On April 12, 2024, the song "Sonate e Partite: No. 20, Menuet en Rondeau (Recomposed by Luca Astolfoni Fossi)" was released by Francesco Lecce, Claudio Ferrarini. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 20 out of 25 in Francesco Lecce: 67 Sonate e Partite. Works for Unaccompanied Violin Recomposed for Solo Flute by Luca Astolfoni Fossi, Book I by Francesco Lecce, Claudio Ferrarini. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Sonate e Partite: No. 20, Menuet en Rondeau (Recomposed by Luca Astolfoni Fossi) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sonate e Partite: No. 20, Menuet en Rondeau (Recomposed by Luca Astolfoni Fossi) by Francesco Lecce, Claudio Ferrarini is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Overture (Suite) In A Minor, TWV 55:a2: V. Rejouissance | Jiří Stivín, Capella Istropolitana, Georg Philipp Telemann | E Minor | 1 | 9A | 123 BPM | ||
| Rameau: Dardanus, Act 4: Contredanse | Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner | A Major | 2 | 11B | 124 BPM | ||
| Purcell: The Indian Queen, Z. 630, Act 2: Symphony. Adagio | Henry Purcell, John Eliot Gardiner, English Baroque Soloists | F♯ Major | 0 | 2B | 174 BPM | ||
| First Suite In A Minor (Premiere Suite, En La Mineur): Mouvement De Gigue (La Pointilleuse) | Alexandre De Villeneuve | A♭ Major | 0 | 4B | 84 BPM | ||
| Musique de table, Pt. I, Overture (Suite) in E Minor, TWV 55:E1: VI. Air | Georg Philipp Telemann, Orchestra of the Golden Age | E♭ Minor | 0 | 2A | 175 BPM | ||
| Sonata in G minor, HWV 364a: I. Larghetto | George Frideric Handel, Riccardo Minasi | D Minor | 1 | 7A | 170 BPM | ||
| "Sonate à quatre parties" In D Major: 2. Adagio | Jean-Baptiste Quentin, Hajo Bäß, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 63 BPM | ||
| Concerto a cinque No. 8, Op. 9: I. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | F♯ Minor | 3 | 11A | 111 BPM | ||
| Sonate e Partite: No. 11, Presto (Recomposed by Luca Astolfoni Fossi) | Francesco Lecce, Claudio Ferrarini | G Major | 1 | 9B | 73 BPM | ||
| First Suite In A Minor (Premiere Suite, En La Mineur): Introduction (L'Entrevue) | Alexandre De Villeneuve | E♭ Major | 2 | 5B | 69 BPM | ||
| Concerto Grosso in C Minor, Op. 1 No. 11: IV. Giga. Allegro | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | C Minor | 3 | 5A | 69 BPM | ||
| Violin Sonata in E Minor, Op. 6 No. 9: I. Preludio. Largo | Giovanni Mossi, Augusta McKay Lodge, Doug Balliett, Adam Cockerham, Elliot Figg | F♯ Major | 1 | 2B | 105 BPM | ||
| 3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: I. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Concerto No. 1 In D Major RV 549: I. Allegro (Vivaldi) | Accademia Bizantina | D♭ Major | 2 | 3B | 121 BPM | ||
| Sonate pour le violon et le clavecin in A Minor: I. [...] | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | A♭ Minor | 1 | 1A | 113 BPM | ||
| Sonata Da Camera No. 7 in D minor, Op. 5: III. Sarabanda (Largo) | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | D♭ Minor | 1 | 12A | 139 BPM | ||
| Concert royaux, Quatrième concert in E Minor: VII. Forlane en rondeau. Gaiement | François Couperin, Lucie Horsch, Tom Foster | E♭ Major | 0 | 5B | 72 BPM | ||
| Sonate e partite: No. 57, Moderato-Andante | Francesco Lecce, Vincenzo Bianco | A Major | 1 | 11B | 73 BPM | ||
| Scarlatti, A: Sonata for Recorder and Strings No. 2 in A Minor: III. Fuga | Alessandro Scarlatti, Fabio Biondi, Europa Galante, Petr Zejfart | A♭ Minor | 1 | 1A | 137 BPM | ||
| Concerto for Flute, English Horn, Strings and B.c. "Amabile baltà": Allegro ma non troppo ("Più amabile beltà" from Opera 'Giulio Cesare', HWV 17) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Matthieu Gauci-Ancelin, Jakub Haufa, Monika Razynska | D♭ Major | 2 | 3B | 122 BPM | ||
| Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 7 in G Major: V. Allegro assai | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Alain Gervreau | F♯ Major | 3 | 2B | 124 BPM | ||
| Sonate e Partite: No. 52, Andante (Recomposed by Luca Astolfoni Fossi) | Francesco Lecce, Claudio Ferrarini | G Major | 1 | 9B | 69 BPM | ||
| Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 116 BPM | ||
| Mystery Sonata No. 9 "Jesus Carries the Cross": I. Sonata | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | A♭ Minor | 1 | 1A | 110 BPM | ||
| Concerto Armonico No. 6 in E-Flat Major: Presto - Largo | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | D Major | 1 | 10B | 146 BPM |