Rudolf Schock's 'Glück hat als Gast' had a release date set for January 1, 1985. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Glück hat als Gast's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Rudolf Schock und seine Lieder". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Glück hat als Gast is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Glück hat als Gast by Rudolf Schock having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Die Zauberflöte, K. 620: Ouverture | Wolfgang Amadeus Mozart, Hermann Thimig, Kurt Lieck, Josef Greindl, Rudolf Schock, Hans Hotter, Peter Esser, Horst Otto Rainer, Kathe Moller-Siepermann, Wilma Lipp, Teresa Stich-Randall, Annelies Kupper, Elisabeth Lindermeier, Hanna Ludwig, Hilla Oppel, G | E Major | 1 | 12B | 134 BPM | ||
| Der Zigeunerbaron: Als flotter Geist | Johann Strauss II, János Berkes, Hungarian Operetta Orchestra, Laszlo Kovacs | F Minor | 1 | 4A | 86 BPM | ||
| Helden-Gedichte, Op. 87: Heldengedichte, Walzer, Op. 87 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Manfred Müssauer | E♭ Major | 1 | 5B | 96 BPM | ||
| Wien wird bei Nacht erst schön | Robert Stolz, Jonas Kaufmann, Ádám Fischer, Wiener Philharmoniker | A♭ Major | 2 | 4B | 170 BPM | ||
| Was gleicht wohl auf Erden dem Jägervergnügen (Der Freischütz: Jägerchor, 3.Akt) - 1990 Remastered Version | Carl Maria von Weber, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Robert Heger, Orchester der Bayerischen Staatsoper | D Major | 3 | 10B | 109 BPM | ||
| Kleine Fische werden groß | Stefanie Hertel, Eberhard Hertel | A Major | 9 | 11B | 134 BPM | ||
| Dunkelrote Rosen | Rudolf Schock | D Major | 3 | 10B | 140 BPM | ||
| Der Freischütz, Op. 77, J. 277: Jägerchor | Carl Maria von Weber, Radio Kamer Filharmonie, Groot Omroepkoor, Michael Schønwandt, Michael Gläser | D♭ Major | 2 | 3B | 123 BPM | ||
| El Barberillo de Lavapiés: Canción de Paloma | Francisco Asenjo Barbieri, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon, Coro Filarmonico del Regio di Torino, Claudio Fenoglio | A Major | 2 | 11B | 142 BPM | ||
| Wiener Blut, Wiener Blut (From "Wienerblut") | Johann Strauss II, Jonas Kaufmann, Rachel Willis-Sørensen, Ádám Fischer, Wiener Philharmoniker | C Major | 2 | 8B | 84 BPM | ||
| Wolgalied | Monika Martin | C Major | 3 | 8B | 115 BPM | ||
| Les contes d'Hoffman: Einmal wird ein Wunder gescheh'n | Gaby Albrecht | G Major | 5 | 9B | 78 BPM | ||
| Mit Dampf, Op. 70: Mit Dampf, Polka schnell, Op. 70 | Eduard Strauss, Slovak State Philharmonic Orchestra, Mika Eichenholz | B♭ Major | 4 | 6B | 148 BPM | ||
| Das alte Försterhaus | Friedel Hensch Und Die Cyprys | D Major | 2 | 10B | 180 BPM | ||
| Carmen, Act II: Messieurs les officiers, je vous en supplie – Marche | Georges Bizet, Robert Manuel, Jean-Noel Sissia, Tony Jacquot, Maria Laborit, Isabelle Karajan, Claudine Coster, Alain Hitier, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | E Major | 1 | 12B | 98 BPM | ||
| Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
| Ich bin nur ein armer Wandergesell | Rudolf Schock | C Major | 2 | 8B | 72 BPM | ||
| Ave Maria | Johann Sebastian Bach, Charles Gounod, Opera Orchestra, Harry van Hoof, Cristina Deutekom, Opera Chorus | G Major | 1 | 9B | 142 BPM | ||
| Im weißen Rössl: Im Salzkammergut, da kann man fein lustig sein | Robert Stolz, Herta Talmar, Antonia Fahberg, Franz Fehringer, Willy Hofmann, Bernhard Wilfert, Peter Alexander, Chor, Grosses Operetten Orchester, Franz Marszalek | E♭ Major | 4 | 5B | 164 BPM | ||
| Annchen von Tharau | Friedrich Silcher, Carl Maria von Weber Men's Choir, Berlin, Andreas Wiedermann | A Major | 1 | 11B | 139 BPM | ||
| Dagmar Polka (1866) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 168 BPM | ||
| Lili Marleen | Lale Andersen | E♭ Major | 2 | 5B | 134 BPM | ||
| Der Bajazzo: Act I Scene 4: "Hüll' dich in Tand nur" - Lied des Bajazzo | Ruggero Leoncavallo, Staatskapelle Berlin, Rudolf Schock, Horst Stein | C Minor | 2 | 5A | 113 BPM | ||
| Gräfin Mariza - Operetta in 3 Acts: Ich möchte träumen | Emmerich Kálmán, Rita Bartos, Peter Alexander, Grosses Operetten Orchester, Franz Marszalek | F Minor | 3 | 4A | 76 BPM | ||
| Im tiefen Keller sitz ich hier | Gunther Emmerlich | D Major | 3 | 10B | 172 BPM |