- BPM
- 75
- Key
- D Minor
- Camelot
- 7A
Barber: Adagio for Strings, Op. 11a (After "Molto adagio" from String Quartet, Op. 11) by Samuel Barber, London Symphony Orchestra, Michael Tilson Thomas Song Details
"Barber: Adagio for Strings, Op. 11a (After "Molto adagio" from String Quartet, Op. 11)" by Samuel Barber, London Symphony Orchestra, Michael Tilson Thomas had its release date on May 17, 1995. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 13 in Copland: Quiet City by Barbara Hendricks, Michael Tilson Thomas, London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Barber: Adagio for Strings, Op. 11a (After "Molto adagio" from String Quartet, Op. 11) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Barber: Adagio for Strings, Op. 11a (After "Molto adagio" from String Quartet, Op. 11) by Samuel Barber, London Symphony Orchestra, Michael Tilson Thomas is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
Music Key
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 11%
- Loudness
- -33.591 dB
- Acousticness
- 99%
- Danceability
- 24%
- Energy
- 2%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 44%
- Speechiness
- 6%
- Valence
- 17%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Adagio for Strings | Samuel Barber, Charles Münch | D Major | 4 | 10B | 90 BPM | |
 | Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 85 BPM | |
 | Les larmes de Jacqueline, Op. 76, No. 2 | Jacques Offenbach, Harriet Krijgh, Kamilla Isanbaeva | C Major | 1 | 8B | 129 BPM | |
 | Mercy | Max Richter, Hilary Hahn, Cory Smythe | B♭ Minor | 0 | 3A | 91 BPM | |
 | Serse, HWV 40: Largo "Ombra mai fu" | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM | |
 | Barber: Adagio for Strings, Op. 11 | Samuel Barber, Philadelphia Orchestra, Eugene Ormandy | B♭ Minor | 1 | 3A | 80 BPM | |
 | Elevazione for Solo Oboe, Solo Cello, Strings and Organ (Arr. V. Hunt) | Domenico Zipoli, Gordon Hunt, Norrköping Symphony Orchestra | F Major | 1 | 7B | 83 BPM | |
 | Puccini: Gianni Schicchi: "O mio babbino caro" (Lauretta) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, London Symphony Orchestra | A♭ Major | 1 | 4B | 82 BPM | |
 | Lascia Ch' io Pianga | George Frideric Handel, HAUSER, London Symphony Orchestra, Robert Ziegler | D Major | 3 | 10B | 173 BPM | |
| Intermezzo (Cavalleria Rusticana) | Domenico Monleone, Pietro Mascagni, HAUSER, London Symphony Orchestra, Robert Ziegler | F Major | 4 | 7B | 87 BPM | |
 | Enigma Variations, Op. 36: Var. 9. Adagio "Nimrod" | Edward Elgar, London Symphony Orchestra, Eugen Jochum | E♭ Major | 1 | 5B | 86 BPM | |
 | Violin Concerto, 2nd mvt. (Arr. Gelgotas) | Philip Glass, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer | C Minor | 2 | 5A | 86 BPM | |
 | Pärt: Spiegel im Spiegel (Excerpt) | Arvo Pärt, Tasmin Little, Martin Roscoe | F Major | 0 | 7B | 82 BPM | |
 | Nocturne in C Sharp Minor, KK IVa/16 | Frédéric Chopin, Jan Lisiecki | D♭ Minor | 0 | 12A | 65 BPM | |
 | Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | |
 | Tristan und Isolde, WWV 90: Prelude To Act I | Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons | A Minor | 1 | 8A | 79 BPM | |
 | Adagio For Strings, Op.11/2 - Live | Samuel Barber, Baltimore Symphony Orchestra, David Zinman | B♭ Minor | 0 | 3A | 71 BPM | |
 | Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Gautier Capuçon, Antonio Pappano, London Symphony Orchestra | B♭ Major | 0 | 6B | 84 BPM | |
 | Adagietto | HAUSER | E♭ Major | 3 | 5B | 77 BPM | |
 | Grieg: Peer Gynt, Op. 23, Act 3: No. 12, The Death of Åse | Edvard Grieg, Paavo Järvi, Estonian National Symphony Orchestra | F Major | 0 | 7B | 81 BPM | |
 | Stranger in Paradise | HAUSER, London Symphony Orchestra, Alexander Borodin | D Major | 5 | 10B | 73 BPM | |
 | Madama Butterfly / Act 2: "Coro a bocca chiusa" (Humming Chorus) | Giacomo Puccini, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | G Major | 2 | 9B | 139 BPM | |
 | Rusalka, Op. 114: Song to the Moon (Arranged for Violin & Orchestra by Joshua Bell) | Antonín Dvořák, Joshua Bell, Michael Stern, Orchestra of St. Luke's | F♯ Major | 1 | 2B | 137 BPM | |
 | Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | C Minor | 1 | 5A | 85 BPM | |
 | Pavane pour une infante défunte (Pavane for a Dead Princess), M. 19 | London Symphony Orchestra | G Major | 1 | 9B | 74 BPM |
- ISRC
- GBAYC9401155
- Label
- L-M Records/RCA Records