"Adíos Nonino (Tango Rapsodia) - orchestrated by Luis Enriques Bacalov" by Héctor Ulises Passarella, Luis Bacalov, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung had its release date on January 1, 2000. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 8 in Bacalov: Misa Tango; Tangosaín / Piazzolla: Adiós Nonino; Libertango by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Adíos Nonino (Tango Rapsodia) - orchestrated by Luis Enriques Bacalov's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adíos Nonino (Tango Rapsodia) - orchestrated by Luis Enriques Bacalov by Héctor Ulises Passarella, Luis Bacalov, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Waltz | Balanescu Quartet | D Major | 2 | 10B | 145 BPM | ||
| Main Theme (From "Schindler's List") | John Williams, Renaud Capuçon, Stéphane Denève, Brussels Philharmonic | D Minor | 1 | 7A | 87 BPM | ||
| Tango Natasha | Charlie Chaplin, Philippe Quint | C Minor | 2 | 5A | 119 BPM | ||
| Piazzolla: Concierto para quinteto (Arr. Runge & Ammon for Piano Quintet) | Artemis Quartet, Jacques Ammon | G Minor | 2 | 6A | 76 BPM | ||
| Giazzotto: Adagio in G Minor "Albinoni's Adagio" | Remo Giazotto, Xavier Darasse, Louis Auriacombe, Orchestre De Chambre De Toulouse | E Minor | 0 | 9A | 70 BPM | ||
| Kreisler: Marche miniature viennoise (Arr. Lehn for Trumpet and Orchestra) | Fritz Kreisler, Lucienne Renaudin Vary, Sascha Goetzel, Orchestre de chambre de Paris | D Major | 1 | 10B | 100 BPM | ||
| Leningrad (Orch. Dannheisser) | Lisa Batiashvili, London Metropolitan Orchestra, Andy Brown | A Major | 1 | 11B | 87 BPM | ||
| Maskarade: Waltz - Version for Piano | Aram Khachaturian, Murray McLachlan | C Major | 1 | 8B | 93 BPM | ||
| Don Quixote: Act II: Gypsy Dance II | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | D♭ Major | 2 | 3B | 78 BPM | ||
| Culinary Harmony | Estoria | D Major | 1 | 10B | 131 BPM | ||
| Song of the Birds | Pablo Casals, Sol Gabetta, Amsterdam Sinfonietta | D Major | 1 | 10B | 68 BPM | ||
| Yesterday | Janoska Ensemble | D Major | 1 | 10B | 70 BPM | ||
| Buenos Aires hora cero | Gidon Kremer | D Major | 1 | 10B | 82 BPM | ||
| Eight Short Preludes and Fugues, BWV 553: Prelude No. 1 in C Major (Arr. for Bandoneón) | Johann Sebastian Bach, Héctor Ulises Passarella | G Major | 1 | 9B | 77 BPM | ||
| The Four Seasons Recomposed, Winter (After A. Vivaldi): I. — | Max Richter, Francisco Fullana, City Of Birmingham Symphony Orchestra, Carlos Izcaray | F Minor | 5 | 4A | 151 BPM | ||
| Hungarian Dance No. 1 in G Minor, WoO 1 | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | G Minor | 2 | 6A | 115 BPM | ||
| Toccate e partite d'intavolatura, libro secondo, F 3.26: Aria detta balletto. V (Arr. for Bandoneón) | Girolamo Frescobaldi, Héctor Ulises Passarella | G Major | 1 | 9B | 77 BPM | ||
| Concierto de Otoño: II. Balada de floripondios | Arturo Márquez, Pacho Flores, Orquesta Sinfónica de Minería, Carlos Miguel Prieto | D Major | 2 | 10B | 92 BPM | ||
| Moonlight Liaison | Paul Mottram | D Minor | 2 | 7A | 123 BPM | ||
| Reflection No. 2 | Camille Thomas, Julien Brocal | D Major | 1 | 10B | 131 BPM | ||
| Black Orpheus: Manha de Carnaval | Luiz Bonfá, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | G Minor | 1 | 6A | 97 BPM | ||
| Four Seasons of Buenos Aires: I. Primavera Porteña | Devich Trio | G Minor | 1 | 6A | 84 BPM | ||
| La Strada | Amy Dickson, Nino Rota, London Session Orchestra | F Major | 1 | 7B | 137 BPM | ||
| Мегаполис | Bel Suono | B♭ Major | 9 | 6B | 180 BPM | ||
| Suite all’Antica: II. Minuetto (Arr. for Bandoneón) | Guido Santorsola, Héctor Ulises Passarella | A Major | 0 | 11B | 74 BPM |