"Amanda Finds Out" by Aaron Zigman had its release date on October 10, 2014. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Amanda Finds Out's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "The Best of Me (Original Motion Picture Score)". In this album, this song's track order is #28. Furthermore, we believe that the track originated from United States. Amanda Finds Out is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Amanda Finds Out by Aaron Zigman having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Story Of My Life | The Chamber Orchestra Of London | F Minor | 1 | 4A | 86 BPM | ||
| Dad's Advice | William Ross | D♭ Major | 0 | 3B | 137 BPM | ||
| Overture | Aaron Zigman | A♭ Major | 1 | 4B | 103 BPM | ||
| Photo | Mark Mancina | F Major | 1 | 7B | 156 BPM | ||
| Where Does That Leave Me? | Rupert Gregson-Williams | D Minor | 1 | 7A | 136 BPM | ||
| Viola's Audition - Instrumental | Stephen Warbeck, Nick Ingman, Gavyn Wright | E Minor | 1 | 9A | 74 BPM | ||
| Making Moonlight | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| Tema di Jane | Claudio Capponi, Alessio Vlad | D Major | 2 | 10B | 82 BPM | ||
| Rosie Dunne, Can I Take You to the Dance ? | Ralf Wengenmayr | G Major | 2 | 9B | 79 BPM | ||
| There is Nothing Lost | Patrick Doyle | F Major | 1 | 7B | 77 BPM | ||
| ...Now What? | Geoff Zanelli | E Major | 1 | 12B | 70 BPM | ||
| Unrequited Love | Ari Posner, Amin Bhatia | G Minor | 0 | 6A | 84 BPM | ||
| Evelyn Goes It Alone | Geoff Zanelli, Jon Brion | F♯ Minor | 1 | 11A | 83 BPM | ||
| Remembering Marilyn | Lang Lang, Conrad Pope | F Major | 0 | 7B | 73 BPM | ||
| Knightley's Walk | Samuel Sim | G Major | 1 | 9B | 92 BPM | ||
| Goodnight Dear Void | George Fenton | E Minor | 1 | 9A | 115 BPM | ||
| We Keep in Touch, Okay ? | Ralf Wengenmayr | G Major | 0 | 9B | 73 BPM | ||
| Courage and Kindness | Patrick Doyle | G Major | 0 | 9B | 80 BPM | ||
| The End | Stuart Earl | A Minor | 1 | 8A | 73 BPM | ||
| It Was Love - Reprise | Aaron Zigman | C Major | 0 | 8B | 146 BPM | ||
| My Sanctuary | Amelia Warner | F Major | 1 | 7B | 63 BPM | ||
| Mia's Makeover - Score | John Debney | E Minor | 0 | 9A | 169 BPM | ||
| Mom's On Call / Late To Trolley | Clint Eastwood | D♭ Major | 1 | 3B | 105 BPM | ||
| You'll See | Mark McKenzie | A♭ Major | 0 | 4B | 98 BPM | ||
| The Hardest Job | Theodore Shapiro | C Major | 0 | 8B | 96 BPM |