"Francesca da Rimini, Op. 4, Act IV: Mia cara donna, voi m'attendevate?" by Riccardo Zandonai, Juan Orozco, Christina Vasileva, Philharmonisches Orchester Freiburg, Fabrice Bollon had its release date on November 6, 2015. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Zandonai: Francesca da Rimini, Op. 4 by Riccardo Zandonai, Martin Mühle, Juan Orozco, Christina Vasileva, Philharmonisches Orchester Freiburg, Fabrice Bollon. The song's track number on the album is #18 out of 49 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Francesca da Rimini, Op. 4, Act IV: Mia cara donna, voi m'attendevate?'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act IV: Mia cara donna, voi m'attendevate? by Riccardo Zandonai, Juan Orozco, Christina Vasileva, Philharmonisches Orchester Freiburg, Fabrice Bollon has a tempo of 132 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Francesca da Rimini, Op. 4, Act IV: Mia cara donna, voi m'attendevate? being at 132 BPM, the half-time would be 66 BPM with a double-time of 264 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Adriana Lecouvreur - Ecco il monologo | Riccardo Zandonai, Giulio Fioravanti, Franco Capuana | E♭ Major | 3 | 5B | 111 BPM | ||
| Rigoletto, Act I: Partite? Crudele! | Giuseppe Verdi, Francesco Demuro, Eglė Šidlauskaitė, Tomas Pavilionis, Dmitri Hvorostovsky, Kaunas State Choir, Kaunas City Symphony Orchestra, Constantine Orbelian | A♭ Major | 1 | 4B | 106 BPM | ||
| Francesca da Rimini, Act I: Oimè che adesso io provo (Live) | Riccardo Zandonai, Orchestra del Teatro Lirico Giuseppe Verdi di Trieste, Leyla Gencer, Coro del Teatro Lirico Giuseppe Verdi di Trieste, Franco Capuana | G Minor | 0 | 6A | 139 BPM | ||
| Meyerbeer: Les Huguenots, Acte 1: L'orgie. "Bonheur de la table" (Chœur) | Giacomo Meyerbeer, Cyril Diederich, Chœurs de l'Opéra de Montpellier, Orchestre Philharmonique De Montpellier | C Major | 5 | 8B | 137 BPM | ||
| Strauss, R: Der Rosenkavalier, Op. 59, Act I: "Di rigori armato il seno" (Singer) | Richard Strauss, Herbert von Karajan, Nicolai Gedda, Philharmonia Orchestra | D♭ Major | 1 | 3B | 71 BPM | ||
| La Bohème / Act 1: "Si sente meglio?" - Live | Giacomo Puccini, Anna Netrebko, Rolando Villazón, Bavarian Radio Symphony Orchestra, Bertrand de Billy | E Major | 2 | 12B | 91 BPM | ||
| Adriana Lecouvreur - Acerba voluttà | Riccardo Zandonai, Giulietta Simionato, Franco Capuana | D♭ Minor | 1 | 12A | 82 BPM | ||
| Bellini: I puritani: "Ah! per sempre io ti perdei" (Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| La Boheme: Acto III: "Donde Lieta Usce" | Victoria de los Ángeles | D♭ Major | 1 | 3B | 98 BPM | ||
| Bellini: I puritani: "O rendetemi la speme… Qui la voce sua soave mi chiamava" (Elvira, Giorgio, Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Lasciatemi, lasciatemi andar via ! | Riccardo Zandonai, Gianandrea Gavazzeni | D Major | 4 | 10B | 115 BPM | ||
| Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM | ||
| Preludio VIII - Transcr. for Strings, Harp and Harmonium of Bach's "The Well-Tempered Clavier Book: I. No. 8 in E-Flat Minor" | Riccardo Zandonai, Spettro Armonico Chamber Orchestra, Simone Zuccatti, Francesca Tirale, Antonio Vicentini | A♭ Major | 3 | 4B | 79 BPM | ||
| La Gioconda / Act 3: Sì, morir ella de'! | Amilcare Ponchielli, Nicolai Ghiaurov, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 1 | 6B | 96 BPM | ||
| Carmen / Act 1: "Monsieur le brigadier?" / Duo:"Parle-moi de ma mère!" | Georges Bizet, Katia Ricciarelli, José Carreras, Jean Barney, Danièle Ajoret, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 81 BPM | ||
| Francesca da Rimini, Act I: Madonna Francesca! (Live) | Riccardo Zandonai, Orchestra Del Teatro Alla Scala, Milano, Magda Olivero, Coro La Scala di Milano, Gianandrea Gavazzeni | A Minor | 2 | 8A | 102 BPM | ||
| Bellini: I puritani: "Dov’è Arturo?" (Elvira, Riccardo, Giorgio, Valton, Bruno, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Chabrier: L'étoile, Act II: Quatuor des baisers. "Quand on veut ranimer sa belle" (Lazuli, Aloès, Tapioca, Laoula) | Emmanuel Chabrier, Colette Alliot-Lugaz/Magali Damonte/Antoine David/Ghyslaine Raphanel/Orchestre de l'Opéra National de Lyon/Sir John Eliot Gardiner, Antoine David, Colette Alliot-Lugaz, Ghyslaine Raphanel, Magali Damonte, John Eliot Gardiner, Orchestre De L'Opéra National De Lyon | E♭ Major | 1 | 5B | 75 BPM | ||
| Macbeth, Act II: Va', spirto d'abisso! | Giuseppe Verdi, Shirley Verrett, Stefania Malagu, Piero Cappuccilli, Plácido Domingo, Alfredo Mariotti, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | C Major | 10 | 8B | 135 BPM | ||
| Wagner: Lohengrin, Act 1: "Des Ritters will ich wahren" (Elsa, Chor, König Heinrich) | Richard Wagner, Herbert von Karajan, Berliner Philharmoniker, Anna Tomowa-Sintow, Chor der Deutschen Oper Berlin, Karl Ridderbusch | E♭ Major | 2 | 5B | 88 BPM | ||
| Zandonai: Francesca da Rimini: "O, Biancofiore" | Riccardo Zandonai, Saioa Hernández, Carlo Montanaro, Orquesta Sinfónica de Madrid | C Minor | 1 | 5A | 80 BPM | ||
| La traviata / Act 2: "Un dì, quando le veneri" | Giuseppe Verdi, Cheryl Studer, Juan Pons, Metropolitan Opera Orchestra, James Levine | D♭ Major | 0 | 3B | 83 BPM | ||
| Rossini: Guillaume Tell, Act 1 Scene 2: "Près des torrents qui grondent" (Melchthal, Guillaume, Jemmy, Hedwige, Arnold, Ruodi, Chorus) | Gioachino Rossini, Marie-Nicole Lemieux, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 7 | 9B | 78 BPM | ||
| Il Tabarro, Act I: "O Luigi! Luigi!" | Giacomo Puccini, Jonas Kaufmann, Asmik Grigorian, Asher Fisch, Orchestra del Teatro Comunale di Bologna | A Major | 2 | 11B | 84 BPM | ||
| La traviata / Act 1: Ah, fors’è lui | Giuseppe Verdi, Nadine Sierra, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | D Major | 3 | 10B | 62 BPM |