deshpande | A♭ Major | 1 | 4B | 168 BPM | ||
| Durga Kavasam | Latha Malathi | A Major | 3 | 11B | 120 BPM |