- BPM
- 125
- Key
- B♭ Major
- Camelot
- 6B
Ariette, RZ 93 by Riccardo Zandonai, Margherita Guarino, Stefano Guarino Song Details
"Ariette, RZ 93" by Riccardo Zandonai, Margherita Guarino, Stefano Guarino had its release date on July 1, 2014. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 29 in the song's album "Riccardo Zandonai: Musica da camera e per piccola orchestra". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Italy. Based on our statistics, Ariette, RZ 93's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Ariette, RZ 93 by Riccardo Zandonai, Margherita Guarino, Stefano Guarino having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Music Key
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -23.353 dB
- Acousticness
- 99%
- Danceability
- 32%
- Energy
- 12%
- Instrumentalness
- 93%
- Liveness
- 10%
- Loudness
- 61%
- Speechiness
- 4%
- Valence
- 5%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Soy Dalí Excerpt | Hermanos Ferrando, Ignacio Ferrando, Jorge Ferrando | B♭ Major | 1 | 6B | 112 BPM | |
 | La alegría del batallón: "Aquí está quien lo tiene tó y no tiene ná" (Tajuña) | Jose Serrano, Orquesta Juvenil Sinfonía por el Perú, Guillermo García Calvo, Juan Diego Flórez | D Major | 1 | 10B | 75 BPM | |
 | I Puritani / Act 1: Ferma! Invan, invan rapir pretendi! | Vincenzo Bellini, Piero Cappuccilli, Luciano Pavarotti, Anita Caminada, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | A Major | 3 | 11B | 172 BPM | |
 | Gounod: Faust, Act 1: "Ah ! Paresseuse fille qui sommeille encor !" - Chœur des laboureurs. "Aux champs l'aurore nous rappelle" (Chœur, Faust) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | |
 | Lucrezia Borgia: Preludio | Gaetano Donizetti, Lieuwe Visser, John Bröcheler, Marilyn Horne, Graham Clark, Piero de Palma, Richard van Allan, National Philharmonic Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 112 BPM | |
 | Grande Messe des Morts: XVIII. Offertorium: Vado et non revertar - Largo | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | A♭ Major | 0 | 4B | 168 BPM | |
 | Tosca, Act I: Un tal baccano in chiesa! Bel rispetto! | Giacomo Puccini, Matteo Macchioni, Ludovic Tezier, Davide Giangregorio, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | |
 | Il barbiere di Siviglia / Act 1: E desso, o pur m'inganno | Gioachino Rossini, Ugo Benelli, Manuel Ausensi, Fernando Corena, Teresa Berganza, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 2 | 8B | 80 BPM | |
 | Francesca da Rimini, Act IV: O Biancofiore, piccola tu sei! (Live) | Riccardo Zandonai, Leyla Gencer, Orchestra del Teatro Lirico Giuseppe Verdi di Trieste, Silvana Alessio Martinelli, Franco Capuana | D♭ Minor | 2 | 12A | 176 BPM | |
 | Petite messe solennelle: Gratias agimus tibi | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Delphine Galou, Michael Spyres, Alexander Vinogradov | A Major | 2 | 11B | 111 BPM | |
 | Cendrillon: Faites-vous très belles | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B♭ Major | 1 | 6B | 115 BPM | |
 | La Gioconda, Op. 9: "Enzo Grimaldo, Principe di Santafior, che pensi?" | Amilcare Ponchielli, Jonas Kaufmann, Ludovic Tezier, Antonio Pappano, Orchestra of the Accademia di Santa Cecilia, Rome | F Minor | 0 | 4A | 167 BPM | |
 | Carmen / Act 3: Introduction: "Ecoute, compagnon, écoute!" | Georges Bizet, Christine Barbaux, Jane Berbié, Agnes Baltsa, José Carreras, Gino Quilico, Heinz Zednik, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris, Jean Laforge | C Minor | 0 | 5A | 99 BPM | |
| Lucrezia Borgia / Act 1: Maffio Orsini, signora, son io | Gaetano Donizetti, Marilyn Horne, John Bröcheler, Piero de Palma, Graham Clark, Lieuwe Visser, Giacomo Aragall, National Philharmonic Orchestra, Richard Bonynge | F Minor | 4 | 4A | 103 BPM | |
 | La Boheme: Acto III: "Donde Lieta Usce" | Victoria de los Ángeles | D♭ Major | 1 | 3B | 98 BPM | |
 | Andrea Chénier / Act 2: Ecco laggiù Gérard ... La donna che mi ha chiesto | Umberto Giordano, Giorgio Tadeo, Piero de Palma, Luciano Pavarotti, Leo Nucci, Tom Krause, Welsh National Opera Chorus, National Philharmonic Orchestra, Riccardo Chailly | B♭ Major | 3 | 6B | 92 BPM | |
| Gounod: Faust, Act 3: "Je voudrais bien savoir" - Chanson. "Il était un roi de Thulé" (Marguerite) | Charles Gounod, Michel Plasson, Cheryl Studer, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | |
 | Cavalleria rusticana: Tu qui, Santuzza? – Fior la giaggolo | Pietro Mascagni, Fiorenza Cossotto, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | D♭ Major | 1 | 3B | 164 BPM | |
| Francesca da Rimini, Act III: Paolo, datemi pace! (Live) | Riccardo Zandonai, Orchestra del Teatro Lirico Giuseppe Verdi di Trieste, Leyla Gencer, Renato Cioni, Franco Capuana | G Minor | 0 | 6A | 139 BPM | |
 | Conchita: Pappagallesse, chiudete il becco! | Riccardo Zandonai, Lisa Houben, David Banos Marin, Camilla Antonini, Gabriela Aleo, Filippo Arlia, Orchestra Filarmonica della Calabria, Francesco Costa, Coro Lirico Siciliano | D♭ Major | 2 | 3B | 139 BPM | |
 | Semiramide, Act I Scene 8: Ah dov'e, dov'e il cimento? (Idreno) | Gioachino Rossini, Alex Penda, Marianna Pizzolato, Lorenzo Regazzo, John Osborn, Andrea Mastroni, Marija Jokovic, Vassilis Kavayas, Raffaele Facciola, Poznan Camerata Bach Choir, Virtuosi Brunensis, Antonino Fogliani | C Major | 1 | 8B | 81 BPM | |
 | Francesca da Rimini, Act I: Oimè che adesso io provo (Live) | Riccardo Zandonai, Orchestra Del Teatro Alla Scala, Milano, Magda Olivero, Coro La Scala di Milano, Gianandrea Gavazzeni | E♭ Major | 5 | 5B | 140 BPM | |
 | Bellini: I puritani: "Odi! Qual suon si dta?" (Elvira, Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | |
 | Berlioz: Béatrice et Bénédict, H 138, Act 2: "Le vin de Syracuse" (Somarone, Chœur) | Hector Berlioz, John Nelson, Chœur de l'Opéra de Lyon, Gabriel Bacquier, Orchestre de l'Opéra de Lyon | G Major | 2 | 9B | 174 BPM | |
 | Francesca da Rimini, Op. 4, Act IV, Scene Tableau I: Perchè tanto sei strano? (Francesca, Malatestino, La Voce del Prigioniero) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Kenneth Riegel, Alexander Kravets | A♭ Major | 2 | 4B | 95 BPM |
- ISRC
- ITD553000621
- Label
- L-M Records/RCA Records