Johnny A.'s ' "I Had To Laugh" was released on its scheduled release date, January 1, 2004. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johnny A.'s "Get Inside" album is number 2 out of 12. The popularity of I Had To Laugh is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of I Had To Laugh by Johnny A. to be Prestissimo (even faster than presto) because the track has a tempo of 204 BPM, a half-time of 102BPM, and a double-time of 408 BPM. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Night I Said Goodbye | Johnny A. | A Major | 9 | 11B | 105 BPM | ||
| Lonely After Hours | Julian Korr | F Major | 3 | 7B | 160 BPM | ||
| Softly | Snowy White, The White Flames | C Major | 5 | 8B | 127 BPM | ||
| I Had To Laugh | Johnny A. | A Major | 8 | 11B | 204 BPM | ||
| THE BLUES HOUSE | Marco Tansini | D Minor | 4 | 7A | 132 BPM | ||
| Blues For Celie | Ronnie Earl, The Broadcasters | C Major | 4 | 8B | 112 BPM | ||
| Sandy | Innes Sibun | E Minor | 3 | 9A | 143 BPM | ||
| Only Teardrops Fall | The Rides | E Minor | 6 | 9A | 94 BPM | ||
| Rockin Rhythm Blues | Ron Turner | C Major | 8 | 8B | 80 BPM | ||
| Taken with Her Eyes | Jeremy Spencer | A Major | 2 | 11B | 109 BPM | ||
| Luz de motel | Novara | A Minor | 4 | 8A | 106 BPM | ||
| Dodging The Blues | Carl Verheyen | F♯ Minor | 5 | 11A | 140 BPM | ||
| Rockin' Chair Blues | Marco Tansini | D Major | 3 | 10B | 126 BPM | ||
| Isn't It A Pity | Peter Frampton Band | G Major | 4 | 9B | 131 BPM | ||
| Natalis | Jeremy Spencer | F Major | 1 | 7B | 148 BPM | ||
| Daydream | John Sebastian, Arlen Roth | A♭ Major | 3 | 4B | 100 BPM | ||
| Cafe Blues | OdinMann | A Minor | 8 | 8A | 82 BPM | ||
| Condor | Dust Follows | F Minor | 6 | 4A | 128 BPM | ||
| You Do Something to Me | Jan Akkerman | E Minor | 4 | 9A | 122 BPM | ||
| Between Heights and Abyss | Noah Beatz | D♭ Minor | 3 | 12A | 140 BPM | ||
| Lover Dance With Me | Sonny Landreth | E Minor | 9 | 9A | 150 BPM | ||
| Overdrive Slide | Ron Turner | C Major | 6 | 8B | 110 BPM | ||
| Over Quiet Fields | Midnight Blues | D♭ Minor | 2 | 12A | 62 BPM | ||
| Blue Girls | The Deep Burrito | B Minor | 3 | 10A | 180 BPM | ||
| Real, Real Love [Feat. Derek Trucks] | Warren Haynes, Derek Trucks | E Minor | 5 | 9A | 129 BPM |