Rampat Harami, Rani Bala, Poonam, Nanda Rajkapoor, שריף, Purnima's ' "Gavne Waali Raat Hamen Badaa Majaa Aayo Re" was released on its scheduled release date, June 25, 1998. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Tapki Jaye Jalaebi (Stage Rasiya)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from India. Gavne Waali Raat Hamen Badaa Majaa Aayo Re is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Gavne Waali Raat Hamen Badaa Majaa Aayo Re by Rampat Harami, Rani Bala, Poonam, Nanda Rajkapoor, שריף, Purnima having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bhaag Mein Ber Barkue Ba | Anand Mohan, Kalpana Patowary | F Major | 6 | 7B | 99 BPM | ||
| Chunariya Me Dag Lag Gail | Dimple Bhumi | D♭ Major | 9 | 3B | 78 BPM | ||
| Sanehiya Lagawal | Dimple Bhumi | G Major | 9 | 9B | 138 BPM | ||
| Piya Main To Basanti Bayaar | MANOJ TIWARI | G Major | 6 | 9B | 116 BPM | ||
| Ajoo Dhanwan Kutaoo | Sharda Sinha | D♭ Major | 3 | 3B | 158 BPM | ||
| Halke Se Mile | Ramprakash Tufani, Ramdevi Sargam | F♯ Major | 9 | 2B | 79 BPM | ||
| Chuti Na I Rangva | Guddu Rangila | B♭ Major | 6 | 6B | 82 BPM | ||
| Aava Ae Bhouji Kaahe Lajalu | Bharat Sharma Vyas | B♭ Major | 8 | 6B | 179 BPM | ||
| Pyar Kare Se Pahile Soch Le Natija Raja Ji | Karina Pandey, Golu Raja | B♭ Minor | 7 | 3A | 89 BPM | ||
| Daroga Ji | Omprakash Singh Yadav, Ravina Ranjan | F♯ Major | 9 | 2B | 127 BPM | ||
| Lali Lali Bindiya | Madan Rai | D♭ Minor | 4 | 12A | 80 BPM | ||
| Ya Ali Datar Mira Ali Datar | Anis Nawab | E♭ Major | 9 | 5B | 150 BPM | ||
| Shri Ram Jai Ram | Om Shiv Shambho Collective | D♭ Major | 6 | 3B | 114 BPM | ||
| Aaja Shyam Tu | Halke Ram Kushwah | A♭ Major | 9 | 4B | 142 BPM | ||
| Bahe Jab Jab Purwaiya | Guddi Gilahari | F Minor | 7 | 4A | 133 BPM | ||
| Beti Zulm Kamawea Na | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | B Major | 5 | 1B | 80 BPM | ||
| Mayike Mai Maza Loot Aayi Shadi Se Pehle | Rampat Harami, Rekha, Rani, Sona, Shabnam, Sajjan | D Major | 7 | 10B | 128 BPM | ||
| Holi Ke Bahar Ke Maza | Guddu Rangila | B♭ Major | 8 | 6B | 89 BPM | ||
| Mayke Me Nono Lagat Naiya Sasre Jane Moy | Raju Patel | F Major | 7 | 7B | 123 BPM | ||
| Diwana Hoge Tura Re | Shiv Kumar Tiwari | E♭ Minor | 7 | 2A | 126 BPM | ||
| Lahanga Me Hartal Chalta | Golu Raja | D♭ Major | 6 | 3B | 76 BPM | ||
| Hon Laga Mahghor Sangram | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | A Major | 7 | 11B | 160 BPM | ||
| Sujhe Na Koi Upay Saiyaan | Raj Singh | A♭ Minor | 9 | 1A | 145 BPM | ||
| Siya Ke Chuman Janak Ji Ke Angna | Poonam Mishra | F♯ Major | 9 | 2B | 101 BPM | ||
| Maiya Bani Sukwar | Karina Pandey, Sovita Pandey | E♭ Minor | 8 | 2A | 123 BPM |