Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra's ' "Mathis Der Maler, 4th Tableau, Scene 2: Wer heiß euchden Grafen ermorden?" was released on its scheduled release date, April 1, 1995. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Mathis Der Maler, 4th Tableau, Scene 2: Wer heiß euchden Grafen ermorden?'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Paul Hindemith, Rafael Kubelik's "Hindemith: Mathis der Maler" album is number 10 out of 61. Mathis Der Maler, 4th Tableau, Scene 2: Wer heiß euchden Grafen ermorden? is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Mathis Der Maler, 4th Tableau, Scene 2: Wer heiß euchden Grafen ermorden? by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bartók: String Quartet No. 4 in C Major, Sz. 91: III. Non troppo lento | Béla Bartók, Belcea Quartet | C Major | 0 | 8B | 72 BPM | ||
| Piano Concerto No. 1 in C Minor, Op. 35: I. Allegro moderato | Dmitri Shostakovich, Boris Giltburg, Rhys Owens, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A♭ Major | 3 | 4B | 142 BPM | ||
| Symphony No. 1, Op. 9: III. Andante tranquillo | Samuel Barber, Leonard Slatkin, St. Louis Symphony | B♭ Major | 3 | 6B | 93 BPM | ||
| Badian: Concerto for Piano & Orchestra, Pt. 3 (Live) | Maya Badian, Winnipeg Symphony Orchestra, Peter Tiefenbach | G Minor | 5 | 6A | 74 BPM | ||
| Schumann: Symphony No. 3 in E-Flat Major, Op. 97, Rhenish: IV. Feierlich | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | E♭ Minor | 1 | 2A | 62 BPM | ||
| Octet in E Flat Major, Op. 20, MWV R20 - Arr. for Four Parts: Scherzo (B) | Felix Mendelssohn, Emerson String Quartet | G Minor | 0 | 6A | 151 BPM | ||
| Piano Quartet No. 2 in G Minor, Op. 45: II. Scherzo (Allegro molto) | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | B♭ Major | 2 | 6B | 104 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Major | 3 | 6B | 144 BPM | ||
| Oboe Sonata, FP 185: III. Déploration: Très calme | Francis Poulenc, Olivier Doise, Alexandre Tharaud | E♭ Minor | 0 | 2A | 63 BPM | ||
| Concerto for Oboe and Small Orchestra in D Major, Op. 144: III. Vivace - Allegro | Richard Strauss, François Leleux, Swedish Radio Symphony Orchestra, Daniel Harding | D Major | 2 | 10B | 126 BPM | ||
| Violin Concerto in D Major, Op. 35: III. Finale. Allegro assai vivace | Erich Wolfgang Korngold, Vadim Gluzman, Hague Residentie Orchestra, Neeme Järvi | G Major | 2 | 9B | 75 BPM | ||
| Pulcinella, K 034: II. Serenata | Igor Stravinsky, Josep Pons, Orquestra De Cambra Teatre Lliure | C Minor | 0 | 5A | 77 BPM | ||
| Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
| Cello Concerto, Op. 22: II. Andante sostenuto | Samuel Barber, Baltimore Symphony Orchestra, Yo-Yo Ma, David Zinman | F♯ Minor | 0 | 11A | 88 BPM | ||
| Viola Concerto: I. Andante comodo | William Walton, Paul Hindemith, William Primrose, Sir Malcolm Sargent, Royal Philharmonic Orchestra | B♭ Major | 1 | 6B | 175 BPM | ||
| Schumann: 3 Romances for Oboe and Piano, Op. 94: No. 1, Nicht schnell | Robert Schumann, Albrecht Mayer, Markus Becker | A Minor | 0 | 8A | 77 BPM | ||
| III. Thema mit Variationen | Paul Hindemith, Nobuko Imai | C Major | 1 | 8B | 80 BPM | ||
| Kodály: Duo for Violin and Cello, Op. 7: II. Adagio (Live at Saratoga Performing Arts Centre, 1998) | Zoltán Kodály, Truls Mørk, Chantal Juillet | F Minor | 1 | 4A | 83 BPM | ||
| Deux Sérénades (Written for Hilary Hahn): No. 1. Sérénade pour mon amour. Moderato | Einojuhani Rautavaara, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | A Minor | 1 | 8A | 92 BPM | ||
| Japanese Suite, Op. 33, H. 126: II. Ceremonial Dance | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM | ||
| Piano Quartet in E-Flat Major, Op. 47: III. Andante cantabile | Robert Schumann, Isabelle Faust, Antoine Tamestit, Jean-Guihen Queyras, Alexander Melnikov | B♭ Major | 0 | 6B | 78 BPM | ||
| Concerto For Oboe And Strings: 2. Minuet & Musette | Ralph Vaughan Williams, Neil Black, English Chamber Orchestra, Daniel Barenboim | G Minor | 2 | 6A | 88 BPM | ||
| Elegie I. In Memoriam: Adagio | Lodewijk Mortelmans, Brussels Philharmonic, Silveer Vandenbroeck | F Minor | 1 | 4A | 83 BPM | ||
| The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | B♭ Major | 0 | 6B | 86 BPM | ||
| Symphony No. 2 in D Major, Op. 43: III. Vivacissimo | Jean Sibelius, Oslo Philharmonic Orchestra, Klaus Mäkelä | F♯ Minor | 1 | 11A | 66 BPM |