Jan Peerce's 'L'koved Shabbos' had a release date set for January 1, 2006. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. L'koved Shabbos's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Songs From "Fiddler On The Roof"". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. L'koved Shabbos is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With L'koved Shabbos by Jan Peerce having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yismechu | Abraham Ellstein, Jan Peerce | G Minor | 1 | 6A | 62 BPM | ||
| Donizetti: L'elisir d'amore, Act 1: "Della crudele Isotta" (Adina, Coro, Giannetta, Nemorino) | Gaetano Donizetti, Francesco Molinari-Pradelli, Angela Arena, Coro dell'Opera di Roma, Mirella Freni, Nicolai Gedda, Orchestra dell'Opera di Roma | B♭ Major | 4 | 6B | 87 BPM | ||
| Donizetti: Don Pasquale, Act 2: "Ah! È rimasto là impietrato" (Malatesta, Pasquale, Norina, Ernesto) | Gaetano Donizetti, Riccardo Muti, Gösta Winbergh, Leo Nucci, Mirella Freni, Sesto Bruscantini, Philharmonia Orchestra | E Major | 2 | 12B | 75 BPM | ||
| Anvil Chorus (from Il Trovatore) | Robert Shaw Chorale, Robert Shaw, RCA Victor Orchestra | C Major | 3 | 8B | 139 BPM | ||
| Gounod: Faust, Act 1: "Rien ! En vain j'interroge" (Faust) | Charles Gounod, Michel Plasson, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| A Shepherd, a Dreamer | Rappaport, Jan Peerce, Warner Bass | E♭ Major | 1 | 5B | 99 BPM | ||
| La donna è mobile | Mario del Monaco | F Major | 3 | 7B | 89 BPM | ||
| My Yiddishe Momme | Jan Peerce | C Major | 1 | 8B | 91 BPM | ||
| Quousque Dómine (salmo 12) | Orfeón de Miravalles | A♭ Major | 2 | 4B | 82 BPM | ||
| El barberillo de Lavapiés, Acto I: Marquesita, Paloma y Lamparilla | Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra | D Major | 3 | 10B | 75 BPM | ||
| Adriana Lecouvreur / Act II: "Acerba voluttà, dolce tortura ... O vagabonda stella d'Oriente" | Francesco Cilea, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | F Major | 2 | 7B | 177 BPM | ||
| Lucia di Lammermoor / Act 3: Spargi d'amaro pianto | Gaetano Donizetti, Nadine Sierra, Capella Cracoviensis, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | E♭ Major | 1 | 5B | 89 BPM | ||
| Emigrantes: "Adiós, Granada" (Tordiyo) | Rafael Calleja, Tomás Barrera, Orquesta Juvenil Sinfonía por el Perú, Guillermo García Calvo, Juan Diego Flórez | D Major | 1 | 10B | 68 BPM | ||
| Gounod: Faust, Act 2: Valse. "Ainsi que la brise légère" (Chœur, Méphistophélès, Faust, Siebel) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, José van Dam, Martine Mahé, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Voi, che sapete (Le nozze di Figaro) | Rise Stevens | B♭ Major | 1 | 6B | 70 BPM | ||
| Ka | Baksman | G Minor | 3 | 6A | 81 BPM | ||
| Linda di Chamounix, A. 62, Act I Scene 3: Ah! Tardai troppo | Gaetano Donizetti, Jessica Pratt, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | D♭ Major | 0 | 3B | 141 BPM | ||
| Dunque Io Son...Tu Non M' Inganni | Gioachino Rossini, Riccardo Chailly | G Major | 1 | 9B | 125 BPM | ||
| Les Pêcheurs de perles: Demeure parmi nous, Nadir (Zurga, Nadir, Fishermen, Villagers) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | G Minor | 2 | 6A | 72 BPM | ||
| Mozart: Così fan tutte, K. 588, Act I, Scene 1: No. 3, Terzetto. "Una bella serenata" (Ferrando, Guglielmo, Don Alfonso) | Wolfgang Amadeus Mozart, Alfredo Kraus, Giuseppe Taddei, Heinrich Schmidt, Walter Berry, Karl Böhm, Philharmonia Orchestra | F Major | 1 | 7B | 85 BPM | ||
| Rigoletto: Scorrendo uniti remota via | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | A Major | 1 | 11B | 118 BPM | ||
| Preludio (Rigoletto) | Jan Peerce, RCA Victor Orchestra, Joyce White, Arthur Newman, Nathaniel Sprinzena, Italo Tajo, Leonard Warren, Erna Berger, Nan Merriman, Paul Ukena | G Major | 2 | 9B | 73 BPM | ||
| Wagner: Lohengrin, Act 1: "Des Ritters will ich wahren" (Elsa, Chor, König Heinrich) | Richard Wagner, Herbert von Karajan, Berliner Philharmoniker, Anna Tomowa-Sintow, Chor der Deutschen Oper Berlin, Karl Ridderbusch | A♭ Major | 3 | 4B | 88 BPM | ||
| Bizet: Carmen, Act 1: "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Jonas Kaufmann, Magdalena Kozená | F♯ Minor | 0 | 11A | 83 BPM | ||
| Vus Vet Zain As Meschiach Vet Kumen | Jan Peerce | G Minor | 2 | 6A | 72 BPM |